CFP: 16TH ANNUAL CONFERENCE ON ASIAN STUDIES; BODIES, GENDER, IDENTITIES


16th Annual Conference on Asian Studies: Bodies, Gender, Identities



The Department of Asian Studies at Palacký University Olomouc is currently accepting proposals for its 16th Annual Conference on Asian Studies to be held on November 25–26, 2022 in Olomouc, Czech Republic and online via the conference (web)app Whova.

The general theme of the conference this year is “Bodies, Gender, Identities”. We welcome contributions that concern any region or culture in Asia and that address an issue related to any of the three sub-themes, such as the variety of experiences of the lived bodies; the governance of life; embodiment and affect; gendered experiences; gender diversity and sexualities; language and body/gender/identity; performance and the construction of identities; gender and naming practices; human life and the environment; social and cultural practices concerning birth and death, food, spirituality, love and intimacy, pain, etc.

We seek both synchronic and diachronic approaches grounded in a range of disciplines, including anthropology, arts, cultural geography, history, international relations, linguistics, literature, philosophy, political science, religion studies, socio-logy, and other fields in humanities and social sciences.

We invite proposals in the following formats: 
  1. individual papers, 
  2. organized panels consisting of 3–4 papers, 
  3. research posters, and 
  4. alternative formats (e.g., roundtable discussion, book presentation, film screening). 
The deadline for abstract submission is July 31, 2022. In addition, there is also an option to submit an open panel seeking more panelists. For details regarding each of the above-mentioned formats, the submission process, as well as the organizer and the venue, please see our website.

Questions can be addressed to acas@upol.cz.

We look forward to your proposals.

The Organizing Team of ACAS 2022


Contact Info:

Halina Zawiszová


Contact Email:

acas@upol.cz

CFP: "TROPICAL MATERIALISMS; POETICS, POSIBILITIES, PRACTICES" SPECIAL ISSUE, ETROPIC

“Tropical Materialisms: poetics, possibilities, practices”,

Special Issue, eTropic


Tropical Materialisms concur on at least three things: humans are always entangled with non-human/material agents; such entanglement is necessary for any creative act to take place; and these same entanglements allow us to interrogate and re-evaluate preconceived notions about the world - from built and natural environments to the fabric of time-and-space. More information.

This special issue aligns itself with the fields of critical posthumanism and new materialism. What is particularly exciting is the opportunity to rearticulate these fields in tropical terms, that is, with scholarly and creative practices from and about the tropical world. This focus is crucial given that the current scholarship in posthumanism and new materialism predominantly comes from European/temperate contexts and is informed by Western philosophies. In order to decolonize this ontological turn, the special issue recognizes not only that colonial knowledge systems impacted the tropics, but also that matter’s liveliness is understood within ‘animist materialism’. As such, this Special Issue welcomes materialisms informed by decolonizing intuitions.

"Tropical Materialisms” asks questions such as:
  • How can the tropics, both as a geographic zone and as pertaining to poetics (via "tropes"), theoretically inform and historically problematize new materialism and critical posthumanism? And, in turn, how can these fields also recalibrate tropical studies?
  • What particular terms from the tropics can be considered in relation to the growing vocabulary of new materialism and critical posthumanism? In other words, how can the languages of the tropics offer possibilities to revitalize the conversations in these fields?
  • What critical and creative material practices from the tropics can be instructive in thinking about these "tropical materialisms"? And in turn, how is new materialism and critical posthumanism influenced by traditional knowledges from the tropics?
This special issue looks at three things: theoretical engagements on new materialism and critical posthumanism; new vocabularies through which discourses on "tropical materialism" can be initiated; and varieties of practices across disciplinary fields which demonstrate what this "tropical materialism" may be.

We accept writings in disciplinary genres (the scholarly and the creative), and encourage hybrid forms. We also seek submissions engaging material elements—photographs, videos, art, music. In short, we call for poiesis: “an active engagement with the world, which is always creative.”[ii]


CFP Tropical Materialisms

This CFP is open to interdisciplinary and transdisciplinary intertwinings, as well as new perspectives on established disciplinary approaches. It invites papers that consider Tropical Materialisms through the poiesis and poetics of sciences and literatures, histories and futures, realities and fictions, and mythologies and technologies. It invites a wide range of articles and creative works from researchers who engage with the tropical regions of the world: tropical Africa, the Caribbean, Latin America, the Indian Ocean Islands, South Asia, East Asia, Southeast Asia, the tropical north of Australia, Papua and the Pacific Ocean Islands, and Hawai’i and the American South.

eTropic: electronic journal of studies in the Tropics publishes new research from Arts, Humanities, Social Sciences, and allied fields on the variety and interrelatedness of nature, culture, and society in the Tropics. ISSN:1448-2940, free open access; indexed in Scopus, Google Scholar, Ulrich's, DOAJ; archived in Pandora, Sherpa/Romeo; uses DOIs and Crossref; ranked Scimago Q1.

INSTRUCTIONS FOR AUTHORS
  • Submissions close 30 June 2022 (full paper).
  • Publication date: October 2022.
  • Research article submissions should be about 6000-8000 words.
  • Literary, creative works and photographic essays about 4000 words.
  • Article Titles should be concise and clear (maximum 2 lines).
  • Include a 100-200-word abstract of the article or creative work + 5 keywords.
  • Provide a 100-word biographical note for each author (on separate sheet).
  • Strongly follow APA (edition 7) for in-text citations and reference list.
  • Contributions should be submitted as a Microsoft Word file.
  • All images must be used with permission and referenced.
  • Submissions should be uploaded to eTropic online journal site.
  • Suitable papers will be double-blind peer reviewed.
  • Authors are requested to browse eTropic articles to make sure they are familiar with the journal’s multidisciplinary scope and style.
  • For enquiries, or for pitching your ideas or abstracts, email anita.lundberg@jcu.edu.au & etropic@jcu.edu.au.
  • Special Issue Editors: Anita Lundberg, James Cook University, Australia; Christian Jil Benitez, Ateneo de Manila University, The Philippines.

Invoking, for instance, tropical time and space with tropical climate, literatures and local languages. See Benitez, C.J. (2021). On the Weariness of Time: El Niño in the Philippines. eTropic 20 (2), 209-220. DOIMore information.

Lundberg, A. (2008). Material Poetics of a Malay House. The Australian Journal of Anthropology, 19 (1), p.2. Also noted is how “Material poetics explores the relation between the material world of artefacts, the environment and bodies; and the poetics of metaphor, creativity, imagination, dreams and mystery”. DOIMore information.

