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Mostrando entradas con la etiqueta estudios indígenas. Mostrar todas las entradas

CFP: "RADICAL HISTORIES OF DECOLONIZATION", RADICAL HISTORY REVIEW


“Radical Histories of Decolonization”,



Radical History Review seeks contributions for a special issue entitled “Radical Histories of Decolonization.

Historians have tended to treat decolonization as an event that began in the 1940s and ended by the late 1970s, primarily confined to large areas of Asia and Africa, though scholars of global Indigenous histories offer a deeper and unfinished timeline. Many activists today use the term to discuss a still-present need to end colonial institutions, from settler colonial occupation in places as widespread as Turtle Island (North America), Hawai’i, Puerto Rico, Palestine, and Aotearoa (New Zealand), to the hegemony of Western thought in university curricula, to the possession of art and artifacts expropriated from the colonies and displayed in museums in major cities such as New York, London, and Paris. The term “decolonization” has come to mean many things, some limited, and others expansive.

This issue of the Radical History Review seeks to explore the genealogy of decolonization as a category of analysis and how people have dreamed and enacted decolonization in past and present. We are interested in work that reconsiders how decolonization has occurred—as both success and failure—throughout history, including in geographic areas that fall outside of the twentieth-century paradigm including Haiti and many parts of Latin America that press into the twenty-first century. We are interested in questions of how the colonized in overseas colonies, settler colonies, and informal colonies understood decolonization across different times and spaces. While the works of individual thinkers (Fanon, Cabral, Césaire, Nehru, Ho Chi Minh) tend to dominate histories of decolonization, we ask how people on the ground who are often left out of the story—including but not limited to women, soldiers, and ethnic and linguistic minorities—challenged colonial power and the dominant parties fighting for sovereignty. This issue aims to center the work of scholars, activists, and archives that lay outside of Western institutions.

Potential topics include (but are not limited to):
  • While the etymology of decolonization begins in the nineteenth century, how is it useful for historians of the ancient or medieval worlds to work with this concept?
  • What happens when anti-colonial movements have interacted with and taken up imperial imaginaries of an idealized pre-colonial past?
  • How have people across the political spectrum interpreted (and perhaps instrumentalized) decolonization differently?
  • Where does the concept of Indigeneity fit into histories of decolonization?
  • Is decolonization a concept that can be understood universally? Or does it always need to be rooted in local struggles?
  • What does history tell us about the relationship between decolonization and sovereignty?
  • How do we understand the rise of religious, social, and political movements in the context of decolonization?
  • How does the framework of decolonization work (or not work) in contexts of informal colonial or “semi-colonial” relations?
  • Does decolonization mean the end of empire and/or has decolonization meant the end of empire? Historically, how have colonized subjects imagined and attempted to enact an end to empires?
  • How does decolonization work as a language outside of the context of Western European imperialism (i.e. Japanese empire, Russian empire)?
The RHR publishes material in a variety of forms. Potential contributors are encouraged to look at recent issues for examples of both conventional and non-conventional forms of scholarship. We are especially interested in submissions that use images as well as texts and encourage materials with strong visual content. In addition to monographic articles based on archival research, we encourage submissions to our various departments, including:
  • Historians at Work (reflective essays by practitioners in academic and non-academic settings that engage with questions of professional practice)
  • Teaching Radical History (syllabi and commentary on teaching)
  • Public History (essays on historical commemoration and the politics of the past)
  • Interviews (proposals for interviews with scholars, activists, and others)
  • (Re)Views (review essays on history in all media—print, film, and digital)
  • Reflections (Short critical commentaries)
  • Forums (debates and discussions)
Procedures for submission of articles:

By January 8, 2024, please submit a 1-2 page abstract summarizing the article you wish to submit to our online journal management system, ScholarOne. To begin with ScholarOne, sign in or create an account at here. Next, sign in, select “Author” from the menu up top, and click “Begin Submission” or “Start New Submission.” Upload a Word or PDF document, including any images within the document. After uploading your file, select “Proposal” as the submission type and follow the on-screen instructions. Please write to contactrhr@gmail.com if you encounter any technical difficulties.

By February 29, 2024, authors will be notified whether they should submit a full version of their article for peer review. The due date for completed articles will be in June, 2024. Those articles selected for publication after the peer review process will be included in issue 153 of the Radical History Review, scheduled to appear in October, 2025.

Abstract Deadline: January 8, 2024

Contact: contactrhr@gmail.com

CFP: EDITED VOLUME "FAIRYTALE IN EAST ASIAN FASHION"


Fairytale in East Asian Fashion (edited collection)



We are soliciting chapter proposals for an edited collection on Fairytale in East Asian Fashion. Stories of yokai (Japan), yogoe (Korea), or yaoguai (China), such as “The Crane Wife” and “The Robe of Feathers,” manifest themselves everywhere in East Asian popular culture these days—from manga, anime / donghua / webtoons, and Pokémon, to fashion. One sees this phenomenon through brands such as Maison Kitsune, yokai-themed collections, street style, cosplay, and of course, traditional ethnic dress. Chapters may cover any fairytale or any fantastical creature that features strongly in Asian fairytale—baku, dokkaebi, kappa, kitsune / huli jing / gumiho, qilin, yuki onna, etc etc. Essays on Chinese and Japanese fashion are particularly needed, but essays on Southeast Asia are also quite welcome. (The editor is writing on yogoe fashion through K-Pop and K-Drama.)

