Mostrando entradas con la etiqueta Universidad de Londres. Mostrar todas las entradas
Mostrando entradas con la etiqueta Universidad de Londres. Mostrar todas las entradas

TRANSNATIONAL MEMORIES IN EAST ASIA: ACTS OF REMEMBERING THROUGH MEDIA AND VISUAL CULTURE


Memorial Sites. Acts of remembering through media and visual culture:

Transnational Memories in East Asia


TRANSNATIONAL MEMORY OF THE SINO-JAPANESE WAR

Discussant: Michael Tsang (Birkbeck, University of London)

  • "Reading the Transformations of Chinese War of Resistance Museums in the Xi Jinping Era through the Visual Analysis"

Markéta Bajgerová Verly is a PhD student in the ERC project Globalized Memorial Museums at the Institute of Culture Studies and Theatre HistoryAustrian Academy of Science, and at the University of Vienna. Her research focuses on War of Resistance against Japan museums in contemporary China. In 2020, she obtained an MA degree in China Studies at the Yenching Academy of Peking University. In China, she led a Dean’s Grant project mapping 30 museums across China devoted to the memory of the War of Resistance and studied its memory politics. This project informed her MA thesis analysing the impact of the discourse on the museum’s domestic audience as well as her current PhD research. She holds an undergraduate degree from the University of Glasgow in Politics and History. During her early studies, she focused on politics of sacrifice and the affective turn in politics and was a research associate at the Institute of International Relations in Prague.

  • "Investigating Photography Albums of Japanese Soldiers in North-East China. Methodological and Epistemological Challenges"

Jasmin Ruckert is a PhD student at the Institute for Modern Japanese Studies at Heinrich Heine University Düsseldorf. She has studied in Vienna and Paris (Paris VII) and completed two master’s degrees in Gender Studies and Japanese Studies at the University of Vienna in 2017 and 2018. In her master theses, she investigated visual representations of gender and of queerness in Japanese terebi dorama. During her employment in a research-project on Japanese propaganda funded by the German Research Foundation (DFG) her academic focus shifted towards historical media and the employment of fascist aesthetics and structuring of media politics in fascist empires. She is currently involved in publishing a volume entitled ‘Gendering Fascism’ (Brill 2024) together with Prof. Andrea Germer (Heinrich Heine University) on transnational entanglements and gendered dynamics in fascist movements and regimes of the early to mid 20th century. In her role as a lecturer at Heinrich Heine University, she has given courses on ‘Photography in Japan’, ‘Methodology in Transcultural Studies’ and on the history of Japanese-Chinese relations. Together with undergraduate students from her cultural studies course on ‘Representations of War’, she recently organised an exhibition on wartime photography.


MEMORIAL SITES IN KOREA


  • "The Korean War through Women’s Eyes: Sinchon Museum of American War Atrocities"

Suzy Kim is a historian and author of the award-winning Everyday Life in the North Korean Revolution, 1945-1950 (Cornell 2013). Her work has appeared in positions: asia critique, Asia-Pacific Journal, Cross-Currents, Comparative Studies in Society and History, and Gender & History. She holds a PhD from the University of Chicago, and teaches at Rutgers, the State University of New Jersey in New Brunswick, USA. Her newest book is Among Women across Worlds: North Korea in the Global Cold War (Cornell 2023).

  • "Jeju 4.3 – Postmemory Aesthetics of Museal Images"

