Mostrando entradas con la etiqueta teoría literaria. Mostrar todas las entradas
Mostrando entradas con la etiqueta teoría literaria. Mostrar todas las entradas

CFP: COMMON THREADS: BLACK AND ASIAN BRITISH WOMEN'S WRITING INTERNATIONAL CONFERENCE


Common Threads:

Black and Asian British Women’s Writing International Conference



Confirmed Keynote Speaker: Bernardine Evaristo

Dates: 21st-23rd July 2022

Following the inaugural conference of the Black British Women’s Writing Network (BBWWN) at the University of Brighton in 2014, we are pleased to announce the second international conference on Black and Asian British Women’s Writing. This conference celebrates the fact that so many Black and Asian women writers have emerged in the last two decades and acknowledges the significant impact their writing has made on publishing and the media since 2015. Black and Asian women’s writing has transformed Britain’s cultural landscape and provoked urgent conversations about nation and identity, home and belonging. Their work challenges the control white, British canonical writers have asserted over what qualifies as literary, where meaning is located in literary culture, and whose voices are privileged. The last couple of years have been particularly exciting for Black and Asian British women writers with Bernardine Evaristo winning the Booker Prize in 2019, the first Black British woman to do so, and several debut authors such as Reni Eddo-Lodge topping the UK’s fiction and nonfiction paperback charts in 2020-21, and receiving substantial attention and recognition. The recent publication of The Cambridge Companion to Black British and Asian Writing (edited by Deirdre Osborne), and The Cambridge History of Black and Asian British Writing (edited by Susheila Nasta and Mark Stein) bring together over 400 years of Black and Asian British writing. 2022 also marks the 21st anniversary of the landmark ‘Write Black, Write British’ conference at the Barbican (organised by Kadija George), and of the publication of the anthology Bittersweet: Contemporary Black Women’s Poetry. Common Threads aims to celebrate this rich cultural heritage while at the same time exploring how Black and Asian British Women’s Writing enables us to re-imagine the nation otherwise in the context of the unsettling, hostile environment of post-Brexit Britain.

The organisers welcome submissions from academics, postgraduate and early career researchers, teachers, publishers and literary activists. We welcome individual papers and panel proposals on any genre and topic related to writing by Black and Asian British women and queer people of colour. Suggested topics include, but are not limited to, the following:
  • Intersections and Common Threads: Black and Asian British Women’s Writing in the era of Black Lives Matter and post-Brexit Britain
  • Teaching Transformation: Black and Asian British Women’s Writing and Decolonising the Curriculum
  • Black and Asian British Women’s Life Writing, Screenwriting, Journalism, Popular fiction, Radio drama, Short fiction/flash fiction, Non-fiction
  • Black and Asian British Women’s Poetry and Spoken Word Performances
  • Speculative Fiction
  • Drama and Performance
  • Critically neglected writers/new writers
  • Black and Asian Women’s Writing and the School Curriculum
  • Black and Asian British Children’s Literature and storytelling
  • Black and Asian British Queer Writing
  • The 2018 Windrush Scandal
  • The matter of bodies, politics, place and diaspora
  • Making Space/Reconfiguring space: real and imaginary spaces, online, publishing and other spaces, worlds turned upside down
  • Regional and rural writing
Please send an abstract of 300 words maximum and brief bio by 31st January 2022 to commonthreads2022@gmail.com. The notification of acceptance will be sent by March 1, 2022. Online presentations/panels welcome. More details will be provided once notifications have been sent. Common Threads is an in-person event, but a limited number of online presentations can be accommodated.

The conference organizers will be working toward the publication of presented papers in a journal Special Issue in 2023.


Organisers: 



commonthreads2022@gmail.com

CFP: FILM STUDIES IN NORTHEAST, SOUTHEAST ASIA AND EAST ASIA




 Film Studies in Northeast, Southeast Asia and East Asia

Rising Asia Journal


The Rising Asia Journal invites academic articles  on  Film Studies focusing on the North East of India, South East Asia, China, the Koreas, Taiwan, and Japan within the following fields:

  • History, 
  • Literature, 
  • Postcolonial Studies, 
  • Literary Theory, 
  • Film Theory, 
  • Culture, 
  • Cultural Studies,
  • and International Relations and War & Society.

The papers must provide a new perspective and a fresh interpretation.They must  be original, supported with scholarly research, and the must not have been published or under consideration for publication in any media in print or online .

