Mostrando entradas con la etiqueta budismo. Mostrar todas las entradas
Mostrando entradas con la etiqueta budismo. Mostrar todas las entradas

CFP: ENGAGED BUDDHISM FOR AN ENGULFED WORLD; NEW PERSPECTIVES ON HUMANISTIC BUDDHISM


International Conference Engaged Buddhism for an Engulfed World:

New Perspectives on Humanistic Buddhism


The organizing committee for the international conference on “Engaged Buddhism for an Engulfed World: New Perspectives on Humanistic Buddhism” cordially invites the submission of related papers. This conference is sponsored by the Glorisun Charity Foundation in Hong Kong, administered by the Glorisun Global Network for Buddhist Studies and FROGBEAR at the University of British Columbia, and hosted by the University of Hong Kong. It will take place from August 9 to August 12, 2023 in Hong Kong.

Starting from the late 19th century, anti-religious movements such as ‘school-building on monastic properties’ 廟產興學 and the introduction of Western religions had posed an unprecedented crisis for Chinese Buddhism. This crisis weakened the economical foundation of the monasteries and even stripped some monasteries of their properties and possessions, making their normal functioning hard to persist. The traditional status of monastics was also severely challenged, forcing many monastics to return to lay life. Meanwhile, local religious activities centering around the monasteries also came to be seriously limited, while the overall development of Buddhism halted and even retrograded.

However, crisis also spurred reforms in Buddhist education, leading to the creation of many modern Buddhist colleges. In response to the crisis, some traditional Buddhist schools, such as Tiantai and Pure Land, also experienced renaissance. But perhaps the most notable outcome emerging from this crisis is the movement of Engaged or Humanistic Buddhism (Renjian Fojiao 人間佛教) led by Master Taixu 太虛 (1890-1947) which underpinned the renaissance of Chinese Buddhism in the 20th century.

Engaged Buddhism advocates the application of Buddhist philosophy in everyday life and the use of Buddhist practices for the sake of the betterment of oneself and the society. It promotes the sense of engagement and responsibility for the world and has led more and more Chinese Buddhists to regard the welfare of the society, and to contribute to charity, education, environment protection, and public health, among other social causes.

Engaged Buddhism also represents a modernized religious movement. It embraces modern values such as gender equality, diversity, individual freedom, and scientific and technological outlook; and is thus uniquely suitable for facilitating the dialogue between the Eastern and Western religions.

Buddhism itself promotes multiculturalism. Since its origin in India, it had taken up abode in many cultural and geographical areas in Central, East and Southeast Asia; and today, its influences continue reaching all around the world. Its successful transplantation in so many diverse cultures is indebted to its spirit of inclusivity. Buddhism is not hostile to other forms of thinking and in fact encourages its followers to respect the cultural and ideological diversity. This inclusive spirit revealed to be an advantage in the propagation of Buddhism on foreign soils. Secondly, Buddhism is highly adaptable, constantly letting itself be modified by host cultures. Moreover, Buddhist missionaries are often highly cultured individuals who possess the precious ability to communicate cross-culturally which is a quality strengthening the international appeal of Buddhism.

If we say Engaged Buddhism was birthed passively by the socio-historical circumstance at the time, then we must ask whether it could play a more active role in today’s world that is threatened by a reverse trend of globalization and the increasing hostility between some major cultures and states. It is thus worthwhile for scholars to study whether and how Engaged Buddhism could wield its cross-cultural capacity to contribute to the world peace and cooperation. For these reasons, we propose, though not exclusively, the following themes for discussion:
  • Engaged Buddhism and history;
  • Engaged Buddhism and regional studies (mainland China, Taiwan, Hong Kong, Macao, Southeast Asia);
  • Engaged Buddhism: notable cases;
  • Engaged Buddhism: notable figures;
  • Engaged Buddhism and modernization;
  • Engaged Buddhism and globalization;
  • Engaged Buddhism and cross-cultural transmission;
  • Engaged Buddhism: its prospect.
The organizing committee welcomes all paper proposals related to this conference theme. All conference-related costs, including local transportation, meals and accommodation during the conference period, will be covered by the conference organizers, who—depending on availability of funding—may also provide a travel subsidy to selected panellists who are in need of funding. Please email proposals and CVs to frogbear.project@ubc.ca by April 15, 2023.

A conference volume will collect all the papers in English, plus English translations of several papers written in languages other than English; a volume in Chinese will include Chinese versions for all papers not written in Chinese in addition to those papers contributed by our colleagues based in China. Only scholars who are confident in finishing their draft papers by mid-July and publishable papers by mid-November of 2023 are encouraged to apply.

This conference is planned as part of our annual International and Intensive Program on Buddhism (details TBA).

