CFP: COLD WAR BORDERLANDS IN EUROPE AND NORTHEAST ASIA, 1944-1991


Cold War Borderlands in Europe and Northeast Asia, 1944-1991

Approaches to New Research

Workshop in Udine, Italy (9-12 March 2023)



This workshop will bring together scholars from various countries to discuss key issues pertaining to Cold War borderlands in Europe and Northeast Asia (i.e., regions along the dividing line between East and West from the mid-1940s through the early 1990s). One aim of the workshop will be to set up an international and multidisciplinary network of scholars working on the topic.

The Cold War had a profound impact on border communities, especially in areas where ideological borders overlapped with ethnic dividing lines or disputed territories. Borders were often the focal points of international crises in Europe and Northeast Asia during the Cold War, for example in Trieste immediately after the end of the Second World War, on the Korean peninsula during and after the 1950-1953 war, in Berlin in 1948 and 1961, and between the Soviet Union and China in 1969. Borders also played a crucial role in stoking tensions between countries such as Yugoslavia and Greece, Yugoslavia and Bulgaria, and Hungary and Romania. Our post-1945 images of both Europe and Northeast Asia were shaped by Cold War borders, and to a large extent these images have persisted in the post-Cold War era. At least in Western Europe, the perception of which countries are part of “Eastern Europe” is still heavily determined by their position in respect to the former Iron Curtain. In Northeast Asia, the border between North and South Korea remains heavily militarized, and the territorial disputes between Japan and Russia remain acute.

Up to now, however, a unified and comparative approach to the history of the regions along the Cold War-era divides in Europe and Northeast Asia has not emerged. Part of the reason is that the perception of what actually constitutes a “Cold War border” varies across time and space. Seen from Italy, for example, the border with what is now Slovenia was perceived as the frontline in the confrontation between the West and the East. But in former Yugoslavia, the border with Hungary, Romania and Bulgaria from 1948 on was viewed as much more meaningful in this respect. On the Korean peninsula, the key border over the past eight decade — the one separating North and South Korea — has been one that was created and solidified by the Cold War. The degree of militarization, ease of border closing, and level of trade varied significantly in different European and Asian borderlands, calling into question the notion that there was a single Cold War divide on either continent.

The Iron Curtain shaped the borderlands and the communities who lived there in many respects: economic, social, demographic, military, political, linguistic, and anthropological. Demography drastically changed with the arrival of a huge number of soldiers responsible for securing the areas. In many regions, even the physical landscape was radically transformed by the building of fortifications and military infrastructure and by the imposition of border controls and exclusion zones. Integrating these aspects into a single narrative requires a multidisciplinary approach that has often been impractical within the discipline-based structure of academia.

A further obstacle to the establishment of a more unified research framework has been the prevalence of nationally oriented historiographies, which have often hindered multinational projects and attempts to assess the complexity of the history of the borderlands by taking into account the perspectives of all sides. Undoubtedly, the incorporation of various national historiographies into a larger narrative has also been made difficult by language barriers.

Scholars wishing to take part should submit a 500-word proposal and a CV using the online form at here by 31 July 2022. The workshop will be organized around thematic panels. Decisions about applicants chosen for the March 2023 workshop will be announced within seven weeks of the submission deadline for proposals.

Possible themes for contributions include but are not restricted to:
  • security policies across borders during the Cold War
  • militarization of the borders and the impact on local communities
  • communities and forced population transfers in the borderlands
  • impact of the Cold War on national minorities living along the borders
  • propaganda across borders
  • trade and smuggling across borders, border controls, and the prevention of crossing
  • economic cooperation (formal and informal) across borders
  • literary and film depictions of the borderlands
  • impact of the Cold War on landscapes and infrastructure in border regions
  • local border traffic, shopping, tourism and cultural exchange across borders during the Cold War
  • policies of the great powers towards the borderlands
  • naval borders during the Cold War and the Law of the Sea
  • political and social changes in borderlands in the context of European integration
  • legacies and memories of Cold War borders in modern day Europe
The advisory board welcome proposals from researchers who are in the early stages of their research on these topics. In such cases, the proposal should indicate the aim of the research, the state of the art, the methodology to be adopted, and the expected results.

Those chosen to take part in the workshop will be asked to submit a 1500-word outline by 25 February 2023, to offer a 20-minute presentation at the workshop, and to play an active role in the discussion. At a follow-on conference in March 2024, scholars will turn their outlines into full-length papers, which will then undergo external review. A selection of the final papers will eventually be published in a volume of collected essays or in a special issue of an academic journal.