Hyunseon Lee, Ph.D. habil., is a London based film, media and literary scholar. She is a Privat-Dozent in Media Studies and Modern German Literature at the Department of German, University of Siegen, and a Research Associate at Department of East Asian Languages and Cultures, and Centre for Creative Industries, Media and Screen Studies, SOASUniversity of London. She has lectured and published widely in the fields of German and comparative literature, film, and media studies, and held various scholarships and fellowships at Yonsei University and Seoul National University, Columbia University in New York City, and Chuo University in Tokyo, and at the Institute of Germanic & Romance Studies/ School of Advanced Study, University of London. She is author of the books Metamorphosen der Madame Butterfly. Interkulturelle Liebschaften zwischen Literatur, Oper und Film [Metamorphosis of Madame Butterfly. Intercultural Love affairs between Literature, Opera and Film] (Heidelberg: University Press Winter, 2020), Geständniszwang und ‘Wahrheit des Charakters’ in der Literatur der DDR. Diskursanalytische Fallstudien [Compulsion to Confess and 'Truth of Character’ in the Literature of the GDR. Discourse Analytical Case Studies] (Stuttgart: J.B. Metzler, 2000), Günter de Bruyn – Christoph Hein – Heiner Müller. 3 Interviews (Siegen, MuK 95/96) as well as numerous articles on the topics of German literature, East Asian and Korean peninsula cinema, gender, exoticism, popular culture and media aesthetics. She is co-editor of Murderesses (2013), Akira Kurosawa and His Time (2005), and Opera, Exoticism and Visual Culture (2015), and solo editor of two books Korean Film and Festivals: Global Transcultural flows (Oxfordshire: Routledge, 2022) and Korean Film and History (Oxfordshire: Routledge, 2023/forthcoming). She is currently researching war, gender, and memory in European and East Asian cultures, with a focus on K-culture as well as North and South Korean cinema.

Seminar director: Dr. Marcos Centeno (University of Valencia. Birkbeck, University of London)


MORE INFORMATION
  • Date: Thursday 30th March, 3-5pm UK time (4-6pm CET, European Central Time)
  • Seminar online. Registration required.

CFP: THE (SCOPUS/ISI) SOAS GLOCAL CONFERENCE ON ASIAN LINGUISTIC ANTHROPOLOGY 2023 (CALA)




The (SCOPUS/ISI) SOAS GLOCAL Conference on Asian Linguistic Anthropology 2023 (calA)



GENERAL INFORMATION

The SOAS GLOCAL CALA 2023 (SCOPUS / ISI indexed) is the annual GLOCAL conference and set of workshops and lectures on the Linguistic Anthropology, The Sociolinguistics, and the Language and Society, of Asia.


UNIVESITY COLLABORATORS


Elsevier, Taylor and Francis, Sage, Wiley, John Benjamins, Cambridge University, Oxford University.


LOCATION

University of The Philippines Diliman, Diliman, The Philippines.


DATES

May 16-19 2023.


SESSIONS
  • General Papers.
  • Colloquia (including 10 national Philippine Universities presenting individual Colloquia).
  • Posters.
  • Workshops / lectures on research and publishing methodology, and on ethnography, by globally prominent academics (including ELAR SOAS) and publishing companies.
  • Special Panels.
  • Keynotes Speakers: 

DISPLAYS
  • Publishing companies (Taylor and Francis, Elsevier, Sage, John Benjamins, Wiley).
  • Universities (20 displays).
  • The Endangered Alphabets Atlas.
  • Local and International Ethnographical Associations.

PERFORMANCES

Anthropological and Cultural Performances from Philippines performance companies.


ANHROPOLOGICAL EXCURSIONS

Anthropological one day options to sites significant in Philippine language and society.


ABSTRACT SUBMISSIONS

The SOAS GLOCAL CALA 2023 abstract submission /Second call for abstracts opens on October 20, 2022 and closes on March 13, 2023. The Notification of Acceptance will be no later than March 16, 2023. Submit at the following link, with all information.



THEME

Symbol and Society: The SOAS GLOCAL CALA 2023 invites work on the linguistic symbols of Asian and global Asian society, in a new era. Submissions should acknowledge and describe the transfer of language and communication in this new era. Papers should discuss the ways in which communication takes on both evolutionary and revolutionary form, following recent significant changes in Asian society, and in Asia’s new and revised interrelatedness across global scopes.


SCIENTIFIC COMMITTEE

For full Scientific Committee, see link.


PUBLICATIONS
  • Conference proceedings (ISI / AHCI indexed)
  • Several special Top Tier (Scopus/ISI /ACHI /SSCI) journal issues and monographs are planned with well ranked publications and publishers only, from papers submitted to The (SCOPUS / ISI) SOAS GLOCAL CALA 2023 that meet review requirements. Ample assistance is provided to revise papers.