CFP: INTERNATIONAL CONFERENCE SINIFICATION, GLOBALIZATION OR GLOCALIZATION?

International Conference Sinification, Globalization or Glocalization?:

Paradigm Shifts in the Study of Transmission and Transformation of Buddhism in Asia and Beyond


The organizing committee for the international conference on “Sinification, Globalization or Glocalization?: Paradigm Shifts in the Study of Transmission and Transformation of Buddhism in Asia and Beyond” cordially invites the submission of related papers. This conference is sponsored by the Glorisun Charity Foundation, administered by the Glorisun Global Network for Buddhist Studies and FROGBEAR at the University of British Columbia, and hosted by the University of Hong Kong. It will take place from August 9 to August 12, 2023 in Hong Kong.

Contacts between the East and West had started as early as the antiquity. Alexander the Great, for instance, brought the Greek culture to India where Greek aesthetics would heavily influence Buddhist — especially Gandhāran Buddhist — art. Similarly, Roman coins circulated to the Chinese capital Xi’an as early as the Han Dynasty (202 BC–220 AD), while Christianity had already spread China in the Tang Dynasty (618-907). Within Asia, intense cultural exchanges also took place constantly, notably including the spread of Buddhism to China in the first century CE. Accompanying cultural exchanges are also conflicts. Encounters between Eastern and Western civilizations were especially combustible due to their vast political, economical, linguistic, and cultural differences. Scholars like Samuel P. Huntington even suggest that the primary cause of conflicts in today’s world will not primarily happen between countries, but between cultures or civilizations. According to Hungtinton, cultural differences are so deeply entrenched that they will be the indelible source of conflicts; and that these conflicts will manifest most intensely between the dominant modern Western civilization and other civilizations that share distinct ideologies and cultures. This opinion, however, is somewhat prejudiced in that it portrays civilizational clash as inevitable; and it even runs the risk of becoming a ‘self-fulfilling prophecy’ worsening the global situation. In reality, conflict is far from the normal mode of between inter-civilizational interaction. To the contrary, the advancement of human civilization is deeply indebted to the exchange and merging of cultures.

At this critical juncture of our own time when globalization faces an unprecedented crisis, history can serve as a mirror for us to understand the nature of inter-civilizational conflict and cooperation. In particular, the history of the transmission of Buddhism from India to China, its subsequent appropriation by Chinese culture, and the transmission of the Sinicized form of Buddhism to the rest of East Asia is especially revealing of the mechanism of cross-cultural interactions.

From the perspective of the global history, when the teachings of Buddhism first arrived in the heartland of China around the first century CE, East Asia had just started what would become an ongoing exchange with Central and South Asia. Influence from the Han Empire already had spread to Central Asia, and as a result, at least two civilizations communicated with one another through various channels to allow for diverse cultural interactions and fusion. Buddhism, in this context, was one among many players to participate in this rich cultural dynamic.

Buddhism, as a product of a foreign culture from the Chinese perspective, underwent an extended period of adaption and intermingling with indigenous cultures before many teachings were altered by the seventh century, which gave rise to a distinct Chinese Buddhist tradition that embodied the spirit of a new and vibrant host culture. Meanwhile, Chinese Buddhism spread across East and Southeast Asia, generating a novel Chinese Buddhist sphere of influence with the classical Chinese language as its lingua franca. Against this backdrop of world history and globalization, the spread of Buddhism transcends a singular cultural phenomenon in one defined region, and instead represents a grand religious and cultural transformation with profound and far-reaching implications.

The Sinification of Buddhism, or more specifically the Chinese metamorphosis of core Indic cultural elements, transpired within several domains, including philosophy, religious practice, and the construction of Buddhist institutions. During the migration from its homeland in South Asia to China, Buddhism retained many core doctrines, such as the doctrines of independent origination and of the Middle Way, the Four Noble Truths, and the threefold training in discipline, concentration and wisdom. But when it comes to the exegetical traditions that interpreted the many Indian classics, the process of Sinification is evident. In the early period, Chinese Buddhists digested Indian concepts by clumsily relating them to indigenous Chinese terms. Even later on, as Chinese Buddhists developed sophisticated insights about the nature of reality as ultimately unconditioned, they could not restrain a powerful urge to integrate Indian elements into systems of Chinese thought, especially by infusing Buddhism with Confucian and Daoist teachings. Furthermore, Buddhist teachers were often learned masters of both Chinese and foreign traditions of learning and exegesis. These teachers symbolize cultural fusion at a time when the Buddhist teachings were understood with uniquely Chinese characteristics. In addition, for a thousand years after the fall of the Eastern Han Dynasty (25-220 CE), Chinese Buddhists not only translated and interpreted texts imported from India, but also many composed apocrypha and treatises that in turn generated many original doctrines, institutional codes, and historical narratives. In contrast to the Tibetan Kangyur and Tengyur that mostly comprise translated texts, the Chinese Buddhist canons incorporate many texts written originally in the Chinese language. The formation of the Chinese Buddhist Canon, therefore, is another key part of the process of Sinification.