The workshop will be held in Udine, Italy, on 9-12 March 2023. Udine is served by a regional airport, Trieste Ronchi dei Legionari, which is 40 minutes from the city by car or train. The airport has direct flights to London Stansted, Frankfurt and MunichUdine is also about 90 minutes from Venice’s Marco Polo airport by car or train.

Accommodation and subsistence will be provided. Travel grants will be available for participants upon request.

The advisory board of the workshop is co-chaired by Tommaso Piffer and Mark Kramer and includes Bojan Balkovec, Nadia Boyadjieva, Tullia Catalan, Maximilian Graf, Nikos Marantzidis, Sergey Radchenko, Peter Ruggenthaler, Vit Smetana, David Wolff and Yafeng Xia.

The workshop is organized in collaboration with the University of Trieste, the University of Ljubljana and the Ludwig Boltzmann-Instituts für Kriegsfolgenforschung, and with the financial support by Regione Autonoma Friuli-Venezia Giulia and Fondazione Friuli.

Info: Tommaso Piffer tommaso.piffer@uniud.it and Mark Kramer mkramer@fas.harvard.edu

CURSO ONLINE «HANGEUL: APRENDE EL ALFABETO COREANO»


Curso online Casa Asia

«Hangeul: aprende el alfabeto coreano»


A medida que crece el papel político, cultural y económico de Corea del sur en el mundo globalizado, el interés que despierta en el extranjero aumenta día a día. Este interés sobre la República de Corea se ha extendido también a otros ámbitos culturales como las telenovelas coreanas, su cine, su gastronomía, o incluso su cosmética, así como el K-pop: todo este interés sobre Corea del sur se denomina hallyu (“ola coreana”) y ha sido la ventana a la cual se han asomado muchas personas que, para profundizar en estos intereses, quieren asomarse también a su idioma.

Para aprender el idioma coreano, conocer el Hangeul, el alfabeto coreano, es indispensable.

A través de este curso, podrás ver que es mucho más sencillo de lo que parece.

Aprenderemos el origen y la historia de Hangeul y a escribirlo y pronunciarlo correctamente. Terminaremos el curso pudiendo leer cualquier texto en coreano y conociendo expresiones básicas.

Metodología:

Este curso consiste en las clases online en las que se enseñará todo el alfabeto coreano, Hangeul y expresiones básicas a través de presentaciones en PowerPoint y otros materiales audiovisuales, ejercicios en la clase y deberes proporcionados en cada clase. El alumnado practicará el coreano en la clase y entregará los deberes proporcionados a través de Google Classroom.

A quién va dirigido:

A cualquier persona que quiera aprender a leer y escribir en coreano, desde los 12 a los 99 años.

Requisitos para poder realizar el curso:

Todo el alumnado deberá disponer de una cuenta personal (no de institución/empresa) de Google (———-@gmail.com)

Materiales:

Proporcionados por la profesora.

Profesora:

Chaeyeon Park es profesora asociada en la Universidad de Salamanca y profesora de coreano en el Centro Superior de Idiomas Modernos (CSIM) de la Universidad Complutense de Madrid. Es licenciada en Estudios de Enseñanza de la Lengua Coreana por la Cyber University of Korea y en Lengua y Literatura Española y Máster en Literatura Hispanoamericana en la Korea University. Dispone del certificado oficial de profesora de lengua coreana (Nº de licencia: 21-21-1163).

Más información:
  • Fecha: del 27 de junio al 8 de julio de 2022. Lunes, miércoles y viernes, de 10.30 h a 12.00 h CEST. 6 sesiones de 1,5 horas: total 9 horas.
  • Lugar: Online. 24 horas antes del acto las personas inscritas recibirán la información necesaria para acceder. Comprueba tu bandeja de correo no deseado en caso de no haberla recibirlo.
  • Precio: 58,5 euros.