Authors should submit Abstracts of  250 to 300 words along with the details of the author(s), (title, affiliation/position(s), address, and e-mail. The Journal is currently accepting Abstracts, and this Call for Papers is open until September 30, 2020

On acceptance of abstracts, full articles of about 4,000 words (excluding footnotes in Chicago format) should be submitted. All submitted articles would go through peer review. 


Please email abstracts to: Dr. Harish C. Mehta, harish.mehta@utoronto.ca, and to Ms. Raka Mukherjee, rakamukherjeeofficial@gmail.com


For more details click here

CFP: SPECIAL ISSUE - THE GLOBAL SOUTH AND/IN THE PLANTATIONOCENE (SPECIAL ISSUE ON THE PLANTATIONOCENE)


Special issue of The Global South:
“The Global South and/in the Plantationocene”


According to the United Nations’ environmental risk index, a by-country report on the effects of global climate change, the inhabitants, locales, and economies of global south nations will be disproportionally affected as global warming intensifies. Many of these nations are projected to be hit by a triple whammy: rising populations, combined with already-vulnerable economies and spikes in severe weather events will result in massive disruptions to livelihoods and cultural practices, as well as mass migrations as environmental refugees flee to more habitable areas. The plantationocene, defined by Donna Haraway as a way of drawing attention to the planetary effects of extractive practices, monoculture development, and coercive labor structures that have undergirded modernity and climate change since at least the 1600s, can provide a useful rubric for thinking through human-agented ecological change, especially as these changes unevenly affect different populations and regions. Furthermore, the plantationocene calls attention to the indelible ecological and economic legacies of imperialism including patriarchal and race-based hierarchies, and inequities among diverse peoples based on race, gender, class, and sexual orientation.  This special issue of The Global South examines the productive tensions created by the operative phrase “and/in” when thinking, writing, and living through climate change from the perspective of the global south and/in the plantationocene.


Possible topics include:
  • Theoretical and hermeneutical discussions of the plantation and/or the plantationocene;
  • Examinations of the effects and the rise of natural disasters in the global south through the lens of the plantationocene;
  • Feminist-, queer-, decolonial-, and critical race studies-based resistances to the legacies, structures, hierarchies, and effects of the plantationocene;
  • Afro-, Arab, Asian, and Latinx futurisms in film, literature, and visual art which intersect with or document the (potential) effects of the plantationocene;
  • Analyses of the plantationocene, its legacies, its imaginaries, and its contemporary neo-isms (such as border factories, globalized trade, non-government organization assistance programs, privatized detention and incarceration, and plantation tourism) as these relate to the global south;
  • Empire-, refugee-, and military-studies discussions of plantationocene construction or deconstruction/resistance;
  • The global south plantationocene and/in the global north;
  • Interdisciplinary and comparative analyses of the plantationocene;
  • Architectural legacies of monoculture crops and their profits;
  • Ecological, animal studies, disability, medical studies, and women’s, gender, and sexuality studies approaches to this topic; and
  • Investigations of the erasures of indigenous peoples through the plantationocene.

This issue is slated for publication in Spring 2023, so contributors will have a calendar year to draft their complete 7,000-10,000-word essays. Please send abstracts of up to 500 words (in MLA style) and a 100-word biographical statement to guest editors Isadora Wagner and Natalie Aikens, at isadora.wagner@westpoint.edu and nmaikens1@gmail.com, by August 21, 2020.

isadora.wagner@westpoint.edu

CFP: RELIGION IN SOUTH ASIAN FICTIONS


Call for chapters for an edited book
Religion in South Asian Fictions 
to be edited by Sk Sagir Ali, Goutam Karmakar and Nasima Islam

Concept Note:

In today’s polarised world, religion is seen as a primary cause of social division, conflict and war, while others have argued that this is a distortion of the true significance of religion, which when properly followed promotes peace, harmony, goodwill and social cohesion. The rhetoric of the ‘war on terror’ and the ‘clash of civilizations’ has promoted a geopolitical enemy. This has been accompanied by a shift towards a more ‘muscular’ liberalism. Secularization and cultural pluralism have dethroned the sacred. It has also destabilized the ‘structure of power’ with the concept that of the sacred was there to uphold a society rooted in a single source of religiously mandated authority. With the emergence of individualism with religion and culture, identity is now as much a matter of individual ‘feeling’ as it is about collective conceptions of the ‘sacred’, whether secularized or not.