- Ancient Chinese manuscripts
- Han-Tang Stele inscriptions
- Oral histories
- Family papers
- Private collections
Muestra de Cine Coreano en Barcelona
La muestra de cine, que tendrá lugar en los Boliche Cinemes del 7 al 11 de julio, presenta su cartel además de las películas de inauguración y de clausura.
El Korea Fest BCN nace como una muestra de cine que abarca desde las propuestas más independientes hasta las grandes producciones coreanas. La versión en blanco y negro de Parásitos de Bong Joon-ho será la encargada de inaugurar el evento que se clausurará con una de las cintas independientes más avaladas del año, Lucky Chan-sil. Las entradas para el certamen se pondrán a la venta próximamente.
Organizado por CineAsia y Boliche Cinemes, con la colaboración del Centro Cultural Coreano de Madrid, el Consulado de Corea en Barcelona y el Seoul Independent Film Festival (SIFF), el Korea Fest BCN nace como una muestra de cine que pretende dar una visión global del cine que se realiza en Corea del Sur. Desde el cine más independiente, con algunas obras que han triunfado en festivales de cine internacionales (Busan, San Sebastián, Róterdam), hasta el cine más comercial, grandes blockbusters aupados por la taquilla del país.
La muestra culmina los actos de celebración del 70 aniversario de las relaciones diplomáticas entre España y Corea que tuvo lugar el año pasado, y tiene como objetivo estrechar los lazos entre ambos países. Además de las quince películas que conforman la programación, y que desvelaremos próximamente, el Korea Fest BCN ofrecerá diferentes actividades paralelas, algunas de ellas en colaboración con Korea en Barcelona:
“Parásitos” en blanco y negro inaugurará la muestra
Si hace un año la cinematografía coreana se coronaba en los Premios Oscar® con la producción de Bong Joon-ho, Parásitos, que se alzó con cuatro estatuillas incluyendo la de mejor película, director, guion y película de habla no inglesa, el Korea Fest BCN ha querido rendirle homenaje con la proyección en la Gala inaugural de la versión en blanco y negro de Parásitos, que el director realizó antes de presentar la película en color en el Festival de cine de Cannes, y que se proyectará en la que será su premier catalana.
Y de un premio a otro. Este año los Oscar® han reconocido por primera vez el trabajo de una actriz coreana, la veterana Youn Yuh-jung, por su interpretación en la película independiente americana Minari. La actriz forma parte del elenco del film que clausurará el Korea Fest BCN el domingo 11 de julio, Lucky Chan-sil. La película está dirigida por la realizadora Kim Cho-hee, que antes de debutar en la dirección colaboró con el maestro Hong Sang-soo, en la producción de diez de sus obras. Lucky Chan-sil es una deliciosa comedia fantástica que se ha convertido en la película independiente del año 2020 tras los premios conseguidos en el Festival de Busan, en los Windflower Awards, y los seis premios obtenidos en los Buil Film Awards.
El Korea Fest BCN, ofrecerá precios populares y abonos para diferentes sesiones. Las entradas se pondrán a la venta de manera online próximamente en la web de los Boliche Cinemes, además de poder adquirirlas en la taquilla del cine.
El Korea Fest BCN cumplirá con las medidas sanitarias y de seguridad, así como con el aforo que marquen las autoridades sanitarias en el momento de celebración de la muestra.
Mail y persona de contacto: Gloria Fernández / cineasia@cineasia.net
Call for paper for an edited volume:
‘ASIANISM RETOLD’
This is an open call to seek papers for a peer reviewed publication on, ‘Asianism Retold, which is under the Programme, ‘Asianism Retold’ - an initiative to understand the nature of common and distinct Asian values and identity; its role in the region’s development; Asia’s position in global geopolitics and in shaping the next set of international concepts. There have been several ideologies in the past on the question of Asian identity and values that have attempted to promote the political and economic unity and cooperation of Asian people. What can we learn by relooking in this in our current context.
