Mostrando entradas con la etiqueta cultura digital. Mostrar todas las entradas
Mostrando entradas con la etiqueta cultura digital. Mostrar todas las entradas

CFP: "ARE WE THERE YET? JOURNALISM EDUCATION DURING THE SOCIAL MEDIA AGE IN ASIA"


“Are We There Yet? Journalism Education

During the Social Media Age in Asia”


Social Media have brought a paradigm shift in journalism and journalism education is in transition in this ever-changing media landscape in the Global South. The process of news has been getting complex and challenging as the journalists have to adapt with the social media tools from gathering to disseminating news.

As a continent, Asia is unique with 60% of world population and one third of area in the globe. The history and civilization of this region date back to thousands of years and Asia is the birthplace of major religions. Journalism education was not started in Asia but this region is known for its pioneering and thought-provoking educational initiatives starting from ancient Babylonian civilization to modern day’s leading role in STEM.

Journalism in Asia has been developed based on both the North American and European models as many countries of this region were colonized by either a North American or a European, mostly British, ruler. Likewise, journalism education has been modeled by both North American and European pedagogies.

With the advancement of digital media, Asian journalism educational institutions have been trying to adopt new pedagogy, redesign curricular alongside utmost struggle to adapt with the new and changing scenario.

The process of news has been ever evolving as social media provides unlimited opportunities to get information from the digital sphere. In addition, the traditional model of getting information from the mainstream media is withering away and the economic existence of journalism is in jeopardy. The access to the sources has become much easier and journalists could reach new audiences and increase the visibility of news. On the other hand, the social media landscape also has been putting pressure on journalists to keep up with the pace of breaking the news.

Given the ever-evolving Asian journalism education landscape, this book aims to address the following questions: Are Asian journalism educational institutions ready and equipped to train journalists in the social media age? What are the challenges of journalism education and how should those challenges be addressed?

In this book, the authors from the Asian countries will highlight the challenges and opportunities of journalism education in the digital and social media age in Asia.

The book aims to house scholars from various backgrounds who have experience in journalism education in all Asian countries. It tends to cover the scenario of journalism education in various Asian countries of diverse socio-political backgrounds and cultures. The book aims to cover the issue in the methodological and theoretical discussion and challenges regarding the reciprocal engagement between journalism educational institutions and journalists from both local and regional perspective.


Notes on editors

Neelam Sharma (Ph.D.) is an Associate Professor of Journalism and Media Studies and the Director of Graduate Program in the Department of Communication, Media and Persuasion at Idaho State University, USA. Dr. Sharma earned her Ph.D. in Public Communication and Technology from Colorado State University, Fort Collins. She also received her M.A. from Panjab University, India. Dr. Sharma teaches courses in Media Writing, Business Journalism, Social Media, and Research Methods. Her research interests include social media, journalism, and the South Asian news and entertainment media. Her research appears in journals including the International Journal of Communication, Psychology of Popular Media, Journal of Communication Inquiry, Global Media and Communication, and Atlantic Journal of Communication, among others. She is currently working on her sole-author book project, Online Abuse, hatred and women journalists in India. Dr. Sharma served as the PF&R chair of the International Communication Division (ICD), AEJMC. Before starting her doctoral studies in the US, Dr. Sharma worked as a journalist with the two-leading media, The Times of India and The Indian Express, in India.

Delaware Arif (Ph.D.) is a digital journalism Associate Professor and Graduate Program Director in the Department of Communication at the University of South Alabama, USA. He teaches Digital Writing & Production, Multimedia Storytelling, Social Media, and Ethics and Social Responsibility. Dr. Arif also taught mass communication courses at the University of Wisconsin-Whitewater. He was an Assistant Professor in the Department of Communication and Journalism at the University of Chittagong in Bangladesh. He also served as Chairman of the department until coming to the U.S. to pursue his Ph.D. Before joining teaching in 2002, Dr. Arif worked for Reuters, Bangladesh National News Agency (BSS) and an international NGO, the Hunger Project. He earned his Ph.D. in Mass Communication and Media Arts at Southern Illinois University Carbondale (SIUC) focusing on the patterns of usage of social media among the South Asian diaspora group in the U.S. He also received his M.A. in media theory & research from SIUC. Dr. Arif completed the Training for Trainers course at the International Institute for Journalism (IIJ) in Germany. He received his B.A. and M.A. in Mass Communication and Journalism from the University of Dhaka in Bangladesh. His teaching and research areas revolve around social media, new media, political communication, international communication, journalism studies, race and media, and mass media ethics.