Related date:

June 30, 2022

CURSO REFLEXIONES SOBRE LA CULTURA ASIÁTICA: LA CULTURA AUDIOVISUAL EN ASIA, CINE, ANIME, VIDEOJUEGOS


Reflexiones sobre la cultura asiática: La cultura audiovisual en Asia, cine, anime, videojuegos



El Instituto Universitario del Cine Español (UC3M) con la ayuda financiera de la Fundación Eurasia celebra el curso presencial “Reflexiones sobre la cultura asiática” cada viernes desde el 9 de septiembre al 16 de diciembre de 2022 en horario de 16:00h a 18:00h, a excepción de tres sesiones que serán desde las 16:00h a las 20:00h. El objetivo principal es ofrecer a los estudiantes una amplia gama de conferencias sobre la cultura audiovisual asiática y sus diferentes contextos históricos, políticos, económicos y sociales.

El curso es una oportunidad única para proporcionar al alumnado un contacto de primera mano con la cultura audiovisual en Asia, impartida por profesores expertos de un amplio reconocimiento internacional. Serán temas de principal interés el cine, anime, videojuegos, además de aproximaciones a las raíces culturales y al tejido industrial asiático.

Módulo1: Culturas asiáticas
  • La comunidad asiática (inglés)
  • Cultura, religión y sociedad (inglés)
  • El tejido empresarial en Asia oriental (inglés)
  • La mitología china y su influencia en el audiovisual (castellano)
Módulo 2: Cine, anime y video juego en Japón
  • Cine: coproducción asiática (inglés)
  • Cine: una aproximación a la historia del cine japonés (castellano)
  • Anime: Historia y el proceso creativo (inglés)
  • Anime: la estructura narrativa (castellano)
  • Anime: la segunda generación de creadores (castellano)
  • Videojuego: industria, cultura y consumo (castellano)
Módulo 3: Cines coreanos
  • La historia del cine surcoreano (inglés)
  • La historia del cine norcoreano (inglés)
  • El cine coreano y la participación femenina (inglés)
  • Blockbusters coreanos y la memoria histórica (castellano)
Módulo 4: El cine en India, Hong Kong e Irán – clausura
  • El arte visual iraní y la influencia asiática (castellano)
  • Hong Kong y Bollywood en el contexto global (inglés)
  • Reflexiones sobre el futuro (inglés)

Dirigido a:

Público universitario con especial interés en desarrollar conocimientos sobre la cultura audiovisual asiática.

No se requiere titulación previa.


Adjudicación de las plazas:

Las plazas están limitadas y la admisión se hará por orden estricto de llegada de las solicitudes y después de haber recibido el visto bueno del comité de organización del Instituto Universitario de Cine Español.

Plazo de admisión: hasta el 30 de junio de 2022

Solicitud de admisión: Hacer click aquí

CFP: SOUTH KOREAN SPECULATIVE FICTION. THE JOURNAL OF THE FANTASTIC IN THE ARTS


Newtrospection: Reverse-Engineering Modernity in South Korean Speculative Fiction

 
 
The Journal of the Fantastic in the Arts (JFA), published since 1988, is an interdisciplinary journal devoted to the study of the fantastic in literature, art, drama, film, and popular media. Published three times per year by the International Association for the Fantastic in the Arts, JFA’s articles are fully refereed, indexed in the MLA International Bibliography, and searchable in JSTOR. The editorial collective of JFA is currently working to make the journal indexed in SCOPUS and A&HCI as well. In early 2023 JFA plans to publish its first focused issue dedicated to South Korean science fiction and fantasy.

South Korean speculative fiction has a long and rich yet also conflicted history that spans over a century. Building on the legacy of the fantastic in premodern literature while also struggling with colonial drives toward the inculcation of science-technology (kwahak kisul – a compound term devised and systematically promoted as a state-led initiative on industrial development and lifestyle management), creators and readers of Korean science fiction have sought diverse pathways to negotiate the anxiety of influence through critical reappropriation. Taeguek Hakbo’s publication of Jules Verne’s 20,000 Leagues under the Sea (trans. 1907) for instance introduced and framed modern technology as the momentum of progress, whereas Kim Dong-yin’s short story “Dr. K’s Research” (1929) highlighted the limits of a scientific frame of reference through irony. Despite pressures to focus on the problems of the here and now in the form of critical realism, speculative narratives persisted across the mediasphere throughout the turmoil of the Korean War and compressed development; creature/cult/horror films served as an outlet for quirky imaginaries in the ‘60s~’70s, while the comics magazine culture offered a fertile ground for science fiction narratives throughout the ‘80s~early ’90s. The film industry has also embraced speculative tropes as inspiration for hybrid aesthetics after an initial period of struggle (marked by a slew of unsuccessful blockbusters in the early 2000s); television dramas, streaming media, and webtoons are actively embracing the genre as the source of creative momentum; and videogames, in particular, are thriving in the land of the fantastic. In the domain of written literature, fantasy spearheaded the break from the longstanding tradition of critical realism in pace with South Korea’s economic and political stabilization in the ‘90s, and science fiction has become the nursery of feminist breakthroughs to attract global attention over the past decade – an ever-peculiar (yet all the more welcome) state of affairs given the predominantly masculine vector of the genre’s history, paired with the patriarchic underpinning of the kwahak kisul paradigm.

Even as megahit productions such as Snowpiercer (2013), Train to Busan (2016), Space Sweepers (2021), The Silent Sea (2021), and All of Us Are Dead (2022) continue to draw a global viewership, scholarship on South Korean speculative fiction within anglophone academia has been extremely sparse. To address this gap, the editors of this focused JFA issue shed timely and much-needed light on the subject across diverse media. The goal is not to catalogue the genre’s history in South Korea; rather, focus will be laid upon how South Korean speculative fiction writers and creators reverse-engineer the Western concept of modernity through reappropriative maneuvers, taking a deep-dive into the socio-cultural and historical frameworks as innovative aesthetic and discursive ventures. Hence the title, Newtrospection. Newtro refers to a new aesthetic trend in South Korea, which involves reviving and appreciating aesthetic trends from the past. The distinction between retro and newtro lies in that whereas the former veers toward nostalgia in its texture of appreciation, and as such signals contextual significance, the latter is more about challenging existing notions of the hip and/or good in its reconfiguration of trendiness, subverting the idea that the old is passé while disavowing associations between futurity and newness with sleek technicity. Identifying such tendencies in South Korean speculative fiction, the editors believe that the manner in which recent works own and thereby recontextualize longstanding metrics of desirability effectively demonstrate a drive to reverse-engineer the core tenets of anthropocentric, patriarchic, racialized, and colonial paradigms of science and technology.