CFP: NEW BOOK SERIES "DIASPORAS IN ASIA AND BEYOND"


New book series “Diasporas in Asia and Beyond”,

Monographs and edited volumes


Amsterdam University Press invites submissions for its new book series Diasporas in Asia and Beyond. This series aims to explore diasporic experiences scattered in different parts of the world through rethinking ‘Asia’ as a unique experience for those arriving, as much as it is for those departing. It accentuates Asia’s transnational and/or cosmopolitan bonds with the world and vice versa by considering the diverse connections, both imagined and actual, that diasporas fabricated in the course of settling in or leaving Asia. The process of re-settlement, establishment, and growth of diasporic communities has produced complex dynamics: changing transimperial or transnational relationships with ancestral homelands, new forms of contestation and collaboration in markets, workplaces, political arenas, social spaces in Asian cities and beyond, conflict and competition with diasporic communities sharing the same heritage elsewhere in the world, and the rise of unprecedented polyglot cultures and hybrid identities that combine local, communal, national, and global experiences, as well as individual and communal pursuits past and present.

We welcome monographs and edited volumes from all major disciplines in the humanities, social sciences, and law (including but not limited to, history, anthropology, sociology, economics, geography, literature, cultural studies, and media studies) that focus on accounts and discourses situated in the margins of dominating colonial or national narratives, as well as diasporic experiences with negotiating and establishing spaces of their own that resulted in new forms of collaborations and divisions.


Series editor: 


Editorial Board:


To submit a proposal, please email Loretta Lou, commissioning editor at l.lou@aup.nl

CFP: SPECIAL ISSUE RELIGIONS JOURNAL "RE-STAGING THE PERIPHERY AS THE CENTER: WOMEN COMMUNITIES IN EAST ASIAN RELIGIONS"

"Re-staging the Periphery as the Center: Women Communities in East Asian Religions",

Special Issue, Religions Journal


Dear Colleagues,

We would like to draw your attention to the special issue "Re-staging the Periphery as the Center: Women Communities in East Asian Religions" to be published by Religions. We invite empirical and theoretical contributions on women’s roles, identities, and communities in a broad range of East Asian religious traditions, lay or monastic, institutional or non-institutional based, communal or voluntary. Therefore, religious traditions involved include not only the more institutionalized forms of religions such as Buddhism, Daoism, Confucianism, Shinto, but also popular/folk/sectarian religions, NRM, smaller-scale village religious communities, voluntary organizations, impromptu religious gatherings, ancestor worship, etc. We look at both the localized forms of female religious communities, and also the transnational movement of religious sisterhoods (e.g., Bhikkhuni movements or regional migration of vegetarian nuns). Particularly welcomed are papers with a focus on:
  • Ethnographies of women’s religious communities (lay or monastic);
  • Female religious lineages, doctrines, networks;
  • Female alchemy in Daoist tradition;
  • Histories of female temples and other religious spaces;
  • Women’s religious communities and material culture (devotional or liturgical objects, images, sacred space, etc.);
  • Women’s religio-kinship networks;
  • Local, regional and transnational religious sisterhoods
  • Women’s communal religious life, activities, rituals;
  • Social life of religious women (i.e., religious women as entrepreneurs, political activists);
  • Domestic life of religious women (i.e., re-centering the family, the household of women, re-enacting kitchen as ritual space);
  • Religious food practices (vegetarianism, culinary piety);
  • Biographies of Bhikkhunis, priestesses, female religious practitioners, performers, Chinese vegetarian nuns (zhaigu), etc.;
  • Textual traditions of female religious communities, and the reception of female-centered texts;
  • Interfaith dialogues;
  • Lay Buddhism/Household Buddhism, lay religiosity;
  • Gender empowerment, gender equality, religious egalitarianism.
Interested authors please submit an expression of interest (with proposed title, abstract of 300 words and a short biography) to the guest editors Dr Ying Ruo Show (arisyr@nus.edu.sg) and Dr Jingjing Li (j.li@hum.leidenuniv.nl) by 30 June 2022. Full length articles of about 8000 words including references are due by 31 December 2022. All papers are subject to double-blind peer review.