Coloquio:
«Mujer y familia. Una visión desde autoras coreanas»
London Science Fiction Research Community (LSFRC)
9-11 September 2021, online
Keynote Speakers: Grace Dillon, Radha D’Souza
Guest Creators: Jeannette Ng, Rivers Solomon, Neon Yang
In an age when Me Too, Black Lives Matter, Decolonise the Curriculum, Refugees Welcome, and movements for global solidarity with oppressed populations have become part of mainstream discourse, it is vital to re-examine the relationship between activism, resistance and the mass imagination vis-a-vis science fiction. As a genre dedicated to imagining alternatives, science fiction is an inherently radical space which allows for diverse explorations of dissent. It is, also, a space that has been rightfully critiqued for its historic inequities favouring white cishet men (as recently addressed by Jeanette Ng during the 2019 Hugo Awards among others). There needs to be reckoning with how precarious bodies engage in activism and resistance in the context of their material realities and restrictions. Therefore, we must deny universalising a single experience as “radical enough” and instead acknowledge how communities in the margins – queer, trans, disabled, neurodivergent, BIPOC, immigrants and refugees, religious minorities, indigenous populations, casualised workers, the homeless and unemployed – have specific ways of subverting and undermining the system, as well as specific stakes and reasons to do so. It is imperative to not only revisit how science fiction has been a space for activism and resistance, but also resist and challenge the genre’s shortcomings.
For our 2021 conference, the LSFRC welcomes submissions that explore the theme of “Activism and Resistance.” We recognise the urgency of this theme and the broad ways in which it can be interpreted and applied. We welcome contributions that explore SF as the site of activism and resistance, critical reflections of activism and resistance against SF’s tradition so far, and broader contributions on the topics of activism and resistance. We are especially keen to welcome practitioners, activists, change-makers and dissidents who are working to create a more equitable world. We do not adhere to strict reading of the term SF; instead, we encourage a widening of the genre to highlight and uplift different voices and perspectives. We invite proposals for papers, panels, workshops, protest and disruption sessions, performances, installations, and creative responses to the theme, and we would like to actively encourage alternative and innovative forms of presentation and engagement.
We are aware that academic conferences often have barriers to access and if you have any specific concerns, please do reach out, especially as the online format carries its own challenges (and benefits). We hope we can alleviate some of these concerns with the reassurance that paying for registration is completely optional.
Please email proposals (300 words + 50 word author bios) and/or enquiries to lsfrcmail@gmail.com by 30th June. For this conference, we are organising a track on gaming, SF and activism + resistance. If you would like to be considered for this track, please indicate this in your proposal.
Possible topics include:
Suggested Reading:
Texts on collective action, community change, and strategies of care: Emergent Strategy: Shaping Change, Changing Worlds; Temporary Autonomous Zone; Deciding for Ourselves: The Promise of Direct Democracy; Overcoming Burnout; Freedom is a Constant Struggle: Ferguson, Palestine and the Foundations of a Movement; Beyond Survival: Strategies and Stories from the Transformative Justice Movement; Mutual Aid: Building Solidarity in This Crisis (and the next; Glitch Feminism; The Body is Not an Apology: The Power of Self-Love; Traditions, Tyranny, and Utopia: Essays on the Politics of Awareness.
Texts on class revolution and socio-economic reform: The Society of the Spectacle; Traditions, Tyranny, and Utopia: Essays on the Politics of Awareness; The Precariat: The New Dangerous Class; Post-capitalist Desire; Social Class in the 21st Century.
Texts on intersectional feminisms: Octavia’s Brood: Science Fiction from Social Justice; Living a Feminist Life; Utopian Bodies and the Politics of Transgression; BodyMinds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction; How We Get Free: Black Feminism and the Combahee River Collective; Unapologetic: A Black, Queer, Feminist Mandate for Radical Movements; Hood Feminism: Notes from the Women that a Movement Forgot; Glitch Feminism; Feminism in Play.
Texts on queer rights and justice: Cruising Utopia: the Then and There of Queer Futurity; Transgender History: Roots of Todays Revolution; Unapologetic: A Black, Queer, Feminist Mandate for Radical Movements; Queer Phenomenologies; Queer Universes: Sexualities in Science Fiction; I Hope We Choose Love: A Trans Girl’s Notes from the End of the World.