In addition to scholarly essays on literary texts, the editors also welcome papers about all forms of creative work, including translations, films, television dramas, and new media in the genre of speculative fiction created by South Korean artists or written in Korean. Themes of interest include, but are not limited to:
  • Comparative definitions, conceptualizations, and historicizations of science, technology, and sociotechnical imaginaries 
  • Modernity, premodernity, and postmodernity 
  • Humanism, posthumanism, and transhumanism 
  • Retrospection, memory, and the newtro
  • Nationalism, coloniality, Orientalism, Occidentalism, and Techno-Orientalism
  • Viruses, microorganisms, zombies, monsters, animals, plants, nonhumans, and sentient beings
  • Robots, artificial intelligence, cyborgs, genetics, and bioengineering
  • Ghosts, goblins, gods, demigods, myth, folklore, and supernatural beings 
The length of articles generally varies from 5,000 to 9,000 words and ranges from 20 to 30 pages. Please send a title and a 400-word abstract to guest editors Haerin Shin, Korea University (helenshin@stanford.kr) and Sang-Keun Yoo, UC Riverside (syoo015@ucr.edu) by May 31, 2022. Authors of accepted proposals will be contacted soon thereafter and asked to submit full papers by August 31, 2022. All papers will be subject to blind peer review.
 

Call for Book Reviews
 
There is also several books available for review for The Journal of the Fantastic in the Arts. These reviews would be due August 31, 2022.  If you have a completed Master's degree or higher, one of these books is in your field of study, and you are committed to writing a review for us, please contact the guest editors at the above email addresses, noting your preferred title and your mailing address.  The reviews need to be between 500 and 1,000 words and documented in MLA style
 

Available Titles
  1. Readymade Bodhisattv
The Journal of Fantastic in the Arts is planning a focused issue on South Korean speculative fiction. The issue signals JFA's drive to broaden its horizon beyond anglophone SF as an ongoing initiative. The editors are excited to invite submissions - including original essays (across media) and book reviews. 
 
  
Contact Info:

Haerin (Helen) Shin, Korea University, helenshin@stanford.kr

Sang Keun Yoo, UC Riverside, syoo015@ucr.edu

KOREA & SPAIN ENERGY INNOVATING COOPERACIÓN INTERNACIONAL


Korea & Spain Energy Innovating

Cooperación Internacional


Ya está abierta la nueva llamada conjunta Korea & Spain Energy Innovating, o KSEI por sus siglas en inglés, para la presentación de Propuestas de Cooperación Tecnológica Internacional en las tecnologías de la energía. La llamada permanecerá abierta hasta el 25 de mayo de 2022.

El Centro para el Desarrollo Tecnológico Industrial, E.P.E. (CDTI), entidad perteneciente al Ministerio de Ciencia e Innovación, y el Korea Energy Technology Evaluation and Planning (KETEP), han llegado a un acuerdo con el objetivo de publicar una nueva llamada conjunta para la presentación de Propuestas de Cooperación Tecnológica en las tecnologías de la energía.

En virtud de este acuerdo, el CDTI y KETEP se comprometen a promover, apoyar y financiar proyectos tecnológicos conjuntos de entidades empresariales españolas y coreanas, pudiendo contar con el apoyo de entidades no empresariales que, por parte española, deberán ir en calidad de subcontratadas o mediante autofinanciación.

El Programa KSEI tiene como objetivo el fomento de la realización de proyectos tecnológicos relacionados con las tecnologías de la energía, orientados al desarrollo de productos, procesos y/o servicios con claro interés comercial en el mercado internacional y basados en tecnologías innovadoras.

También avala los proyectos aprobados mediante un “sello de calidad” que, además de ser un elemento promocional y de reconocimiento del nivel tecnológico de la propuesta, en el caso de esta llamada la hace acreedora de una financiación pública. Cada país asume la financiación de sus entidades participantes.

En el caso de España, los proyectos se financiarán a través de las herramientas del CDTI para los proyectos de I+D en colaboración internacional.


Características de los proyectos

Los proyectos deben tener las siguientes características:
  • El resultado de los mismos debe ser un producto, proceso o servicio innovador orientado al mercado como consecuencia de la cooperación tecnológica de los participantes.
  • El consorcio debe estar formado por, al menos, una empresa española y una coreana independientes y el proyecto debe ser relevante para todos los socios (ningún país o miembro del consorcio debe tener más del 70% de presupuesto).
  • Las propuestas, siempre de uso civil, deben encuadrarse en alguna de las siguientes áreas tecnológicas: 1. Fotovoltaica; 2. Eólica; 3. Hidrógeno y pila de combustible.
  • El presupuesto debe ser coherente con los desarrollos que hay que realizar y con la capacidad técnica/financiera de los participantes.
Además, los participantes deberán firmar un acuerdo de consorcio que especifique los derechos y obligaciones de las partes respecto al desarrollo realizado y los posibles derechos de la propiedad intelectual, explotación y comercialización de los resultados.


Procedimiento de presentación de propuestas y opciones de financiación

El procedimiento de presentación distinguirá entre las fases de Solicitud Internacional y Solicitud de Ayuda Nacional. La ayuda para el socio español en estos proyectos se hará a través de la línea de financiación de proyectos de investigación y desarrollo (IDI).

Para la fase de Solicitud Internacional, los participantes deberán presentar, en el CDTI y en KETEP, respectivamente, hasta las 18:00 h del 25 de mayo de 2022 (hora local en cada agencia) las correspondientes solicitudes KSEI acompañadas por la siguiente documentación internacional obligatoria (en inglés), común para todos los socios: KSEI Application Form y el acuerdo de consorcio, ambos documentos firmados por todos los socios.

Por la parte española, la Solicitud Internacional (PCTI) se debe presentar on-line a través de la sede electrónica del CDTI y será única por proyecto, aunque haya más de una empresa española en el consorcio.

Finalizada la fase de Solicitud Internacional y comprobada la elegibilidad de la propuesta por parte del CDTI, se da paso a la fase de Solicitud de Ayuda Nacional. En ese momento, cada empresa española que integre el consorcio recibirá una notificación electrónica desde el CDTI en la que se le invitará a presentar en la Sede Electrónica del CDTI, la Solicitud de Ayuda Nacional (PID) asociada a la propuesta KSEI.

La fecha límite para la presentación de la Solicitud de Ayuda Nacional en el CDTI es hasta el 31 de mayo de 2022.