Important Deadlines
  • Abstract submission: December 31, 2023
  • Final manuscript: March 31, 2024
  • Tentative Publication: August 2024
Potential publishers:



Please send your abstract:
  • sharneel@isu.edu
  • darif@southalabama.edu​​
Contact Information
Contact Email: darif@southalabama.edu

CURSO ONLINE CASA ASIA «EL ÉXITO GLOBAL DEL CINE Y LAS SERIES DE COREA DEL SUR»

 
Curso online Casa Asia

«El éxito global del cine y las series de Corea del Sur»


¿Cuáles son las claves del éxito que están cosechando el cine y las series de Corea del Sur? En este curso realizaremos un repaso histórico a estas industrias culturales a partir de la estrategia globalizadora llevada a cabo por el país desde los años 90. A través de este recorrido, recordaremos algunos hechos históricos que marcaron para siempre a estas industrias y, muy especialmente, esas películas y series que han sido importantes para la evolución de la cultura contemporánea de Corea del Sur, permitiéndonos comprender, de esta manera, cómo ha sido la trepidante estrategia de expansión que se ha producido en estos últimos 25 años.

No es necesario tener conocimientos previos, por lo que esta actividad podría ser interesante tanto para quienes disfrutan con la ficción surcoreana como para quienes desean comenzar a conocerla.


Programa:

1ª Sesión: Los inicios de la globalización: el nuevo cine coreano

Desde los años 90, la industria del cine de Corea del Sur experimentó importantes cambios que tuvieron su base en el plan Segyehwa anunciado por primera vez en 1995 por el antiguo presidente Kim Young-Sam. Los efectos de la globalización se vieron reflejados en una nueva ola de cine que acabaría conociéndose entre la crítica especializada y el público como el “Nuevo Cine Coreano”. La Generación 386 de cineastas, encabezados por Bong Joon-ho, Park Chan-wook, Kim Jee-woon, Lee Chan-dong, Kim Ki-duk y Hong Sang-soo, obtuvo, de forma inesperada, el mayor reconocimiento internacional.

2ª Sesión: Las últimas tendencias del cine surcoreano

La consolidación de la Generación 386, la proliferación de los nuevos talentos o la experimentación con los géneros cinematográficos han consolidado la presencia del cine surcoreano en el panorama internacional. Así pues, éxitos como Parásitos (Gisaengchung, 2019), de Bong Joon-ho, han permitido dar a conocer a esta cinematografía al público masivo, pero también responden a una estrategia de expansión que comienza a cosechar frutos.

3ª Sesión: Evolución de las series de ficción surcoreanas

La década de los 90, trajo consigo el surgimiento de nuevos canales en la televisión por cable, pero también un incremento en la competitividad en su apuesta por la ficción local. Tras las importantes ventas de la serie What is Love? (Sarangyi Mwogilrae, Park Cheol, 1991-1992) y la consolidación de la ficción surcoreana en la región con Winter Sonata (Gyeoul yeonga, Yun Seok-Ho y Lee Hyung-Min, 2002), los medios de comunicación chinos y japoneses comenzaron a utilizar el término Hallyu para definir el impactante éxito y dominio que aún, a día de hoy, mantiene esta industria.

4ª Sesión: La ficción surcoreana en las plataformas digitales

Por último, finalizaremos nuestro recorrido histórico dedicando una última sesión a la presencia de la ficción surcoreana en las plataformas digitales. Desde 2016, con la participación de Netflix en la superproducción de Okja, de Bong Joon-ho, se ha producido un incremento exponencial en la visibilización del cine y las series de factura surcoreana. De esta forma, se ha facilitado su circulación a escala global, pudiéndose tener acceso a una gran variedad de contenido desde nuestras propias casas.


Profesora:

Sonia Dueñas Mohedas, becaria predoctoral PIPF en el departamento de Comunicación de la Universidad Carlos III de Madrid y miembro del grupo de investigación TECMERIN (Televisión-Cine: Memoria, Representación e Industria). Ha sido becaria Korea Foundation Field Research en la Korea National University of Arts en 2021. Su tesis está centrada en Planet Hallyuwood, la industria cinematográfica de Corea del Sur en la era de la globalización, labor que también combina con el proyecto de investigación «Cartografías del Cine de Movilidad en el Atlántico Hispánico» (CSO2017-85290-P) y la docencia. Es miembro fundador de la Asociación de Difusión de Estudios y Cultura Coreana en España (ADECCE).


Más información
  • Fechas: del 4 al 7 de julio de 2022. Lunes a jueves, de 18.00 h a 19.30 h CEST. 4 sesiones de 1,5 horas: total 6 horas.
  • Lugar: Online. 24 horas antes del acto las personas inscritas recibirán la información necesaria para acceder.
* Comprueba tu bandeja de correo no deseado en caso de no haberla recibirlo.
  • Precio: 39 euros.


