Mostrando entradas con la etiqueta idioma chino. Mostrar todas las entradas
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2021 JANGSEOGAK HANMUN WORKSHOP. ACADEMY OF KOREAN STUDIES

2021 Jangseogak Hanmun Workshop


  
The Jangseogak Archives of the Academy of Korean Studies is pleased to invite participants for the 2021 Jangseogak Hanmun Workshop.

The Jangseogak Archives of the Academy of Korean Studies hosted the Jangseogak Hanmun Workshop since 2016 for graduate students or advanced degree holders of Korean Studies and/or East Asian Studies who must have studied at least one year of classical Chinese or a completed comparable course in Asian Studies. The workshop offered 2 courses depending on their levels, for three-weeks intensive on-campus language course in July to deepen their understanding of Korean Hanmun.

Unfortunately, during the COVID-19 pandemic, the Jangseogak Archives of the Academy of Korean Studies decided to offer online classes which helps to improve participants’ knowledge of archives (Korean classic documents) for applicants only. The workshop aims at creating a global knowledge-building community of Korean studies.

We are looking forward to your participation.


Lecture Contents : Total 10 lectures

1. Field Research on Archives -> Su-Hwang Jung, Ph.D., the Academy of Korean Studies

2. Learning cursive handwriting – Choseo Cheonjamun -> Young-Hwan Sim, Ph.D., the Academy of Korean Studies

3. Reading old Korean letters -> Hyun-Ju Lee, Ph.D., the Academy of Korean Studies

4. Reading Family Registers in Joseon Dynasty -> Won-Young Heo, Ph.D., the Academy of Korean Studies

5. System and characteristics of Yuji at Seungjeongwon (Royal Secretariat) in Joseon Dynasty -> In-Hwan Noh, Ph.D., the Academy of Korean Studies

6. How are Rare Books classified -> Hye-Jung Lee, Ph.D., the Academy of Korean Studies

7. Reading Gungbang seals from the late Joseon Dynasty -> Eun-Jin Lee, Ph.D., the Academy of Korean Studies

8. Introduction of conservation of archives -> Chi-Sun Park, Professor, YONGIN University

9. How to deal with paper cultural assets -> Ke-Young Son, Professor, Daegu Catholic University

10. Archives (Korean classic documents) management theory -> Hak-Su Kim, Professor, The Graduate School of Korean Studies, the Academy of Korean Studies


Registration
  • Application period: November 22nd – November 26th, 2021
  • Submission Method: Please fill out the application form completely and attach in an email to: hanmun@aks.ac.kr
※ Please fill in your full name, nationality, current occupation, affiliation, e-mail address, etc. on the application form.

※ Applicants will be notified by e-mail.
  • Tuition fee: free
  • Lecture Method: We will send the recorded video lecture address(URL) through the e-mail address used at the time of course registration -> You can freely take the courses through the video within the course period.
  • Course period: from December 20th to December 29th, 2021

Contact Information

In case you have questions, please do not hesitate to contact us.
  • Contact: hanmun@aks.ac.kr
※ The 2021 Jangseogak Hanmun Workshop could be subject to changes, or modifications.

    Contact Info:

    Jangseogak Archives, The Academy of Korean Studies

    AKS HANMUN (CLASSICAL CHINESE) FELLOWSHIP


    2022 AKS Hanmun (Classical Chinese) Fellowship



    La Academy of Korean Studies (AKS) se complace en anunciar la "Beca AKS Hanmun (chino clásico)". Como una parte importante de nuestra misión es nutrir a los investigadores, que contribuirán al desarrollo y la globalización de los estudios coreanos, la academia ha organizado la "Beca AKS Hanmun (Chino Clásico) 2022" para académicos internacionales en estudios coreanos. Aquellos que estén interesados en los siguientes programas de la AKS, que es el centro global que comparte los estudios coreanos con el mundo, son muy bienvenidos a presentar su solicitud.


    1. Programas: Conferencias, recitaciones, investigaciones y visitas in situ (realizadas en coreano)


    2. Período del programa:



    4. Elegibilidad:
    • Estudiantes de grado, de máster y de doctorado que se especialicen en estudios coreanos en una universidad extranjera (incluidos los candidatos de máster o doctorado).
    • Los ciudadanos y graduados coreanos no son elegibles para este programa.
    ※ Se requieren conocimientos avanzados de coreano, ya que el programa se desarrollará en coreano.

    ※ Los solicitantes del curso avanzado deben haber completado un curso básico de Hanmun.


    5. Documentos requeridos:

    (1) Para todos los solicitantes:
    • Formulario de solicitud (descargar el archivo adjunto)
    • Certificado de inscripción (o de finalización)
    • Una carta de referencia

    ※ Escrito del asesor académico del solicitante sobre las razones por las que el solicitante necesita el conocimiento de los caracteres chinos.
    • Informe de resultados del Test of Proficiency in Korean (TOPIK) (si se ha realizado)

    (2) Documentos adicionales para los solicitantes del Curso Avanzado (Elija uno):
    • Una copia del expediente académico o certificado que acredite que el solicitante ha realizado un curso de Hanmun en su universidad (o de otros programas)
    • Certificado de finalización de la beca AKS Hanmun
    ※ Todos los documentos deben estar escritos en coreano o inglés. Si no es así, deberá presentarse también la traducción del documento al coreano o al inglés.