Una vez finalizada la evaluación por parte del CDTI y de KETEP, el solicitante recibirá una comunicación, positiva o negativa, sobre la concesión del sello KSEI y la correspondiente ayuda nacional.

Desde el 11 de abril de 2022 se puede descargar desde la web del CDTI el documento en inglés de la llamada KSEI conjunta España-Corea 2022.


Contactos

Se recomienda que cada socio contacte con su agencia nacional lo antes posible y en cuanto tenga una idea de proyecto.

Para obtener más información sobre la convocatoria puede contactar con:

Madrid (CDTI): Ms. Merced Pérez; +34 91 581 5607; merced.perez@cdti.es

Corea (CDTI): Mr. Jordi Espluga; +82 (0)70 4117 0888; jordi.espluga@cdti.es

Corea (KETEP): Mr. Joonhyung Ahn; +82 (0)2 3469 8476; ahnjoonhyung@ketep.re.kr


El CDTI

El CDTI es la Agencia del Ministerio de Ciencia e Innovación que apoya la innovación basada en el conocimiento, asesorando y ofreciendo financiación pública para la innovación a través de subvenciones o ayudas parcialmente reembolsables para proyectos de innovación empresarial. A través de la iniciativa Innvierte Economía Sostenible, el CDTI apoya y facilita la capitalización de empresas tecnológicas.

El CDTI también facilita la internacionalización de proyectos empresariales de I + D e innovación de empresas y entidades españolas y gestiona la participación de empresas españolas en organismos internacionales de I + D, como Horizonte Europa y Eureka, y en las industrias de la Ciencia y el Espacio.

Además, gestiona la estrategia y la representación de España en relación con la actividad espacial y que promueve y financia los programas y proyectos tecnológicos e industriales que mejor responden a las necesidades estratégicas de España, trabajando con prioridad en la capacitación de la industria. El CDTI ejerce la representación española, por delegación del Ministerio de Ciencia e Innovación, como Delegación de España ante la ESA, y actúa como socio en las iniciativas bilaterales de España con Agencias Espaciales y organizaciones espaciales globales. Lidera, promueve, fomenta y financia los proyectos y misiones espaciales de España en el marco de las estrategias de ciencia, tecnología e innovación del Ministerio de Ciencia e Innovación y del Gobierno de España.

El Centro para el Desarrollo Tecnológico Industrial, E.P.E. (CDTI) es una entidad pública dependiente del Ministerio de Ciencia e Innovación.


Más información:

Oficina de Prensa
prensa@cdti.es
91-581.55.00

En Internet

Este contenido es copyright © 2022 CDTI,EPE. Está permitida la utilización y reproducción citando la fuente (revista digital) y la identidad digital de CDTI (@CDTI_innovacion).

CFP: VERGE STUDIES IN GLOBAL ASIAS ISSUE 10.1



Verge: Studies in Global Asias Issue 10.1:

Special Issue: brown/ness(es)


Edited by Neelofer Qadir (University of North Carolina Greensboro), Naveen Minai (University of Toronto), and Tina Chen (Penn State).

Deadline: August 15, 2022

Feeling brown, feeling down. Feeling down, being brown. A name for law, a name for affect, a name for ontology, a name for relation, a name for not relation, a name for antagonism, a name for empire(s), a name for capital, a name for an accusation, a name that can be convenient, a name that does not work, a name that can stop working, a name for shades, a name for fantasy.

This proposed special issue considers both when brown might be useful and may be used to do the work of relation, inquiry, theory—and when brown does not work (Macharia 2013, 2016, 2019). Crucially, we reorient questions about brown and brownness away from frames centered in the continental northern Americas (Prashad 2000, Bald 2013) — and the American academy, and borders thereof in particular. We turn towards sites, relations, and geohistories imagined through terms such as (but not limited to) Indigenous, Afro-Asia, Asian- and/or African Latin America (Kim 2017, Kantor 2018), Indian Ocean, Global Asias, Inter-Asia, and more (Chen 2010). We think through how brown is shaped and weighted by different cartographic modes, for example, the Levant, Latin America, Africa, and archipelagos across Indian, Atlantic, and Pacific Oceans.

We consider race and ethnicity as co-constitutive logics and forms of difference across different geohistories, including the ways in which these logics form, transform, transfer, congeal -- or not. We ask after brown, black, yellow, red, and white (and bright) as codes for difference, as metaphors of color made to matter through the matter of different bodies. We prompt reflection on how race, religion, ethnicity, and caste overlap and congeal into one another, troubling normative vocabularies of difference and relation.

We invite critical perspectives from scholars working in and across multiple languages, and provocations of brown as rubric, methodology, disorientation device (Ahmed 2006). Submissions might explore the politics that brown/ness(es) are heavy with, and their attendant contradictions, confusions, and frictions, including those between. Writers may think through these terms as names for cartographies of intimacy, violence, capital, memory, labor, culture are shaped by multiple empires — Portuguese, Spanish, Italian, German, English, Dutch, American, Russian, Safavid, Mughal, Ottoman, Qing, Byzantine.

Essays (between 6,000-10,000 words) and abstracts (125 words) should be submitted electronically through this submission form by August 15, 2022 and prepared according to the author-date + bibliography format of the Chicago Manual of Style. See section 2.38 of the University of Minnesota Press style guide or chapter 15 of the Chicago Manual of Style Online for additional formatting information.

Authors' names should not appear on manuscripts; instead, please include a separate document with the author's name, address, institutional affiliations, and the title of the article with your electronic submission. Authors should not refer to themselves in the first person in the submitted text or notes if such references would identify them; any necessary references to the author's previous work, for example, should be in the third person.

INTERNATIONAL CONFERENCE. UNITED NATIONS AND KOREAN WAR (1950-1953). POLITICS, WAR AND PEACE




International Conference:

United Nations and Korean War (1950-1953): Politics, War and Peace

21-24 October 2022, Pusan National University, Korea


After World War II, the geopolitical tension of East Asia, especially the Korean peninsula became critical. The beginning of the Cold War between two different ideologies of Communism and Democracy was eventually visualised through the military conflict of the Korean War (1950-1953). The United Nations (UN) dispatched soldiers from sixteen countries as well as medical support from six nations. Then, what is the relationship between the United Nations and the Korean War? Which countries were involved in the war? What were the political and international issues? How was the war seen to outsiders? What kind of grassroots narratives did the soldiers, families and Koreans have?