Chinese Buddhists were also deeply affected by indigenous popular religious beliefs. Many secular followers were understandably more concerned with worshipping deities than with obscure doctrinal formulations. On this non-elite level, we find intriguing connections between Indian Buddhist and indigenous Chinese practices such as those techniques preached in the Huang-Lao school, and particularly the goal of spiritual immortality and the worship of ghosts and gods. Meanwhile, the Buddhas and Bodhisattvas, and especially the Buddhas of the Three Ages and the four Bodhisattvas, emerged as central objects of worship in Buddhist rituals. After the Tang Dynasty, Bodhisattva cults acquired their own theoretical and institutional bases, and even absorbed the practices of mountain worship to produce a uniquely Chinese sacred geography that attracted not only Chinese pilgrims, but also pilgrims from across East and Southeast Asia and as far as the cradle of Buddhism itself in India. Within the context of this transformation, it seems that the axis-mundi of Buddhism gradually shifted from India to China.

The process of Sinification can be equally applied to the study of Buddhist institutions.

Indigenous Chinese religions did not conceive of any system of monastics, which only came into being during the Liu Song Dynasty (420-479) when Vinaya texts were translated and, with them, the Indian Buddhist institutional rules and regulations were transplanted to Chinese soil. But this relocated system experienced countless problems, of varying severity, within a new cultural milieu, especially when we consider conflicts with the dominant Chinese state. For instance, should monks dine while crouching or should they sit down? Should monastics eat with their hands or with chopsticks? Should they kneel before the ruler? Even trivial habits, such as washing one’s hands, brushing one’s teeth, and relieving oneself generated considerable debates. These examples attest to the drastic differences between the Indic and Chinese cultural environments. But Chinese Buddhists eventually dictated their own terms for monastic life. In Chan Buddhism, for instance, agrarian-influences upon Buddhism can be seen in teachings such as “one day without labouring, one day without eating” (一日不作, 一日不食), which is at odds with Indian monastic codes that explicitly preclude any agricultural work. Though not without controversies and occasional reversals of fortune, the Sinification of Buddhism proved to be inexorable over time.

The reason that Buddhism was able to establish such deep roots in China–when China was the source of the teachings of the religion after the seventh century in neighbouring kingdoms–has to do with a mutual attraction that bound the teachings of Indian Buddhism and Chinese culture together. The latter shaped the former in accordance with its philosophy, culture, and institutions, creating a form of Buddhism instilled with myriad Chinese features.

With this conference we are not only inclined to address our contemporary inquisitiveness by returning to the well-trodden path concerning the topic of the Sinification of Buddhism; we will address the process of Sinification against the backdrop of global history. We will also, therefore, reassess the potential uses of the term ‘Sinification’ to serve as a historical precedent that may be able to teach us new lessons relevant to our own time. Today, we are witnessing the trend of globalization being forestalled. Given this challenge, the study of the localization or indigenization and globalization (the so-called ‘Glocalization’) of Buddhism carries an implication beyond academic research, for it could impart historical lessons for our own time that is increasingly threatened by a reversal of globalization and by the hostility between cultures and states. For these reasons, we propose, though not exclusively, the following themes for discussion:
  • Conflicts and Conciliations: Patterns of intercultural/intercivilisational Interactions as Seen from Buddhism’s Crossborder and Transcultural Transformation
  • Indigenization and Globalization of Buddhism as Part of World History;
  • Sinification and Globalization of Buddhism and Reconstruction of Sacred Spaces in Asia;
  • Case Studies Showing Glocalization as a More Dynamic Approach for the Study of Transcultural Transmission of Buddhism;
  • Buddhism’s Transborder Transmission and the Formation and Transformation of Pan-Asian Textual Communities;
  • Buddhism’s Transborder Transmission and Commercial Networks in Asia;
  • Buddhism’s Transborder Transmission and Geopolitical Reshaping in Asia
The organizing committee welcomes all paper proposals related to this conference theme. All conference-related costs, including local transportation, meals and accommodation during the conference period, will be covered by the conference organizers, who—depending on availability of funding—may also provide a travel subsidy to selected panelists who are in need of funding. Please email proposals and CVs to frogbear.project@ubc.ca by April 15, 2023.

A conference volume will collect all the papers in English, plus English translations of several papers written in languages other than English; a volume in Chinese will include Chinese versions for all papers not written in Chinese in addition to those papers contributed by our colleagues based in China. Only scholars who are confident in finishing their draft papers by mid-July and publishable papers by mid-November of 2023 are encouraged to apply.