Special Issue Information:

In East Asian traditions, women have always been active participants in religious affairs. However, their stories tend to be excluded from the standard historical narrative to consolidate the social norm of inner–outer distinction. Such a narrative chooses not to position women on the central stage of the outer, public domain as their male counterparts, but rather push women to the periphery as secluded members of the inner quarters for their religious cultivation. Recent scholarship has substantially problematized this exclusive narrative. In the burgeoning field that intersects gender and religion, scholars of Chinese history have scrutinized the (often biased) gendered historical representation of women to underscore their subjectivities (Jia, Kang and Yao 2014; Kang 2017; Yao 2021). Indeed, Chinese women not only participated in the Buddhist modernist movement during the 20th century (Travagnin 2017; DeVido [forthcoming 2024]), but also played central roles in the post-Mao religious revitalization (Qin 2000; Sun 2014). In parallel, as shown in the research of Japanese religions, women collaborated to refashion female monasticism, as epitomized by the effort of a group of privately professed women to reinstall the nun’s ordination order in Hokkeiji (Meeks 2010), and the multiple roles of Shin Buddhist temple wives who were not only good wives and wise mothers but also supported priests (Starling 2013). Likewise, studies on the forgotten lineages of Buddhist women in Korea have prompted scholars to reconnect the thriving nun communities in contemporary South Korea with their historical legacy (Cho 2011).

Restaging the periphery as the center, this Special Issue aims to investigate how women in East Asian religions throughout history have harnessed various resources to carve a space for their communities and thus reshape the religious landscape in their societies. In particular, this issue enriches the current discussions on the structure of religious organization, community activities/rituals and networks initiated and maintained by women groups. How are the migration patterns, religious practices, community networks, and kinship resources of East Asian religious women similar or different? Can we put them in dialogue with each other? Are there feminist traits in their history that would be helpful for us to forge regional or transnational connections? A comparative approach to studying religious women in East Asia and in the East Asia cultural sphere (such as countries of Southeast Asia that received significant influence from East Asia) would highlight the interconnectivity of the region and reveals patterns of how gender history and religious history intersect, collide and inter-penetrate. Thereby, we invite empirical and theoretical contributions on women’s roles, identities, and communities in a broad range of East Asian religious traditions, lay or monastic, institutional or non-institutional based, communal or voluntary. Therefore, religious traditions involved include not only the more institutionalized forms of religions such as Buddhism, Daoism, Confucianism, Shinto, but also popular/folk/sectarian religions, NRM, smaller-scale village religious communities, voluntary organizations, impromptu religious gatherings, ancestor worship, etc. We look at both the localized forms of female religious communities, and also the transnational movement of religious sisterhoods (e.g., Bhikkhuni movements or regional migration of vegetarian nuns).

Manuscript Submission Information

Manuscripts should be submitted online at here by registering and logging in to this website. Once you are registered, click here to go to the submission form. Manuscripts can be submitted until the deadline. All submissions that pass pre-check are peer-reviewed. Accepted papers will be published continuously in the journal (as soon as accepted) and will be listed together on the special issue website. Research articles, review articles as well as short communications are invited. For planned papers, a title and short abstract (about 100 words) can be sent to the Editorial Office for announcement on this website.

Submitted manuscripts should not have been published previously, nor be under consideration for publication elsewhere (except conference proceedings papers). All manuscripts are thoroughly refereed through a double-blind peer-review process. A guide for authors and other relevant information for submission of manuscripts is available on the Instructions for Authors page. Religions is an international peer-reviewed open access monthly journal published by MDPI.

Please visit the Instructions for Authors page before submitting a manuscript. The Article Processing Charge (APC) for publication in this open access journal is 1200 CHF (Swiss Francs). Submitted papers should be well formatted and use good English. Authors may use MDPI's English editing service prior to publication or during author revisions.

CURSO ONLINE CASA ASIA «EL ÉXITO GLOBAL DEL CINE Y LAS SERIES DE COREA DEL SUR»

 
Curso online Casa Asia

«El éxito global del cine y las series de Corea del Sur»


¿Cuáles son las claves del éxito que están cosechando el cine y las series de Corea del Sur? En este curso realizaremos un repaso histórico a estas industrias culturales a partir de la estrategia globalizadora llevada a cabo por el país desde los años 90. A través de este recorrido, recordaremos algunos hechos históricos que marcaron para siempre a estas industrias y, muy especialmente, esas películas y series que han sido importantes para la evolución de la cultura contemporánea de Corea del Sur, permitiéndonos comprender, de esta manera, cómo ha sido la trepidante estrategia de expansión que se ha producido en estos últimos 25 años.

No es necesario tener conocimientos previos, por lo que esta actividad podría ser interesante tanto para quienes disfrutan con la ficción surcoreana como para quienes desean comenzar a conocerla.