The aim of this conference is to explore the involvement of the United Nations for ‘the Forgotten War’ through the various case studies of individual, group, or nation. The theme can be analyzed in a multidisciplinary approach of history, politics, anthropology, sociology, war strategy, human movement, medicine, refugee, POWs, Busan studies, unification policy, education, and human rights. If you are interested or your current research is on the subject or relevant to the Korean War, we invite your paper for the international conference in 2022.


Proposed streams:
  1. Policy of the UN for Korean War: The involvement of the United Nations (UN) to the Korean War was significant for South Korea (positively) and North Korea (negatively). How was the decision made so early? Who was involved in the process? How was the policy implemented internationally?
  2. Human Movements, POWs and Refugees: The war directly impacted the relocation of the local people (6.3 million).The waralso caused many POWs and refugees. How was the geographical landscape of the human movements? What was the situation of refugees? Were the POWs treated fairly?
  3. War Strategy and Battles: The various war strategies were applied at the battlers of the Korean War between the army, navy (the marine corps) and air force of China, Russia, UN, North and South Koreas. How was the strategy changed? What was the turning point for each other? Which battles were significant? What about the condition of retrogression?
  4. Narratives of Victims and Casualties (Soldiers and families): The war generated many victims (death and wound) which affected the emotional and mental condition of family members. What was the story of individual involvement? How do they remember the East Asian war? What is the post-war life of soldiers? Do they have any story in relation with Korean people?
  5. Human Rights and Welfare (medicine, orphans, and education): Under the military situation of the Korea war, there were the various activities of international, public and NGO organisations in the sphere of human rights. How was the medical service provided? How were orphans managed? Was any activity of education continued?
  6. Theory and Method in Unification and Peace Process: Since the Korean War has been 70 years and remained as an unfinished war, what kind of theory or method can be adopted for the development of Korean Unification? How can the peace process take a place for the future of both Koreas?

Proposals:

Please send your abstract or panel proposals to David W. Kim (davidwj_kim@yahoo.co.uk) including the following information:
  • Paper title
  • Nominated stream
  • Name and affiliation
  • Contact details (email)
  • Abstract of 150-200 words
  • Biography of 80 words highlighting teaching and research interests and publications (3-4 title and year only).
Proposals for panels of 3 or 4 papers must include the above information for all papers and a brief description of the panel itself of 100 words.


Key dates:
  • Proposal deadline: 15 June 2022
  • Notification: 30 July 2022
  • Registrations open: 05 August 2022
  • Registrations close: 30 August 2022
  • Conference: 21-24 October 2022

Registration fees:
  • Full-time scholar: $300
  • Student/ part-time and unwaged scholar/ audience: $250
  • Local Korean scholar: $200
  • Publishers and Bookshops: $400
Registration includes participation in all conference sessions, lunch, morning tea and afternoon tea on each day, conference dinner, registration pack, and post-conference tour (a half or one day). Publisher registration includes, in addition, a display desk, an opportunity to address conference delegates, and your logo on the conference program front page.


Bursary and Award:

There will be limited burary for some accepted doctoral candidates and early career researchers ($100-$300 each) as well as award for two best papers ($500 each). The bursary and award will be given away after conference.


Post-conference Publication:

The selected papers (in a blook volume) will be published by the Cambridge Scholars Publishing in UK.


Conference Committee:

(Chair) Asso. Prof. David William Kim (Australian National University and Kookmin University, Seoul)

(Co-Chair) Prof. Kiseob Kim (Director, Institute for Korean Unification, Pusan National University)

Research Prof. Jihyun Kim (Institute for Korean Unification, Pusan National University)


Contact:

Please address all inquiries to Dr. David W. Kim: davidwj_kim@yahoo.co.uk

CFP: II CONGRESO INTERNACIONAL DE ASIA ORIENTAL. ASIA SOBRENATURAL: RELIGIÓN, RITUALIDAD Y FOLCLORE EN ASIA


Asia Sobrenatural: Religión, ritualidad y folclore en Asia

II Congreso Internacional Complutense de Asia Oriental

Madrid, 28 Noviembre-2 Diciembre de 2022


Las sombras que vemos proyectadas nos dan una idea sobrenatural de aquello que nos es desconocido. Llenan lagunas de conocimiento, pero también pueden inundar nuestros sueños con monstruos que escapan a la razón.

Son los dioses, quienes tiñen con luz nuestra imaginación; somos los humanos, quienes pretendemos entenderlos o, incluso, sentarnos a su diestra. En Asia Oriental no son pocas las religiones que fomentan ritos iniciáticos que nos ayudan a escalar a la cima del conocimiento aunque, en ocasiones, nos puedan conducir a la locura. Todo ello queda recogido en el folclore de cada pueblo, imbricando nodos de sabiduría repletos de imaginación. Dioses, ritos y folclore, configuran un todo taumatúrgico que nos invita mirar más allá del mundo natural.

El Área de Estudios de Asia Oriental, perteneciente al departamento de Lingüística y estudios Árabes, Hebreos y de Asia Oriental de la Facultad de Filología de la Universidad Complutense de Madrid, vuelve a ofrecer, por segundo año consecutivo, un Congreso Internacional sobre lo sobrenatural en Asia Oriental, en esta ocasión, enfocado a la religión, ritualidad y folclore en esta parte del mundo.

Debido a las especiales circunstancias que han venido ligadas al/la Covid19, este será un congreso semipresencial, optando por una presentación física en la Universidad Complutense de Madrid, pero al mismo tiempo, abriendo sus puertas al formato virtual a todos aquellos interesados, sin importar las barreras geográficas. Los contenidos de este congreso se podrán presentar para publicación en la Revista de Estudios de Asia Oriental, de manera que los ponentes puedan extender su exposición oral. Les rogamos que redacten una propuesta para el congreso, de entre 100-150 palabras y, a ser posible, acompañen de una imagen (libre de derechos) y la remitan, junto con un CV abreviado (2 pags) antes del 31 de junio de 2022, a:

congreso.asiaoriental@gmail.com

(Cuota de inscripción: 50€)


CFP: STATE AND SOCIETY IN ASIA: PAST AND PRESENT, NEW YORK CONFERENCE ON ASIAN STUDIES


State and Society in Asia: Past and Present,


October 7-8, 2022. Syracuse University


We invite submissions from scholars across all disciplines on all topics related to Asia and Asian Studies. We are particularly interested in topics related to our main theme: “State and Society in Asia: Past and Present.” In bringing scholarly perspectives to these current events, questions that interest us include: What historical legacies of the state persist in contemporary Asia? What roles do technology and urban development play in extending state power to unprecedented degrees? Conversely, how does a vacuum in state infrastructure in countries like Afghanistan create conditions for regime change? Can countries like Myanmar continue to isolate themselves and not suffer social and economic hardships? Contemporary artists, filmmakers, and environmental activists frequently challenge and critique these developments. How do regime changes unsettle and re-arrange key local and national cultural constituents and what impact do these changes have on environmental history, archaeology, and cultural heritage sites?