This conference is planned as part of our annual International and Intensive Program on Buddhism (details TBA).

CFP: INTERNATIONAL JOURNAL OF BUDDHIST THOUGHT & CULTURE VOL. 33 NO. 1



Vol. 33 No. 1 (June 2023)


Dear Colleagues,

We would like to announce an up-coming submission deadline of March 15, 2023 for the summer issue of the International Journal of Buddhist Thought & Culture, (Vol.33 No.1) to be published on June 30, 2023.

The International Journal of Buddhist Thought & Culture (IJBTC) is seeking contributions of articles and book-reviews on history, philosophy, literature, and culture that are relevant to Buddhism.

The IJBTC welcomes submissions that bring new perspectives and ground-breaking research to the various fields of Buddhist Studies.

The IJBTC is accredited by Korean Research Foundation and is included in the resource of the Atla Religion Database® and the Thomson Reuters Emerging Sources Citation Index.

For more information, including submissions, subscriptions and inquiries, please visit our homepage or contact us by email at ijbtc@dgu.ac.kr

Regards,

KIM Jongwook (Dongguk University, Korea)


CFP: “HOW ZEN BECAME CHAN: PRE-MODERN AND MODERN REPRESENTATIONS OF A TRANSNATIONAL EAST ASIAN BUDDHIST TRADITION”, INTERNATIONAL CONFERENCE


“How Zen Became Chan: Pre-modern and Modern Representations of a Transnational East Asian

Buddhist Tradition”, International Conference.


July 29-31, 2022 | ONLINE, in collaboration with Yale University


The FROGBEAR project at the University of British Columbia, with the assistance of the Glorisun Global Network of Buddhist Studies at Yale University, cordially invites proposals for an international conference on “How Zen Became Chan: Pre-modern and Modern Representations of a Transnational East Asian Buddhist Tradition” to be held online, via Zoom. The conference is made possible with generous support from the Glorisun Charitable Foundation, based in Hong Kong.

Scholarly and popular publications in English and other European languages since the early-20th century more often refer to Zen Buddhism than Chan (alt. Ch’an) or Seon (alt. Sŏn) or even Thiền Buddhism, thereby promoting—at least subtly—the notion that Japan, rather than China, Korea, Vietnam, or Tibet, figures most prominently in the history of this tradition of East Asian Buddhism. Merriam Webster’s Dictionary of English defines “Zen” as either “a Japanese sect of Mahayana Buddhism that aims at enlightenment by direct intuition through meditation” or “a state of calm attentiveness in which one’s actions are guided by intuition rather than by conscious effort.” Chan, Seon, and Thiền are not included as entries. Yet scholars and practitioners of Chan, Seon, Thiền, and Zen Buddhism have made it clear that the foundational texts studied and the monastic regulations and daily rituals followed in monasteries across East and Southeast Asia, as well as in Europe, North America, and Oceania, originated primarily in China. Localizing much of our research, scholars regularly refer to Chinese Chan, Japanese Zen, Korean Seon, and Vietnamese Thiền. Yet the overreliance on Zen as the preferred rubric to encompass a broader narrative about this tradition of East Asian Buddhism persists. This conference explores not only how we think about and refer to Chan/Zen/Seon/Thiền Buddhism in terms of historiographical, textual, archaeological, philological, philosophical, political or socio-economic analysis, but also what it means in the 21st century to use one of these pronunciations instead of another about a tradition with the well-known 10th – 12th century Chinese maxims about “a special transmission outside the teachings” (jiaowai biechuan 教外別傳) which does not “establish words and letters” (buli wenzi 不立文字). Various narratives about the early, middle, or modern history of Buddhist meditative practice and the monastic traditions of East and Southeast Asia emphasize trans-cultural, multi-ethnic and cross-regional production and transmission of texts, practices, rituals, and even teachers that contradict what is conveyed when we restrict ourselves to using either Chan or Zen or another single label. Yet even when investigating a tradition sometimes represented as fundamentally opposed to words and letters, we know that words, conveyance, and spaces matter. 