    6. Periodo de solicitud: Del 15 de noviembre al 30 de noviembre de 2021


    7. Método de solicitud: La solicitud en línea está disponible en la página web de AKS


    8. Notificación de la aceptación: El resultado se anunciará individualmente por correo electrónico el 16 de diciembre de 2021.


    9. Apoyo:
    • Billete de avión de ida y vuelta (clase económica) y ayuda para los gastos de manutención (un millón de KRW al mes)
    • Alojamiento (casa de huéspedes situada en el recinto de la Academia de Estudios Coreanos)

    10. Otros:
    • Presentar un informe de estudio hasta quince días antes de la finalización del periodo de la beca.
    • No se concederán ayudas a los solicitantes que reciban fondos de otras fuentes.

    • E-mail: akshanmun@aks.ac.kr

    CFP: AUTOFICTION AND HUMOUR (AUTUMN 2021)


    Autofiction and Humour
    Special Issue of Life Writing (Autumn 2021)

    One of the main features of autofictional literature is its so-called ability to “sit on the fence” (Lejeune) and be simultaneously fictional and referential. Throughout the theoretical discussions on autofiction this has overshadowed some of its other features. This special issue explores one of them, namely the as-of-yet rarely addressed humorous dimension of autofictional writing, including the aesthetic, narrative and social function(s) of humour in autofictional literature. In 1996, Marie Darrieussecq, a French scholar who almost overnight became a literary celebrity with the publication of Pig Tales (Truismes), published an article entitled “Autofiction, a non-serious Genre” (“L’Autofiction, un genre pas sérieux”) in which she ironically lauded autobiography only to better support autofiction’s creativity and its noncommittal attitude toward reality. Even if Darrieussecq meant “non-serious” to denote a less respected, frowned-upon subcategory of autobiographical discourse, now almost 50 years after Doubrovsky first coined the term, it’s worth considering if indeed autofiction is a non-serious mode of writing, although along a different understanding of the non-serious than Darrieusecq’s.

    Freud defined humour as a defence mechanism, a way of keeping reality at bay while still focusing on it. This could also describe the way autofiction relates to autobiographical practices and their attempt to describe somebody’s reality. Judging for example by the grandiloquent buffoonery of Bret Easton Ellis’s Lunar Park, the wry self-deprecating tone of Ben Lerner’s 10:04, and by how J.M. Coetzee pokes fun at his alter-ego in Scenes from Provincial Life, at times verging on self-parody, it seems high time to consider autofiction’s humorous dimension.

    One of the comic features of autofiction lies in its capacity to mock the seriousness of the genre it seemingly belongs to and, taking Darrieussecq’s rhetorical twist as a perfect example, seems to sneer at autobiography’s desperate dependence on facts and memory knowing that both have been shown to be fluctuating and labile (see for instance Mark Rowlands’s Memory and the Self: Phenomenology, Science and Autobiography, 2017). Even if a writer such as Mary Karr scathingly pointed out in The Art of Memoir (2015) that this aspect has often been regarded as carte blanche by some memoirists to publish blatant lies, she also rightfully reminded us that this inherent fallibility of our memory doesn’t call into question the validity of autobiography as long as it’s aware of this flaw. Another comic feature stems from an amused, sometimes ironic outlook on life and on those who try to put it on paper. In other words, autofiction often generates “ironic signals with regard to the reality of reported facts” (“signaux ironiques quant à la réalité des faits rapportés,” Colonna). Of course, this doesn’t imply that autofictional literature foregoes all claims to narrate any form of reality, but it frequently does so through tongue-in-cheek humour. As noted by Yves Baudelle, even in more serious autofictions such as Chloé Delaume’s or Camille Laurens’s, often conjuring up ghosts and the general theme of Thanatos, this “phantasmagoria is only tolerated in a humorous mode, which bestows upon it both its specificity and its function” (“cette fantasmagorie n’est tolérée que sur le mode humoristique, ce qui lui confère à la fois sa spécificité et sa fonction”). Thus, autofiction’s very referential logic could be described as “apotropaic.” In Ariadne’s Thread, J. Hillis Miller, focusing on realistic fiction’s essential flaw, wonders why “this dissolution of its own fundamental fiction [is] as constant a feature of realistic fiction as the creation of the fiction of character in the first place,” suggesting that “the function is apotropaic. It is a throwing away of what is already thrown away in order to save it.” Is autofiction trying to save autobiography and simultaneously make a joke out of it? This might be the very core of its ironical nature.

    We encourage cross-disciplinary and comparative approaches and papers discussing primary texts in any language. Proposed articles may consider the humorous dimension(s) of autofictional literature through themes like, but not limited to, those listed above.


    Practicalities and schedule:
    • Deadline for proposals (300 words): 20 June 2020
    • Authors will be notified if their proposal can be accepted for peer review by the end of July.
    • Deadline for sending in first drafts of papers: 1 November 2020
    • Peer-review process and corrections: January-March 2021
    • Final publication: Autumn 2021


    All submissions need to be sent with a brief bio, which includes title, institutional affiliation and e-mail address.

    To read the journal’s instructions for authors click here


    Please submit to: Alexandra Effe (alexandra.effe@wolfson.ox.ac.uk), Marie Lindskov Hansen (marie.lindskov.hansen@fu-berlin.de), Arnaud Schmitt (arnaud.schmitt@u-bordeaux.fr)


    Contact Info: 

    • Contact Email: marie.lindskov.hansen@fu-berlin.de
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