Submit your paper or panel abstract by June 15, 2022 here.

Send any questions to the conference chair: 

Prof. Gareth Fisher: gfisher@syr.edu

CFP: OF (HU)MAN AND MONARCHS: HUMANNESS AND THE FICTIONAL REPRESENTATIONS OF MONARCHS IN LITERATURE, ARTS, POPULAR CULTURE AND MEDIA


Of (Hu)Man and Monarchs:

Humanness and the Fictional Representations of Monarchs in literature,

Arts, popular culture and MediaUniversity of Gafsa


He wrapped himself in regal garments and fastened the sash.

When Gilgamesh placed his crown on his head, a princess Ishtar raised her eyes to the beauty of Gilgamesh.

When Gilgamesh rejects the advances of Ishtar and refuses to follow in his father's footsteps (as Gilgamesh himself was the son of a goddess), he renounces the status of the chosen lover and champion of the Goddess and (unwittingly) decides to be fully human. The death of Enkido soon sets him on a doomed quest for immortality. This quest can be read as an attempt to regain the former status he renounced. He desires to reestablish his connection with the divine but on his own terms. The final defeat of Gilgamesh establishes mortality as the inevitable fate of men and monarchs. The epic of Gilgamesh, like other epics, announces the severing of the connection between the divine and the human in the political realm. After Gilgamesh, the biographies of Mesopotamian rulers started to seem more human despite the formulaic presence of the divine. In ancient Egypt and ancient Greece, Monarchs were either gods or descendants of gods. In the Medieval age, he divine right of kings replaced the old myths about the divine lineage of monarchs.

But, as humanness became a more secular concept, kings started to be defined and judged in different terms. Machiavelli's realpolitik and the advent of Renaissance humanism put the concept of divine right in question. The human rather than the divine started to define the monarchs in the West. In the East, however, while Europe was restricting its monarchs and consigning them to ceremonial roles, the Meiji restoration reestablished the emperor at the center of the political system in Japan after centuries of nominal rule. This shows that the history of Monarchy is not universal. Even in Europe, the return of Monarchy in Spain after Franco's death shows that this system is not considered outdated or unthinkable (On the contrary, it is sometimes a viable solution that safeguards democracy).

The triumphs and failures of human monarchs may inspire contemporary historical literature but the posthuman monarch has a stronger sway over the realm of the imagination. In recent years, the gothic and horror genres have gained remarkable popularity in cinema and popular culture. In contemporary gothic fiction across the established and emerging narrative media, the figures of the Mummy and the vampire are usually depicted as monarchic figures that seek revenge for past wrongs. Throughout the history of literature, revenge is closely related to the theme of royalty. In classical and Renaissance, modern and contemporary revenge narratives, for example, loyalty to a deceased patriarch gives legitimacy to the actions of their heirs. Indeed, revenge narratives in Shakespeare and beyond are generally based on father-son emotional dynamics. These emotional dynamics are described as monarchic by Martha C Nussbaum in her book Political Emotions: Why Love Matters for Justice. In Victorian and contemporary horror fiction, the father-son dynamics are more complex as the royal father is the past self of the revenant. Many iconic science fiction works depict monarchs and regal figures such as Thanos, Palpatine and even Brainiac. Many of these figures, like the gothic monsters and revenants, are posthuman figures with immense power and ambition.

This collection seeks to study the depiction of royalty in works of fiction on the page, canvas, the stage and the screen. It seeks to identify recurrent archetypes and structural paradigms that make the theme of royalty (seem) universal. It also seeks to discover whether this universality is cross-cultural or whether it is a manifestation of hegemonic (mainly Eurocentric) cultural and discursive patterns. This collection is interested in works that depict royalty as central to their thematic structure. This collection's initial vision is to be centered on the humanness of the monarch. It will study the prehuman monarch of myths and sacred texts and then show how monarchs were humanized (and the extent to which they were/are perceived as human). Finally, it will deal with the posthuman alien and AI monarchs of science fiction.

We have covered all the aspects mentioned above but we wish to balance the different sections of the book (though the publisher does not require it, we feel that it is better to have the same number of articles in every section) this is why we need a single article on each one of these topics:
  • The representations of Ottoman or other Muslim rulers in contemporary Cinema
  • Monarchic figures in Science fiction (We are very interested in an article about Palpatine)
  • Contemporary superheroes and supervillains as royalty and monarchic figures
  • Thanos as a monarchic villain
  • Monarchist literature
  • The Originals
  • Disney princesses
We have articles about ancient Egypt, sumer, India and Persia so we would be interested in one article about ancient China, Japan or Korea. We also had two abstracts one about the representations of Muslim rulers in Bollywood (especially their foreignization - Sultan of Delhi and the Mughal as visaully foreigner) and the other about Camelot 3000 but the authors failed to deliver them, we believe that they can be useful so we woud appreciate full articles about them.

We are also interested in interviews with major artists and writers from the Marvel comic universe (Jim Starlin could not be contacted but maybe others will respond or my email just ended up in the spam folder). Interviewing them about interviewed about the monarchic paradigms underlaying some of their creations and getting their opinion on the subject would be a great addition to the book (we can finish the collection with an interview)

Please send your contributions along with a 150 word abstract and a 200 word bio note (the bio will not be sent to the peer reviewers) to crowncollection436@gmail.com

If you have any queries please contact the editor Dr. Nizar Zouidi through email at nizarzouidinizar@outlook.com.

All contributions will be peer reviewed twice (by the editor's reviewers and by the publisher's reviewers to ensure quality).

It is highly recommended to make sure your article contains no typos or errors.

It should also be noted that while we accept epigraphs for the papers, we prefer that they do not exceed a stanza or two if they are in verse or 5 sentences if they are in prose (the shorter the better).

While illustrations and visual materials will certainly strengthen the argument of the chapter, the author should be prepared to delete them or replace them with references (which might prove a challenge, but sometimes the production phase can require such changes). The article should be complete without the illustrations (they should be optional). I will try to get them printed but I may not be able to convince the publisher so be prepared to make do without them. Even if we get them published, they will probably be black and white. Moeover, the authors should be very careful with copyrighted third party materials and remain within the boundaries of fair use.