Topics for this conference include, but are not limited to, studies of:
  • Buddhist meditation in premodern East or Southeast Asia;
  • The Chinese or Tibetan Buddhist tradition known as Chan;
  • The Japanese Buddhist tradition known as Zen;
  • The Korean Buddhist tradition known as Seon;
  • The Vietnamese Buddhist tradition known as Thiền;
  • The production and/or preservation or transmission of scriptures or books related to Chan/Zen/Seon/Thiền Buddhism;
  • Editions of Chan/Zen/Seon/Thiền Buddhist texts included in or occluded from the so-called East Asian Buddhist canons;
  • Comparative approaches using Chan/Zen/Seon/Thiền Buddhist texts excluded from manuscript or printed editions of the so-called East Asian Buddhist canons;
  • Editions of scriptures or ritual manuals that speak to performances or practices, histories, or other Chan/Zen/Seon/Thiền texts;
  • Chan/Zen/Seon/Thiền individuals and communities who produced or maintained editions of Buddhist texts or epigraphical records in premodern East and Southeast Asia;
  • Comparative codicological, paleographical or doxographical studies of Chan/Zen/Seon/Thiền books and the exchange and/or production of editions of these books in East and Southeast Asia;
  • Collections of exceptional editions of Chan/Zen/Seon/Thiền Buddhist texts—or “canons”—at specific sites in East and Southeast Asia;
  • Editions of works in multilingual manuscripts or collections;
  • Studies of newly discovered Buddhist materials related to the history of Chan/Zen/Seon/Thiền in East or Southeast Asia
The organizing committee welcomes paper proposals related to any aspect(s) of the multidisciplinary, inter-cultural, and cross-regional study of Buddhist epigraphy in Central and East Asia. Please email proposals and CVs to frogbear.project@ubc.ca by April 15.

The conference will produce two volumes, one in English and the other in Chinese. The English volume will collect most of the papers in English, plus the English translations of several papers written in non-English languages, while the Chinese volume will include the Chinese versions for some non-Chinese papers in addition to those papers written in Chinese. Draft papers needed by mid-July to share with other panelists, and revised papers are needed by the end of October for those who plan to publish their papers.

This conference is planned as part of our annual International and Intensive Program on Buddhism [details here].

ÚLTIMAS PUBLICACIONES ACADÉMICAS 2021 (II)

 

Este segundo trimestre nos ha traído un gran número de publicaciones en Estudios Coreanos a través de las editoriales académicas más prestigiosas del mundo. Por ello, hemos hecho una nueva selección de investigaciones de ámbito internacional que ya están disponibles para su compra y a las que se puede acceder a través de nuestra última lista de novedades académicas del segundo trimestre de 2021:

CFP: THE ENCYCLOPEDIA OF HANGZHOU BUDDHIST CULTURE



Call for Contributors 

The Encyclopedia of Hangzhou Buddhist Culture


The “grand narrative” approach to the study of East Asian Buddhism has long remained dominant within the academic study of Buddhism. There is much to be gained from such a methodology and it has served the field well for the most part, but with increasing sophistication and evolving theoretical frameworks, the scholarly value of regional perspectives has become evident. The great cache of documents discovered at Dunhuang at the beginning of the 20th century served as the foundational event for the academic field of Dunhuang textual studies, something that has continued unabated for over a century. But there remain other areas in China that have played a crucial role in the overall history and transmission of Buddhism to the larger East Asian cultural sphere, and that requires a deeper and more sustained investigation. Hangzhou, the former capital of China during the Song dynasty (960-1278), is one such area.

Hangzhou has long been a crucially important cultural and economic hub in China, but it came to particular prominence during the tenth century when it was known as Qiantang and served as the capital of the kingdom of Wuyue. During the Song dynasty, it became a base from which Buddhism spread throughout East Asia, particularly in the case of Chan (J. Zen; K. Sŏn) Buddhism. It was in Hangzhou that the government established the “Five Mountains and Ten Monasteries” system wushan shicha 五山十刹, which later was carried over to Japan and exerted a profound influence on the subsequent history of Japanese Zen. Chan Buddhism went on to become one of the dominant forms of Buddhism in East Asia and served as a cultural nexus for associated arts. Tea production, tea culture, and ceramics are just a few of the industries and art forms that have long been associated with Chan and Hangzhou, and they continue to be in the present day. Hangzhou’s cultural prominence in East Asia is inextricably linked to its Buddhist heritage, which has long expanded beyond the monastery walls and has come to subsume fine and performance arts, material culture, and intellectual history in the broadest sense.

The Encyclopedia of Hangzhou Buddhist Culture will be the first of its kind as a dedicated reference source for Hangzhou’s Buddhist heritage as well as its associated cultural legacies. As Buddhism in Hangzhou is broad-ranging and intimately networked, the Encyclopedia will include people, places, texts, industries, arts, concepts, and schools from pre-Tang China all the way through the Republican Period. In addition to Hangzhou Buddhism and its connections to Korea and Japan, some of the entries are related to Daoism, popular religions, local culture, and Christianity in Hangzhou. Not all of these figures and places are Buddhist per se—but they functioned in the continuum of cultural flows originating and nourished in Hangzhou’s Buddhist past.