Texts on critical race theory, racial justice and decolonisation: The Undercommons: Fugitive Planning & Black Study; The Wretched of the Earth; Black Utopias: Speculative Life and the Music of Other Worlds; The Sound of Culture: Diaspora and Black Technopoetics; There Ain’t no Black in the Union Jack; Octavia’s Brood: Science Fiction from Social Justice; Decolonizing Science Fiction and Imagining Futures: An Indiginous Futurisms roundtable (Strange Horizons); Liberating Sápmi: Indigenous Resistance in Europe’s Far North; From a Native Daughter: Colonialism and Sovereignty in Hawai’i; Intersectional Tech: Black Users in Digital Gaming; Race After Technology: Abolitionist Tools for the New Jim Code; Captivating Technology: Race, Carceral Technoscience, and Liberatory Imagination in Everyday Life; Distributed Blackness: African American Cybercultures; As Long as Grass Grows: The Indigenous Fight for Environmental Justice, from Colonization to Standing Rock.
Texts on bodily autonomy, reproductive justice and sex work: Pleasure Activism; Revolting Prostitutes; Know My Name; Dis/Consent: Perspectives on Sexual Consent and Violence; Post-capitalist Desire; The Body is Not an Apology: The Power of Self-Love.
Texts on disability justice and care work: Care Work: Dreaming Disability Justice; BodyMinds Reimagined: (Dis)ability, Race, and Gender in Black Women’s Speculative Fiction; Disability Visibility: First-Person Stories from the 21st Century.
Texts on digital activism and technological futures: Perfecting Human Futures: Transhuman Visions and Technological Imaginations; The Freudian Robot: Digital Media ad the Future of the Unconscious; Playing Nature: Ecology in Video Games; Intersectional Tech: Black Users in Digital Gaming; Woke Gaming: Digital Challenges to Oppression and Social Justice; Feminism in Play; Design Justice: Community-Led Practices to Build the Worlds We Need; Race After Technology: Abolitionist Tools for the New Jim Code; Captivating Technology: Race, Carceral Technoscience, and Liberatory Imagination in Everyday Life; Distributed Blackness: African American Cybercultures.
Texts on eco-sustainability and environmental justice: Playing Nature: Ecology in Video Games; Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene; Engage, Connect, Protect: Empowering Diverse Youth as Environmental Leaders; Environmental Justice in a Moment of Danger; As Long as Grass Grows: The Indigenous Fight for Environmental Justice, from Colonization to Standing Rock.
Acceptance speeches and calls to action:
Jeannette Ng’s 2019 speech for the Astounding Award for Best New Writer (written speech and recorded speech), Elsa Sjunneson’s 2019 Hugo Award for Best Semiprozine acceptance speech (written speech), N.K Jemisin’s 2018 Hugo award for Best Novel acceptance speech (written speech and recorded speech)
To Build a Future Without Police and Prisons, We Have to Imagine It First //OR// Rewriting the Future
Reshaping the Middle Ages in, and through, Asian Popular Culture
(6/30/2021; ICoM 11/4-6-2021)
(International Conference on Medievalism)
Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture
Sponsored by the Association for the Advancement of Scholarship and Teaching of the Medieval in Popular Culture and the Mutual Images Research Association.
For Medievalism Today: 36th Annual International Conference on Medievalism, organized by the International Society for the Study of Medievalism and hosted by Delta College, Michigan.
Online Conference: 4-6 November 2021.
Proposals due 30 June 2021.
As medievalists and medievalismists, we often focus our attention on the reception of the Middle Ages in Europe and the Americas; however, medievalism is both an international and a transnational phenomenon, and one that is especially prevalent in Asian popular culture. Anime, collectible card games, light novels, manga, video games, visual novels, and related media have had an incredible impact on the world, but few medievalists have explored how this material has adapted and/or appropriated material like the Arthurian tradition, Beowulf, the life and writings of Dante Alighieri, the hero stories of medieval Ireland, the life of Joan of Arc, Norse mythology, tales of Robin Hood, narratives of Viking exploration, and legends of Vlad the Impaler. Fewer still have explored the impact of the phenomenal spread of these texts across the globe and their impact on creating perceptions about the medieval world. It is our intent with this session to allow consumers of these media to share their knowledge and passion with fellow enthusiasts of the medieval. We also hope that a collection of essays will result from this session.
Please send paper proposals (along with your contact information and a brief academic biography) and/or questions directly to session organizers at medievalinpopularculture@gmail.com. Unless otherwise directed, we will submit the panel details to the conference.
More information about the conference can be found at click here
Further information about the session sponsors may be found at click here
Contact Information:
Website: click here
Email: medievalinpopularculture@gmail.com
Name: Michael A. Torregrossa
15th Annual Conference on Asian Studies
Continuity and Change (online or hybrid event)