The publisher may only provide limited proofreading this is why the editor recommends Anthony Wright as a professional proofreader that will reliably correct and format your manuscript after acceptance Home | Anthony Wright - Editor, Proofreader, Author (ajpwright.com). He helped with the previous collection on villainy and evil and the result is quite satisfying Performativity of Villainy and Evil in Anglophone Literature and Media | SpringerLink. The editor does not take part in any of the transactions you make with the recommended proofreader or any other proofreader you choose. Of course, you may not need any help from a professional proofreader but either way, the editor hopes that your very first draft is already in a publishable shape so we can discuss any changes that would help connect it to the rest of the book.

The concepts of the human, posthuman, and the pre-human (divine, heroic and mythological) are central to this collection, therefore we highly recommend that your article at least deals with one of them. These concepts are dynamically fluid and this collection wishes to reflect this dynamism.

Finally, please note that while this book cannot avoid being political, it does not seek to overtly or covertly promote or serve any political agenda or ideology. Any biased views about real sitting or deceased monarchs (especially his majesty king Gilgamesh of Uruk) will not be accepted.

We cannot extend the deadline because it is not a necessary addition. The current version is deemed acceptable and the feedback we received so far says that we can go ahead with the current version.

deadline for submissions:
May 15, 2022

full name / name of organization:

contact email:
crowncollection436@gmail.com

WEBINAR «LITERATURA COREANA EN ESPAÑA: ¿ACTOR SECUNDARIO DE BTS, SOLO LEVELING Y EL JUEGO DEL CALAMAR?»


«Literatura coreana en España: ¿actor secundario de BTS, Solo Leveling y el Juego del Calamar?»

Webinar; II Ciclo de Conferencias: Estudios Globales de Asia Oriental


Corea está consolidando su papel como potencia cultural en música, cómic y series, alcanzando una presencia popular. Pero, ¿alcanza este boom a la literatura? En este segundo webinar del II Ciclo de Conferencias: Estudios Globales de Asia Oriental se analizará la situación actual de la literatura coreana en España y en español.

A través de un programa de conferencias impartidas por destacados especialistas del Programa de Estudios de Asia Oriental de la Universidad Autónoma de Barcelona, el II Ciclo de Conferencias: Estudios Globales de Asia Oriental analiza las dinámicas sociales, culturales, políticas y económicas que emergen desde Asia Oriental y que influyen en el resto del mundo, convirtiendo esta área en el motor más dinámico de la globalización.

El ciclo está organizado por el Máster Oficial en Estudios Globales de Asia Oriental de la Universidad Autónoma de Barcelona (UAB) y por Casa Asia, con la colaboración del grupo de investigación GREGAL (UAB).

El Máster Oficial en Estudios Globales de Asia Oriental de la UAB es un máster pionero en la formación de profesionales expertos en las interacciones socioeconómicas, político culturales y medioambientales con Asia Oriental, y ofrece una formación interdisciplinar, conectada con el entorno profesional internacional.

Presenta:

Rafael Bueno, director de Política, Sociedad y Programas Educativos, Casa Asia

Modera:


Conferencia a cargo de:

Dra. Ester Torres Simón, lectora Serra Húnter UAB, Doctora en Traducción y Estudios Interculturales por la Universitat Rovira i Virgili de Barcelona (URV) y licenciada en Traducción e Interpretación (inglés, japonés) por la UAB. Tras haber sido docente en la Chonbuk National University (República de Corea), la Universidad de Yonsei (República de Corea), la Universidad Europa del Atlántico, la URV y profesora colaboradora en la Universitat Oberta de Catalunya, actualmente es profesora de coreano en la UAB y centra su investigación en la circulación de literatura coreana y la traducción indirecta.

Sigue el acto en directo aquí.

Consulta el ciclo completo aquí.
  • Fechas: Jueves 19 de mayo a las 18.00 h CEST
  • Lugar: Online. 24 horas antes del acto las personas inscritas recibirán la información necesaria para acceder. Comprueba tu bandeja de correo no deseado en caso de no haberla recibirlo.
  • Precio: Actividad gratuita.

CFP: PEACE & THE MANAGEMENT OF RELIGIOUS AND ETHNIC PLURALISM IN ASIA


Call for Chapters for a Collective Publication:

Peace & the Management of Religious and Ethnic Pluralism in Asia


In his quest to elevate his fields of expression, mankind adopts various paths that reflect his visions and his philosophy and through which he strives to give distinctive and specific characteristics to his movement in time/history and place/geography. These characteristics are essentially intertwined with the roles associated with individuals, societies and nations and the human relations between and among them. These relations are renewed and transformed based on the shifts in the collective needs and interests during different stages of civilizational advancement.

Our contemporary world is witnessing developments and transformations that express a new phase of human history, a phase which reformulates many of the statements and visions that founded human actions and experiences in the arenas of cultural, religious, economic, political, and strategic advancements. Every civilization and nation seek to be in a position of influence in one or some of these arenas, or all of them. For this purpose, each nation mobilizes its capacities, capabilities, and heritage, so that it does not find itself on the sidelines of contemporary transformations.

In fact, our contemporary world offers new opportunities for interaction between and among civilizations and nations which adds a new brick in the common human edifice. But at the same time, some developments and events in our contemporary reality have unfortunately led to the emergence of conflict and negative competition. The rising conflicts may destroy the lasting efforts that worked to build the common human edifice of many generations across multiple centuries.

Pluralism and diversity are a fixed and an undeniable religious, cultural, and ethnic reality in our world. For as long as this is the case, it is the ethical responsibility of members of different religions and of different cultures and races, to build creative ways in managing this diversity, in order to prevent or resolve conflicts of all kinds. When observing global geography in general and the geography of Muslim settlement, we find elements of commonalities between Muslim communities and others. These commonalities differ in their form and content depending on the historical and civilizational circumstances of each community and the cross-cultural impact and influence among them.

The Asian continent constitutes the most rich and diverse geographical area for Muslims in view of the global demographic map, and this geographical area is a key determinant for measuring global power balances and their future developments. This is particularly relevant with the multidimensional rise of China and India on cultural, economic, political, and strategic grounds. In other words, world peace depends greatly on stability in Asia whereas the possibilities of cooperation and/or conflict within the continent can easily migrate to other regions of the world, whether in Africa, the Arab region, Europe, or the American continent.