The Encyclopedia, as part of the Hangzhou Buddhist Culture Project at the University of Arizona, will be co-edited by Ven. Guangquan, Dr. Albert Welter, Dr. Jiang Wu, managed by executive editor Dr. James Baskind through the Center for Buddhist Studies, and supervised by an advisory committee. It will be published in English by a reputable press in 2022. They are looking for scholars and advanced graduate students who are interested in Hangzhou Buddhism to write short entries for about 500 selected entries which are evenly distributed from the Tang through the Republican era. Contributors will receive an orientation, training, supervision, a certificate of contribution from the Center, and financial remuneration depending on the extent of their contributions. Contributors can choose the entries they want to write from the university Google doc sign-up link. Please send a short message to hangzhouculture@arizona.edu with a brief description of your qualifications or your CV. They will contact you and send the relevant documents that lay out the details of the project such as the list of the entries via Google doc, the style sheet, and the contributors’ agreement. They plan to complete this project by Dec. 30, 2021.

ÚLTIMAS PUBLICACIONES ACADÉMICAS 2021 (I)

Retomamos un año más nuestros listados con las últimas novedades académicas que han visto la luz en este primer trimestre de 2021. Estamos ante investigaciones internacionales de gran magnitud en el ámbito de los Estudios Coreanos, abordado desde diferentes disciplinas dentro de las ciencias y las humanidades. Todas ellas ya disponibles para todos a través de las múltiples editoriales que también facilitamos a continuación:

2020 ONLINE KOREAN ART WORKSHOP FOR UNDERGRADUATE/GRADUATE STUDENTS



Taller de Arte Coreano en Línea 2020

para estudiantes de grado/posgrado


La Korea Foundation (KF) se complace en invitar a los estudiantes extranjeros interesados en el arte coreano a participar en el Taller de Arte Coreano en Línea 2020 para estudiantes de grado/posgrado, que se celebrará en línea del 30 de noviembre al 13 de diciembre de 2020. El taller reunirá a estudiantes universitarios de grado y de posgrado en cursos básicos diseñados para mejorar la comprensión de los participantes del arte coreano, incluyendo conferencias sobre la sociedad y la cultura coreanas. Junto con este taller en línea, la KF también proporcionará a los participantes la oportunidad de asistir a un viaje de estudios a Corea del Sur en 2021, orientado a un estudio avanzado del arte coreano.


Visión general del programa (provisional)

1. Título: Taller de arte coreano en línea 2020 para estudiantes de Grado/Posgrado

2. Fechas: 30 de noviembre-13 de diciembre de 2020 

  • Por favor tenga en cuenta: Los estudiantes tendrán una semana adicional (hasta el 20 de diciembre de 2020) para escribir y presentar su ensayo después de completar el programa en línea.

3. Organización anfitriona: Korea Foundation

4. Asistentes: Hasta 50 personas

5. Tema del taller: Cursos básicos para la comprensión del arte coreano

6. Formato del programa: Conferencias y seminarios en línea por nivel (básico e intermedio)

7. Idioma: Inglés

8. Beneficios:  Hasta 20 personas que completen todos los cursos del taller con una puntuación sobresaliente serán invitadas a un viaje de estudios a Corea del Sur en 2021 (a la espera de que mejore la situación del COVID-19) para realizar un estudio avanzado del arte coreano.

Criterios de selección para el viaje de estudios de 2021:

  • Debe recibir un certificado por la realización del taller en línea
  • El ensayo posterior al taller debe recibir una excelente evaluación


Elegibilidad del programa:

Estudiantes de grado/posgrado que cumplan con los siguientes requisitos:

  • Nacionalidad extranjera (es decir, ciudadanía no coreana) o ciudadanía coreana con estatus de residencia permanente en un país fuera de Corea
  • Actualmente estar realizando cursos en una universidad, incluyendo residentes en Corea en programas de intercambio en una universidad coreana.
  • Capacidad para comunicarse en inglés


Plan de estudios del taller:

1. Conferencias de arte coreano:

  • Arte Budista de Corea
  • Historia de las pinturas coreanas
  • Historia de la cerámica coreana
  • Historia de la artesanía coreana
  • Arte coreano moderno
  • Arte coreano contemporáneo
  • Arte mediático coreano

2. Conferencias sobre la sociedad y la cultura coreanas:

  • Historia coreana
  • Cultura K-Pop
  • La industria cinematográfica coreana

3. Seminarios de arte coreano (transmisión en vivo por Internet):

  • Arte coreano y género
  • Arte de Corea del Norte
  • Arte Budista de Corea (nivel intermedio)
  • Pinturas de Joseon (nivel intermedio)
  • Modernización de la pintura coreana (nivel intermedio)

Calendario del programa:

1.  Período de aplicación: 7 de septiembre de 2020 (9 a.m.) - 16 de octubre de 2020 (6 p.m.) (KST)

2. Notificación de los resultados: 23 de octubre de 2020 

  • Por favor tenga en cuenta: La fecha de notificación está sujeta a cambios sin previo aviso. Los solicitantes serán informados de sus resultados individualmente por correo electrónico.