CONTACT
  • Head of Communications: Ms. Nhan Huynh.
  • Email: cala2021.upd@up.edu.ph

LINKS

CFP: GLOBAL JAMES BOND LISA FUNNELL AND KLAUS DODDS


Call for papers

Global James Bond

Lisa Funnell and Klaus Dodds


According to David Bordwell in Planet Hong Kong (2000), “a truly global cinema is one that claims significant space” in film markets around the world (82) beyond a film series (e.g. IP Man), cycle (e.g. kung fu craze of the 1970s), or era (e.g. “golden age” of Hong Kong cinema in the 1980s and 1990s). While Hollywood is the only industry that meets this narrow definition, we question if a partial exception or even expanded demarcation could be made for the James Bond franchise given its long-term popularity, widespread cinematic influence, revenue generation, and cultural viability for nearly 6 decades or half of cinematic history.

As the Bond films have been released in more and more markets, the franchise has increasingly relied on audiences outside of the UK and US (such as China) for the majority of its box-office revenue. This was most evident when MGM contemplated releasing No Time To Die in November 2020 even as the cinemas of the UK and US were closing in response to the coronavirus pandemic. When additional countries began imposing restrictions that would impact cinema attendance, the release date for the film was pushed to April 2021.

However, the discussion of Global James Bond needs to move beyond box-office performance to consider how institutional, aesthetic, financial, and/or actor-based frameworks and investments make this global mobility possible. The global is even written in the storylines with Bond undermining global terrorist organizations (like SPECTRE) as well as individual megalomaniacs with plans to change, alter, or destroy the current world order. At the same time, more concentrated attention needs to be directed towards examining how the films are consumed, reimagined, and even contested in different sites and spaces. James Bond might “go global” (cinematically and narratively) but the films can have distinctly local readings based on subtitles and/or dubbing choices, censorship practices, and even different cultural milieus influencing spectatorship. There is a fascinating and at times controversial interplay between the global and the national/regional/local in the world of Bond (e.g. controversies in both North and South Korea with Die Another Day in 2002).

In 2022, the James Bond franchise will celebrate the 60th anniversary of the film series. The time is right to explore the influence of this enduring popular culture icon and highly profitable cinematic brand in expanded and expansive ways. We are seeking essays for our transdisciplinary collection, Global James Bond, on a range of topics that include but are not limited to:

  • Producing James Bond à financing, location shooting/enactments, set design, dubbing and translation (of individual actors and for foreign language markets)
  • Representing James Bond à casting choices for supportive and villainous figures, Bond and technology, Bond on location, Bond and the ‘special relationship’
  • Circulating James Bond à market access, local/regional/national engagement with Bond, global screenings, fan culture, political controversies, censorship/regional readings, poster design
  • Reimagining James Bond à rivals/alternatives to Bond in other texts and local/regional/national markets (e.g. Max Otto von Stirlitz, Avakoum Zahov, Jane Bond films in Hong Kong)
  • Contesting James Bond à intersectional debates, post-imperial debates, fantasies of power
  • Marketing and Merchandising James Bond – video games, toys, tourism, global James Bond day, product placement, lifestyle advice

​​​​​​​We strongly encourage scholars from around the world to submit an abstract. Our goal is to produce a transnational collection on Global James Bond from a range of voices and perspectives.

Please submit a 250 word abstract along with a short author bio to Lisa Funnell (lisa.m.funnell@gmail.com) by March 1, 2021. Please direct any questions or inquiries to this email as well.


Name of organization: 

Lisa Funnell / University of Oklahoma and Klaus Dodds / Royal Holloway University of London

CFP: INTERNATIONAL CONVENTION OF ASIAN SCHOLARS, 11 DISSERTATION PRIZES



 
The International Convention of Asian Scholars has become the largest gathering of its kind in the world. ICAS11 will be held in Leiden (The Netherlands) from 16-19 July 2019. As a part of this Convention there will be, in addition to Awards and Accolades for the Best Book in Asian Studies in the two categories of Humanities and Social Sciences, Awards and Accolades for the Best Ph.D Dissertation in Asian Studies awarded in each category. We encourage candidates from all countries whose dissertation is in the English language to enter this competition. Winners will receive a prize of 1250 Euros, intended to facilitate their attendance at ICAS12.