The current realities of Muslims and their future in Asia cannot be separated from the historical formation of other nations and other religions and civilizations in the region, such as Buddhism, Confucianism, Hinduism, Christianity, and others. Given the diversity of racial and linguistic identities of Muslims in the region, it is only natural that Muslims hold many commonalities with people of similar race -albeit being of different religious backgrounds- since Muslims form a big part of the ethnic map of neighboring religions and philosophies. For example, across the tribes of Central Asia, Tibet, and China there is a significant number of followers of the Buddhist religion and within the same community many follow the religion of Islam, Confucianism or Hinduism. The different historical and geographical contexts in which communities in Asia have developed has also caused differentiation lines within followers of the same religion. This differentiation and division can also be explained in terms of the efforts of different ethnic and religious groups to achieve their water security, food security, and energy security.

Religious considerations are not the main or the only factor in the outbreak of conflicts, whether in Asia or other regions of the world, but religion is sometimes used to achieve other goals. Therefore, it is necessary to search for the specifics of each crisis in Asia and to look at it in its political, socio-historical, and socio-economic contexts, with its impact within and beyond the countries of conflict.

Within this framing vision, Al-Hokama Center for Peace Research launched the project of “Studies on Civil Peace in Asia” with the aim of tracing the roots of erupting or expected crises in Asia. The program is foregrounded in an approach that aims to build a theoretical vision about the religious and socio-economic transformations and interactions that are either a cause of conflicts or the basis for peace and coexistence in Asia. The program takes into account the factors of time /history and place / geography in tracking these transformations, not only in order to understand the ongoing conflicts in the regions of Asia, but also to monitor and foresee the factors that may lead to the emergence of new conflicts in the future.

The research axe “Studies on Civil Peace in Asia” within the Asian Studies Project seeks to publish a collective publication titled: Peace & the Management of Religious and Ethnic Pluralism in Asia. The book project stems from a philosophy which centers the material and moral dimensions of human survival to prevent violence, aggression, and the human right to life. In other words, dismissing these dimensions inevitably leads to the spread of fear and then unrest and wars. The moral and immaterial existence of the human being is expressed through the cultural, religious, and symbolic affiliations of societies, but these affiliations are in turn subject to a transformation process. These transformations either occur for internal reasons such as the emergence of new interpretations or fundamentals of a single unified identity, or for external reasons, such as cultural clashes or cross-cultural exchanges with other identities. In both cases the constant remains: diversity and pluralism are a prominent feature of human life throughout history, and as long as this truth is absolute and cannot be overridden, it is the ethical responsibility of mankind to preserve this diversity, to wisely manage this pluralism, to ensure a safe and peaceful environment for the exchange among all the cultural, religious and civilizational components of human societies.

The collective publication proposes several themes through which it seeks to study the experiences and challenges of civil peace in different regions of Asia, namely:

I. Indian Subcontinent

1) Peaceful coexistence and religious pluralism in India.

2) Religious and ethnic pluralism in India: Keys to understanding the formation of the self.

3) A Sociological Approach to Islam in Indian Consciousness.

4) Peaceful coexistence and religious and ethnic pluralism in Pakistan.

5) Rebuilding civil peace in a plural society: the case of Sri Lanka.


II. Chinese Region

1) Managing religious and ethnic pluralism in China.

2) China and Islam: Analysis of a specific vision.

3) The religious influence of China in Asia.


III. Central Asia

1) Peace and Religious and Ethnic Diversity in Central Asia.

2) Ethnic and religious pluralism in Uzbekistan.

3) Ethnic and religious diversity in Tajikistan.

4) Ethnic and religious diversity in Afghanistan.

5) Ethnic and religious diversity in Kyrgyzstan.

6) Ethnic and religious diversity in Turkmenistan.


IV. Southeast Asian Region

1) Religious and Ethnic Coexistence in Southeast Asia: The case of Cambodia.

2) The role of Muslims in peaceful coexistence in Thailand.

3) Religious and Ethnic Diversity in Thailand: Possibilities and Challenges.

4) Religious and Ethnic Coexistence in Myanmar: Obstacles and Opportunities.

5) The prospect of religious and ethnic coexistence in the Philippines.

6) Peaceful Coexistence in Singapore: Analysis of Diversity Management

7) The Indonesian Experience in Managing Religious and Ethnic Pluralism.

8) Civil peace in Malaysia and Religious and Ethnic Pluralism.


V. Asia-Pacific Region

1) Interaction of Japanese Religious Consciousness and Islam

2) Managing Religious Pluralism in South Korea.

3) Societal vision of Islam in Korea.

4) Islam and South Korean Elites.

5) The Australian Vision on Religious and Ethnic Pluralism in Asia.

6) The New Zealand Vision on Religious and Ethnic Pluralism in Asia.


VI. A Comparative Approach to the Prospects of Civil Peace in Asia

1) Policies For Managing Diversity in Ethnically and Religiously Diverse Asian Societies

2) Policies for the Inclusion of Ethnic Groups in Decision-Making

3) International Legal Standards for Managing Diversity and Recognition of Pluralism

4) The Roles of Local and International Actors in Diversity Management: A Reading of Asian Experiences


1. Al-Hokama Center for Peace Research is inviting prospective participants to submit research proposals to Asian.st@alhokama.com according to the following requirements:
  • Interested participants are invited to submit research proposals (approx. 700 words) and a short biography, accompanied by an academic CV, in English or Arabic or French, no later than 10th of May 2022, with acceptance replies within three weeks thereafter.
  • All research proposals should include the following sections: the research question(s), a basic hypothesis, the methodological and theoretical frameworks, and approaches/results, with a list of references.
  • The paper should bear the following: Title of the Paper, Author(s) Details, Abstract, Keywords, Introduction, Discussion, Conclusion, References.
  • Papers can be submitted in Arabic or English or French.
  • Researchers whose proposals were approved by the scientific committee should send their complete papers (6000-10000 words), no later than 15 September 2022.
  • A specialized organising committee will review the research, and the committee is obligated to inform the researcher of the decision to approve, decline or request any amendment to the paper no later than 30 September 2022.
2. Selected papers will receive a financial award after publishing, authors of excellent papers will be invited to attend the International Conference that will be organized in November 2022 in Rabat (Morocco) to present their papers. Al-Hokama Center  will cover all expenses related to travel, lodgings, and transportation of the selected participants during the conference.


For any further information, please visit our website or contact the Coordinator of Asian Studies Program (Hamza Mrabett) at this email: H.mrabett@alhokama.com.


Contact Info:

(Hamza Mrabett) Asian Studies Program Coordinator at ALHOKAMA center for peace research

Contact Email: asian.st@alhokama.com