Cómo aplicar:

1. Solicitud en línea:

  •     Las solicitudes deberán presentarse a través del portal de solicitudes en línea de la KF (click here).
  • Por favor, haga clic en el botón "Aplicar" en la parte inferior de este anuncio del programa y complete el formulario de solicitud en línea. Por favor, tenga en cuenta que antes de aplicar, debe registrarse primero como miembro.

2. Documentos necesarios para las solicitudes en línea:

  • Formulario de solicitud en línea completado (véase el anexo))
  • Curriculum Vitae
  • Prueba de inscripción
  • Carta de recomendación

Por favor tenga en cuenta: Cuando usted ENVÍA su solicitud, el sistema de solicitud en línea de la KF le enviará automáticamente por correo electrónico una SOLICITUD de una carta de referencia en su nombre. Por favor, asegúrese de que su referencia presente la carta antes de la fecha límite.


Contact:

Arts & Culture Department

YUN Hyojin, Program Officer

Tel. +82-64-804-1038

Email: hj.yun@kf.or.kr


IT Helpdesk:

Email: help@kf.or.kr

CFP: ENDURING DISCOVERIES OF THE COSMOPOLITAN, MULTICULTURAL, EXPANSIVE AND RELATIVE ORTHODOXIES



CFP: In Memoriam of Antonino Forte (1940–2006)
Enduring Discoveries of the Cosmopolitan, Multicultural, Expansive and Relative Orthodoxies in the Study of East Asian Buddhism, History, Manuscripts, Archaeology, Literature, Art, and East-West Exchanges

"CONTEMPORARY BUDDHISM" INTERNATIONAL SUMMER SCHOOL


International Summer School:
Contemporary Buddhism


International summer school

(BA and MA-levels, 7.5 ECTS)
University of Copenhagen ⋅ 27 July–7 August 2020


Deadline for applications:

1 April 2020
NOTE: Second round of applications: 1 June 2020


This summer school is geared towards students who are interested in learning more about contemporary Buddhism - a burgeoning field which has not yet taken root in universities and study programmes around the world.

The summer school  offers a rich learning environment with a diversity of teaching formats that will help to immerse the student in contemporary Buddhist studies, thereby acquiring a great amount of knowledge in just two weeks. The summer school enquires into contemporary Buddhism as an interdisciplinary topic of investigation through bridging area studies, religious studies, anthropology, sociology and political science.

Building upon an introduction to some key concepts of Buddhism, we explore how ‘Buddhism’ is employed within various contexts in Asia and beyond, while paying attention to possible contradictions, contentions and contentment with contemporary issues, which include:
  • Buddhist modernity and secularism
  • Commodification of Buddhism and the spiritual marketplace
  • Entanglements of Buddhism with politics
  • Buddhism and environmentalism
  • Buddhism and new media
  • Travels and cultural translations
The summer school will offer lectures by foremost scholars of contemporary Buddhist studies, engaged discussion groups with scholars, sessions on research methodologies including field visits to sites of contemporary Buddhism, and individual research projects on a topic of the student’s choice to go more in-depth in a particular field of interest related to contemporary Buddhist studies. Moreover, throughout the course we will work with various media formats and discuss how to engage with public scholarship through twitter, blogs, and other social media sites.

The exam is based on active attendance. Requirements for passing the course is 75% attendance, participation in classroom and group discussions, delivering a number of shorter written assignments and delivering one oral presentation on a topic of interest.

The summer school will take place from 27 July to 7 august 2020 and is organized by Dr. Elizabeth Williams-Oerberg and Dr. Trine Brox, Department of Cross-Cultural and Regional Studies and Center for Contemporary Buddhist Studies with support from the Asian Dynamics Initiative.


Lecturers:
  • Saskia Abrahms-Kavunenko, Junior Fellow, Max Weber Centre for Advanced Cultural and Social Studies, University of Erfurt
  • Jørn Borup, Associate  Professor, Head of Department, School of Culture and Society - Department of the Study of Religion, Aarhus University
  • Trine Brox, Associate Professor, Department of Cross-Cultural and Regional Studies, University of Copenhagen. Director, Center of Contemporary Buddhist Studies
  • Niklas Foxeus, Research Fellow, Department of Ethnology, History of Religions and Gender Studies, Stockholm University
  • Duncan McCargo, Director, NIAS – Nordic Institute of Asian Studies. Professor, Department of Political Science, University of Copenhagen
  • Levi McLaughlin, Associate Professor, Department of Philosophy and Religious Studies, NC State University
  • Elizabeth Williams-Oerberg, Assistant Professor, Department of Cross-Cultural and Regional Studies, University of Copenhagen. Co-Director, Center for Contemporary Buddhist Studies

