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CFP: CONFERENCE OF EUROPEAN ASSOCIATION FOR ASIAN ART AND ARCHAEOLOGY (EEAA) 2023




University of Ljubljana. September 13–17, 2023


The Board of EAAA is pleased to announce the new call for papers for the 3rd EAAA conference to be held at University of Ljubljana, Slovenia, between September 13–17, 2023. The 3rd conference, planned for 2020, that had to be cancelled due to the pandemic will now finally take place. The conference is jointly organized by the European Association for Asian Art and Archaeology (EAAA), the Department of Asian Studies at the University of Ljubljana and the Science and Research Centre Koper, Slovenia.

The University of Ljubljana is the oldest and largest scientific and research institution in Slovenia; it is also the only institution in the country where the subject of Chinese, Japanese and Korean Studies can be studied as a full program.

Main aims of the conference are the following:
  • To open a dialogue between scholars of Asian art and archaeology and to offer a platform for the presentation and discussion of recent research;
  • To highlight the significance of Asian art and archaeology research;
  • To focus research on the many collections of Asian art in the European collections and institutions;
  • To revise the historical approach that has been prevalent in the study and research of Asian art and archaeology;
  • To critically engage and elaborate on existing art theories and methodology;
  • To formulate new research vistas, approaches and methods in Asian art and archaeology.

Conference participation

Scholars of Asian art and archaeology from Europe and beyond are invited to submit their proposals for contributions on art and archaeology of China, Japan, Korea, South and Central Asia as well as transregional and transnational studies. The proposals can also focus on art theory, methodology and museum research in the above-mentioned areas. Graduate students are encouraged to submit their proposals.

EAAA board accepts the following formats of participation:
  • Panel format: Panel proposal (max. 250 words), including the name of the panel organizer, the chair, participants and discussant; 3–4 paper abstracts (max. 250 words each)
  • Individual paper format: Paper proposal (max. 250 words)
  • Alternative formats: Session proposal (max. 250 words), including the name of the organizer, the chair, and participants with an explanation of the chosen format: 2–3 sentences, including time frame (e.g. back-to-back sessions) and presentation/contribution abstracts (max. 250 words each)
All applicants are asked to add a short CV of 100 words, their status and affiliation (e.g. PhD candidate, University of Leeds) as well as contact information (address, telephone number, e-mail) to their application.

Applications in WORD format should be sent to conference@ea-aaa.eu by January 15, 2023. Scholars who have submitted their proposals by this deadline will be notified by April 15, 2023. The conference program will be published by May 31, 2023. The language of the conference is English.

CURSO ONLINE «EL ARTE CONTEMPORÁNEO EN ASIA, EN LOS SIGLOS XX Y XXI: IDENTIDADES EN CONFLICTO Y CUESTIONES DE GÉNERO»


Curso online 

«El arte contemporáneo en Asia, en los siglos XX y XXI:

identidades en conflicto y cuestiones de género»


Este curso online se impartirá a lo largo de doce sesiones y los contenidos se anuncian en los títulos que se nombran a continuación. El objetivo consistirá en presentar al público algunos de los aspectos más relevantes del arte contemporáneo (de los siglos XX y XXI) de aquellos países del este y el sudeste asiático, que han conseguido transformar prácticas artísticas hegemónicas en una comprensión de la creación y la estética contemporáneas en base a su carácter experimental e innovador.

Por una parte, se abordará el conflicto entre tradición y modernidad (especialmente importante en ámbitos donde la modernidad se asimilaba a lo foráneo repercutiendo hostilmente en el ámbito identitario); por otra, se hará hincapié en el complejo papel de las mujeres en los diferentes panoramas artísticos de la región. A lo largo de las doce sesiones, realizaremos una inmersión en los aspectos más relevantes del arte contemporáneo de China, Japón, las dos Coreas, Tailandia, Indonesia y Vietnam, sin olvidar su relación con el resto del mundo, y en particular, de nuestro país.

Títulos de las sesiones:

  1. El arte asiático: entre la tradición y la modernidad en el mundo contemporáneo (A. Rodríguez)
  2. El arte contemporáneo de Japón (M. Peiró)
  3. El arte actual en Japón (A. Rodríguez)
  4. El arte contemporáneo y actual en Tailandia (M. Peiró)
  5. El arte contemporáneo en Vietnam (C. Nualart)
  6. El arte actual en Vietnam (C. Nualart)
  7. El arte contemporáneo y actual en Corea (A. Rodríguez)
  8. (Auto)representación y propaganda en el arte asiático (M. Peiró)
  9. El arte contemporáneo de China (M. Peiró)
  10. El arte actual en China (A. Rodríguez)
  11. El arte contemporáneo y actual en Indonesia (M. Peiró)
  12. El arte asiático contemporáneo en el mundo del arte: coleccionismo, museos y mercados (A. Rodríguez)

Profesoras

Detalles:

  • Inscripciones abiertas
  • 21/09/2020
  • Del 21 de septiembre al 14 de diciembre.
  • Lunes de 18.30 h a 20.30 h.
  • Online. 24 horas antes del acto las personas inscritas recibirán la información necesaria para acceder.
  • Precio: 156 euros.
  • Casa Asia, con la colaboración de Universidad de Zaragoza y Universidad Complutense de Madrid

CFP: CONFLICT AND THE SENSES IN THE GLOBAL COLD WAR: FROM PROPAGANDA TO SENSORY WARFARE



Conflict and the Senses in the Global Cold War: From Propaganda to Sensory Warfare

October 15-16, 2020. Berlin, Germany

Although a conflict in which military strategies and weapons of mass destruction were always on the “horizon of expectation”, the Cold War was to a large degree carried out by non-lethal methods. It was also a war of culture, politics, and (visual and sonic) propaganda. Therefore, it can be understood to a great extent as a war not only on the senses, but as a war through the senses. In recent times, sensory aspects of domestic and international conflicts have become a field of interest in both sensory studies and conflict studies, with their methods and questionnaires intertwining in fruitful cooperation. (1) Historiographical approaches include the study of conflicts from the American Civil War to the Russian Revolution to both World Wars, and these examine how wars as the most extreme form of conflict were perceived—and how war changed contemporary perception. (2) The central conflict of the second half of the 20th century, though, is still a blatantly unexplored area in terms of sensory approaches. (3)

INTERNATIONAL SYMPOSIUM: "KOREAN ART IN THE WEST: TRACING OBJECTS FROM CREATION TO COLLECTION"



International Symposium:
"Korean Art in the West: Tracing Objects from Creation to Collection" 
(26-27 June 2019, University of Zurich, Switzerland)

The Section for East Asian Art (Institute of Art History, University of Zurich, Switzerland) cordially invites everyone interested in the art history of Korea to the international symposium "Korean Art in the West: Tracing Objects from Creation to Collection". The symposium will be held on 26 and 27 June 2019 in the auditorium of the RAA building, University of Zurich.