Programa:

1ª Sesión: Los inicios de la globalización: el nuevo cine coreano

Desde los años 90, la industria del cine de Corea del Sur experimentó importantes cambios que tuvieron su base en el plan Segyehwa anunciado por primera vez en 1995 por el antiguo presidente Kim Young-Sam. Los efectos de la globalización se vieron reflejados en una nueva ola de cine que acabaría conociéndose entre la crítica especializada y el público como el “Nuevo Cine Coreano”. La Generación 386 de cineastas, encabezados por Bong Joon-ho, Park Chan-wook, Kim Jee-woon, Lee Chan-dong, Kim Ki-duk y Hong Sang-soo, obtuvo, de forma inesperada, el mayor reconocimiento internacional.

2ª Sesión: Las últimas tendencias del cine surcoreano

La consolidación de la Generación 386, la proliferación de los nuevos talentos o la experimentación con los géneros cinematográficos han consolidado la presencia del cine surcoreano en el panorama internacional. Así pues, éxitos como Parásitos (Gisaengchung, 2019), de Bong Joon-ho, han permitido dar a conocer a esta cinematografía al público masivo, pero también responden a una estrategia de expansión que comienza a cosechar frutos.

3ª Sesión: Evolución de las series de ficción surcoreanas

La década de los 90, trajo consigo el surgimiento de nuevos canales en la televisión por cable, pero también un incremento en la competitividad en su apuesta por la ficción local. Tras las importantes ventas de la serie What is Love? (Sarangyi Mwogilrae, Park Cheol, 1991-1992) y la consolidación de la ficción surcoreana en la región con Winter Sonata (Gyeoul yeonga, Yun Seok-Ho y Lee Hyung-Min, 2002), los medios de comunicación chinos y japoneses comenzaron a utilizar el término Hallyu para definir el impactante éxito y dominio que aún, a día de hoy, mantiene esta industria.

4ª Sesión: La ficción surcoreana en las plataformas digitales

Por último, finalizaremos nuestro recorrido histórico dedicando una última sesión a la presencia de la ficción surcoreana en las plataformas digitales. Desde 2016, con la participación de Netflix en la superproducción de Okja, de Bong Joon-ho, se ha producido un incremento exponencial en la visibilización del cine y las series de factura surcoreana. De esta forma, se ha facilitado su circulación a escala global, pudiéndose tener acceso a una gran variedad de contenido desde nuestras propias casas.


Profesora:

Sonia Dueñas Mohedas, becaria predoctoral PIPF en el departamento de Comunicación de la Universidad Carlos III de Madrid y miembro del grupo de investigación TECMERIN (Televisión-Cine: Memoria, Representación e Industria). Ha sido becaria Korea Foundation Field Research en la Korea National University of Arts en 2021. Su tesis está centrada en Planet Hallyuwood, la industria cinematográfica de Corea del Sur en la era de la globalización, labor que también combina con el proyecto de investigación «Cartografías del Cine de Movilidad en el Atlántico Hispánico» (CSO2017-85290-P) y la docencia. Es miembro fundador de la Asociación de Difusión de Estudios y Cultura Coreana en España (ADECCE).


Más información
  • Fechas: del 4 al 7 de julio de 2022. Lunes a jueves, de 18.00 h a 19.30 h CEST. 4 sesiones de 1,5 horas: total 6 horas.
  • Lugar: Online. 24 horas antes del acto las personas inscritas recibirán la información necesaria para acceder.
* Comprueba tu bandeja de correo no deseado en caso de no haberla recibirlo.
  • Precio: 39 euros.


CFP: ARS ORIENTALIS VOL. 54, UNIVERSITY OF MICHIGAN


Ars Orientalis journal vol. 54



Ars Orientalis, a peer-reviewed annual journal published jointly by the Smithsonian’s National Museum of Asian Art and the Department of the History of ArtUniversity of Michigan, invites submissions of original, innovative articles on the arts of the broad geographic area of Asia, from the ancient period to the contemporary.

Manuscripts should be 8,000 to 12,000 words (including endnotes). Ars Orientalis is a digital publication with a print-on-demand option. The digital volume also allows for the incorporation of other media, such as video, sound, and 3D models. Visual material must include permissions for print and online reproduction.

We are currently accepting submissions for volume 54 to be published in Fall 2024. Articles must be received by November 1, 2022 to be considered.

For more information, please visit this web. To submit or request more information, please email managing editor Sana Mirza at ArsOrientalis@si.edu.


Contact Info:

Sana Mirza, Managing Editor, Ars Orientalis

Contact Email:

ArsOrientalis@si.edu