ÚLTIMAS PUBLICACIONES ACADÉMICAS 2021 (I)

Retomamos un año más nuestros listados con las últimas novedades académicas que han visto la luz en este primer trimestre de 2021. Estamos ante investigaciones internacionales de gran magnitud en el ámbito de los Estudios Coreanos, abordado desde diferentes disciplinas dentro de las ciencias y las humanidades. Todas ellas ya disponibles para todos a través de las múltiples editoriales que también facilitamos a continuación:

CFP: 13TH KOREAN LITERATURE ASSOCIATION WORKSHOP COLUMBIA UNIVERSITY


CALL FOR PAPERS
13th Korean Literature Association Workshop


Deadline: March 31, 2020


We invite individual paper submissions from those working in any discipline or field (for example, queer studies, gender studies, history, literature, sociology, Asian American studies, anthropology, communications, performance studies, film/visual culture) who are incorporating Korean literature into their work for the 13th annual Korean Literature Association Workshop to be held on November 20, 2020 at Columbia University.

CFP: "AFTER HOPE: FUTURE FORMS AND ALTERNATIVE METHODS", AAMSF


Symposium After Hope: Future Forms and Alternative Methods,
AAMSF, Sept. 25-27, 2020


After Hope seeks to engage critical explorations of hope as an aesthetic and embodied experience. The prompt to think “after” hope is intended as a way to consider hope’s complex relationship to the future and the past. Through presentations and workshops focused on cultural, material, and technological expressions of hope, this interdisciplinary symposium aims to explore hope as a dynamic index of change. To do so, it asks what it means to go after hope and what comes after hope.

Hope is an important historical, cultural, and social marker. Its significance for social action, however, is hotly debated. Often associated with general naiveté, or unrealizable utopian thought, hope can also be understood as a critical lens for understanding collective values and approaches to many of today's most pressing issues. It functions as an emotional register that underwrites, connects, divides and in other ways animates relationships between different communities, driving active processes of imagining, representing, and creating the conditions for desirable and eclectic futures. Through a discussion of hope in art, activism, and global alliances, we seek to understand expressions of optimism, pessimism, fear, and anticipation as part of cultural, material, and technological practices.

CFP: VIRTUAL WORKSHOP 'ASIA.LIVE: LOCATING LIVESTREAMING IN ASIA'


CFP: Virtual Workshop 'ASIA.LIVE: Locating Livestreaming In Asia
Leiden University

List members may be interested in the following upcoming event, for which we are inviting audiovisual submissions, with the option for contributors to later also submit accompanying research articles for publication.

Organisers: Florian Schneider, Dino Ge Zhang, Gabriele de Seta.

Date: 13 September 2019

Abstract Deadline: 20 June 2019

CFP: "NATIONAL IDENTITIES AND THE YOUTH IN EAST ASIA: POPULAR CULTURE, POLITICAL MOBILISATION, AND DIGITAL SPACES" WORKSHOP




National Identities and the Youth in East Asia: 
Popular Culture, Political Mobilisation, and Digital Spaces
Workshop at the Université libre de Bruxelles, Belgium, 2-3 May 2019

As East Asian societies seek to come to term with demographic, economic, political and technological transitions in recent decades, the younger generation – the so-called Millennials born after 1980 –  have been both impacted by and assuming an increasingly active role in shaping these transformations. Despite being frequently depicted as a politically apathetic generation and with only limited access to traditional levers of state and cultural power, the youth in East Asia have been able to negotiate their political identities through a variety of channels outside official institutions such as popular culture, social and political activisms, and online communications. Digital spaces have become a particularly significant venue for the technologically sophisticated youth to engage in explicit or disguised forms of mobilisations and self-expressions as a strategy to, for instance, resist authoritarian control or to cope with social isolation. On the other hand, from the umbrella movement in Hong Kong and the sunflower movement in Taiwan to emerging feminist activisms in mainland China despite heightened oppressions, the youth are also increasingly involved in claiming the physical public space and in some cases utilising digital networks as a tool for real-world mobilisations. 

ÚLTIMAS PUBLICACIONES ACADÉMICAS 2018 (I)



En esta primera mitad del año, descubrimos algunas investigaciones de académicos internacionales que han sido publicadas durante estos últimos meses de 2018. Avances publicados en formato libro que abarcan distintas áreas de las Ciencias Sociales y Humanidades y que poseen un punto de partida en común: Corea. Descubre cuáles son las publicaciones que ya se encuentran a la venta para su inmediata adquisición.