Mostrando entradas con la etiqueta Malasia. Mostrar todas las entradas
Mostrando entradas con la etiqueta Malasia. Mostrar todas las entradas

CFP: FROM EMPIRE TO FEDERATION: IDEAS AND PRACTICES OF DIVERSITY MANAGEMENT IN EURASIA, 1876-1949


From Empire to Federation:

Ideas and Practices of Diversity Management in Eurasia, 1876–1949


Ivan Sablin (Heidelberg University / Institute of Contemporary History, Ljubljana) and Egas Moniz Bandeira (University of Erlangen-Nuremberg / Max Planck Institute for Legal History and Legal Theory, Frankfurt) invite chapter proposals on federalist and autonomist projects and designs in Southeast Asia (in Malaysia, Indonesia, or Indochina) for the edited volume From Empire to Federation: Ideas and Practices of Diversity Management in Eurasia, 1876–1949.

The global imperial crisis of the early twentieth century stimulated the debates on the alternatives to dynastic or external rulership across Eurasia. The collapse of the imperial and colonial structures of rule was followed by widespread instability and uncertainties, to which various authoritarian and centralizing forms of government were often deemed to be an answer. The present volume shows that these were not uncontested, but that they competed with decentralized, federalist and autonomist visions, which provided alternatives to centralizing designs in East Asia, Russia, Southeastern Europa, South and Southeast Asia, and the Ottoman Empire.

Together with the widely spread discourse of national independence, ideas of federation and autonomy proved extremely popular in (post)imperial and (post)colonial intellectual circles. Unlike nation-states, federations and states with autonomies promised to resolve the crisis of sovereignty while at the same time respecting various competing economic and social spaces of larger territories. Given the multiplicity and dynamics of social categories in the composite spaces of empires, it was not only ethnicity (nationality), but also religious and regional categories which were politicized and used to justify federal and autonomous designs. Discourses of decentralization and reintegration of economic and social spaces on new principles circulated across the existing borders, spread across different contexts, and contributed to a variety of outcomes of the postimperial and postcolonial transformations in Eurasia.

This volume seeks to enrich the global history of concepts, institutions, and political practices by scrutinizing the takes on federalism, autonomy, and other forms of decentralization outside the Western European and North American world. In particular, the volume addresses concepts, discourses, and designs pertaining to (post)imperial and (post)colonial projects of decentralization and diversity management; actors, including intellectuals, activists, and politicians which had been marginalized within the imperial and colonial contexts; intellectual and political legacies of the imperial regimes, including the attempts to create modern, inclusionary and differentiated political communities; as well as vernacular and external inspirations for the specific designs and their implementation.

Please submit an abstract of 150–300 words and a short bio to ENTPAR.Heidelberg@gmail.com by December 1, 2022.


Contact Info:



Contact Email:

ENTPAR.Heidelberg@gmail.com

CFP: CULTURE-BOUND SYNDROMES IN POPULAR CULTURE (ROUTLEDGE EDITED COLLECTION)


Culture-bound syndromes in Popular Culture

(Routledge edited collection)

February 3, 2022 to April 15, 2022


You are invited to submit an abstract for the upcoming edited collection Culture-bound syndromes in Popular Culture. The edited collection volume aims to provide in-depth and analytical insight into the representations of cultural imagery and narratives of various culture-bound syndromes through the lens of global and national popular culture, covering movies, television, visual arts, fashion, festivals, popular music, and graphic novels.

What does a culture-bound syndrome mean? The concept has come to define a pattern of symptoms (mental, physical, and relational) experienced only by members of a specific cultural group and recognized as a disorder by members of those groups.

“Culture-bound Syndromes in Popular Culture” takes its readers on a journey across (popular) cultures and introduces them to an entirely new subfield of studies, at the conjunction of medical anthropology and popular culture, focusing on folk illnesses.

Thus, this book covers a broad range of case studies, subjects, texts, and cultural practices that lie at the intersection of folk illnesses and cultural studies and include national, transnational, and international media representations, with an accent on the reception and interpretation of the phenomenon from the perspective of its original space.

We warmly invite established and emerging scholars specializing in all areas of media and cultural studies, anthropology, sociology, social/cultural geography, and other relevant research fields to propose a book chapter on an individual culture-bound syndrome and its representations in popular culture. Both single and multiple-authored works will be considered. All work should be original and previously unpublished.

We are also very interested in hearing open proposals for possible chapters about other cultural syndromes if the Table of Contents strikes you as improvable in any way.


Chapters might explore but are not limited to:

SECTION 1 East Asia and India
  • Zou huo ru mo (China)
  • Dhat syndrome (India)
  • Hikikomori (Japan) Already taken!
  • Taijin Kyofusho (Japan) Already taken!
  • Hwabyeong (South Korea)
  • Pa-leng (Taiwan)
SECTION 2 Southeast Asia
  • Lanti (Philippines)
  • Latah (Indonesia, Malaysia)
  • Amok (Malaysia)
  • Koro (Singapore)
SECTION 3 Latin America and Native American culture
  • Locura
  • Mal de pelea
  • Nervios
  • Susto
  • Saladera (Peruvian Amazon)
  • Windigo Psychosis (Native American)
SECTION 4 Africa and the Middle East
  • Zar (Israel, Ethiopia)
  • Ufufuyane, Saka (Kenya)
  • Voodoo death (Haiti, Africa, Australia)
Routledge has expressed keen interest in the volume for their Research in Cultural and Media Studies Series.


Key dates:

Abstract submission deadline: 15 April 2022

Notification of acceptance: 30 April 2022

Full chapter submission (max 8000 words): 1 November 2022

Publication: January 2023


Please send in a working title, abstracts of max 500 words, and a brief biographical note of 150 words to: prof.irina.pelea@gmail.com

Please feel free to contact the volume’s editor (Irina Pelea) with any questions or queries. I look forward to receiving your abstracts.


Contact Info:

Professor Irina Pelea, Titu Maiorescu University, Bucharest, Romania.

Contact Email:

prof.irina.pelea@gmail.com