Please send a brief c.v. and 150-200 word abstracts for 6,500 word chapters by June 30, 2023 to Amanda Sikarskie, Ph.D., asikarsk@umich.edu. Dr. Sikarskie is working with Frances Arnold, Acquisitions Editor at Bloomsbury. If selected, finished chapters will be due in early 2024.

CFP: ASIAN DIASPORIC LITERATURE: PAST, PRESENT AND FUTURE


Asian Diasporic Literature: Past, Present and Future
29-23 July 2020


We would like to invite you to the 2020 International Conference on Literature:Asian Diasporic Literature: Past, Present and Future. The conference is organized by the Postgraduate Students’ Club of the School of Humanities, Universiti Sains Malaysia, and takes place on 29-23 July 2020, in Penang, Malaysia.

In the 2020 conference we want to pay special attention to emerging directions and practices on/in Asian diasporic literature and theory. Since the beginning of the new millennium, the world has witnessed important changes in social, political, cultural and economic landscapes. The shifts have in turn pushed diaspora studies to expand beyond their origins in literary studies and their primary focus on ‘representation’ to an engagement with epistemological, ethical and political questions. Through ICL, we want to respond and contribute to current critical and theoretical debates by moving toward the study of world literatures and global theoretical, aesthetic and cultural practices. The conference also aims to trigger a debate about the future of the discipline, and thus reinvigorate and pioneer certain dimensions of the areas.

ICL seeks to provide a platform for those interested in interdisciplinary and/or cross-cultural approaches to push diaspora studies into new domains to meet, discuss, and to explore contemporary debates, and to revisit the ‘classic’ issues to interrogate them. Topics to be addressed by the papers and sessions at the conference will cover a broad spectrum of research questions, but with a specific emphasis on contemporary and future challenges for Asian diasporic literature and theory. Proposals are encouraged in, but not limited to, the following topics:
  • The Legacy of the Asian Diaspora
  • Contexts, Forms, and Perspectives
  • Shifting Perspectives on Race and Gender
  • New Perspectives on Identity, Space, and Mobility
  • Region, Religion, Politics, and Culture
  • Migration, Diaspora, Hybridity, and Borders
  • Rethinking the Family, Class, and Ethnicity
  • Bioethics, Ecology, Ecocriticism, Health, and Wellness
  • War, Violence and Terror

Or any other aspect of diasporic literary studies.


Submissions:

Participants are invited to submit abstracts on research and findings relevant to the theme of the conference. Abstracts for proposed oral presentation (200-250 words; excluding author names and affiliations) should be submitted via the online submission system. For guidelines on abstract writing, please click here. Selection of oral presentations will take place and speakers and presenters will be informed by December 15, 2019. Authors are expected to submit full papers by 30 April 2020.


Publication opportunity:

Selected high-quality, original submissions will be published as an edited volume in a prestigious publisher or in a well reputed literary journal indexed in Scopus and ESCI (WoS).

Please note that ICL only publishes manuscripts in English. For guidelines on full paper submission, please click here.

The publication outcome of previous ICL (2018) is available here.


Deadline for submissions: July 29, 2020


Contact email: icl@usm.my

CFP: GLOBAL HORROR: LOCAL PERSPECTIVES


Global Horror: Local Perspectives
Saturday 4th April 2020 – Sunday 5th April 2020
Lisbon, Portugal

Horror pervades human experience. It affects us both as individuals and as members of social communities, it is recurrent in pop culture and arguably present in all fields of human knowledge and realms of storytelling, from Cronus eating his own children, to Freddy Krueger’s sadistic murders in A Nightmare on Elm Street to media coverage of war. As a fundamentally paradoxical concept, horror simultaneously repels and fascinates us: we naturally dread it, yet we are drawn to it. We are taught to avoid that which is horrifying, but the appeal of horror, whether in the form of fiction or sensational news, is irresistible. Indeed, we simultaneously narrate, describe, imagine, consume, dread and crave horror in all of its dimensions, and with the most varied goals.

Horror taps into primal emotions of fear and disgust that are universal to the human condition, and finds expression across cultures and historical periods. Yet the texts that shape the ways in which horror is broadly understood historically reflect predominantly Anglo-European and American cultural, social, historical and geographical contexts.

Growing awareness and appreciation of the rich horror traditions of other countries around the world, including Japan, Korean, India, Brazil and Ecuador, has highlighted the importance of considering horror in a global context. Accordingly, the Global Horror: Local Perspectives Project provides a platform for exploring the ways in which horror motifs and themes are expressed through the ‘local perspectives’ that inform the creative practices and daily life of particular nations and cultures.