CFP: DISSERTATION WORKSHOPS, CHINESE, JAPANESE, AND KOREAN ART HISTORY


Dissertation workshops, Chinese, Japanese, and Korean Art History
(Workshop Year 2: July 26-August 15, 2020)
Heidelberg Dissertation Workshops and European-U.K. Research Travel Stipends 


Heidelberg University, Institute for East Asian Art History announces dissertation workshops for graduate students in the fields of Chinese, Japanese, and Korean Art History, with the goal of expanding the opportunities of the next generation of Chinese, Japanese, and Korean art history scholars—both through access to international resources and by concentrating on skills to strengthen written argumentation and cross-cultural communication. 15 selected Ph.D. candidates will have the opportunity to spend 3 weeks in Europe and the U.K. The program will be divided into 3 parts: 
  1. participants will receive dissertation guidance and feedback on a presentation and a chapter from an international team of professors during a 5 days intensive workshop;
  2. during the next 12 days, doctoral candidates will visit major collections of their own choosing based on dissertation research needs (itinerary and appointments organized in advance of workshop); and
  3. in the final 2 days, participants will return to Heidelberg to discuss their successes and challenges in using European resources, how their goals may have altered, and next steps.  Program Directors: Professors Sarah E. Fraser and Lothar Ledderose, Heidelberg University.

During the second year, the workshop will focus on archaeology, Buddhist art, and ceramics under the guidance of Professors Lukas Nickel (Vienna), Melanie Trede (Heidelberg), Lothar von Falkenhausen (UCLA), in addition to Ledderose and Fraser (Heidelberg). Students submitting applications in other areas of inquiry and expertise may also be considered. Graduate Participants will receive travel stipends to conduct research between Workshop Parts I and II. Roundtrip travel to Germany, housing and some workshop meals also provided. Supported by generous funding by The Getty Foundation, Connecting Art Histories Program.

CFP: "PRACTICAL BUDDHISM", BODHIMITRA ILBF 10TH INTERNATIONAL LAY BUDDHIST FORUM


10th International Lay Buddhist Forum “Practical Buddhism”
Oct. 22-26, 2020. Seoul and Gyeongju, South Korea


Dear Buddhist friends, academics, and practitioners-cum-scholars,

We are delighted to announce the 10th International Lay Buddhist Forum to be held in Seoul and Gyeongju, South Korea, October 22-26, 2020, organized by the Korean Chongji (총지) order under the guidance of Bodhimitra ILBF president, Dr Hwaling Lee.

The theme of this year’s forum is “Practical Buddhism”.

Under this umbrella, Bodhimitra ILBF aims to collect reflexive perspectives on the application of Buddhist teachings and practices to daily life, social advocacy and welfare (including Socially Engaged and Humanistic 人生 Buddhist perspectives).

CFP: THE 1ST KABS MUJIN WRITING AWARD ANNOUNCEMENT

 
The 1st KABS Mujin Writing Award Announcement

The Korean Association of Buddhist Studies (KABS) invites excellent papers in any discipline of Buddhist Studies to promote pioneering researches of early career scholars. KABS will provide an award of $3,000 each to three papers based on the evaluation by the committee formed of the KABS editors and guest specialists. Awarded papers will be published through KABS’s official journal, Korea Journal of Buddhist Studies (Bulgyohak Yŏngu 佛敎學硏究). KABS will also provide opportunities of publication to outstanding, but not awarded, papers. 

CFP: BUDDHIST ACROSS ASIA: A GENEALOGY OF GLOBAL ART (COLLEGUE ART ASSOCIATION, 2020)

 
Buddhist Modernism Across Asia: A Genealogy of Global Art 
(College Art Association, 2020)
Chicago, February 12-15 

Each year CAA members submit session abstract for the Call for Participation. The session listed below have been accepted by the Annual Conference Committee for CAA 2020 Chicago, February 12-15.

CFP: ASIAN PHILOSOPHICAL TEXTS: EXPLORING HIDDEN SOURCES


 Asian Philosophical Texts
Université libre de Bruxelles

The purpose of the Asian Philosophical Texts series is to publish critical translations of primary sources in Asian philosophical traditions, along with edited volumes or monographs dealing with the philosophical issues of translating them into western languages. By making primary sources of Asian philosophies available to the wider audience in western academia and beyond, this series will offer readers access to diverse intellectual sources written by a broad range of thinkers from various historical periods and intellectual traditions, including the Indian, Chinese, Korean, and Japanese, among others.