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Mostrando entradas con la etiqueta América. Mostrar todas las entradas

CFP: FRANK GIBNEY AWARD FOR GRADUATE STUDENT ESSAY IN AMERICAN-EAST ASIAN RELATIONS



Frank Gibney Award for Graduate Student Essay

in American-East Asian Relations


The Journal of American-East Asian Relations announces the Frank Gibney Graduate Student Essay Award. The Award goes to an essay in any field of the Journal's interest written by a graduate student in any country in 2022 or 2023.

Brill Publishers awards the winning author US$1,000 and the Journal will publish the article in 2024.

The student, supervisor, or advisor should send the manuscript and a brief cover letter to Charles Hayford Chayford@aol.com with a copy to Mitch Lerner, lerner.26@osu.edu.

Deadline for submissions is December 15, 2023.

For information on the Journal, see this web.


Contact Information

Charles Hayford, Independent Scholar, Evanston, Illinois, USA

Contact Email: chayford@aol.com

CFP: VERGE ISSUE 12.1 STUDIES IN GLOBAL ASIA


Verge Issue 12.1: Studies in Global Asia

“Trade in Humans”


A PDF of this call is available here. Please direct all questions to verge@psu.edu.

Trade in humans is a vast and age-old engine of migration between regions in the Asia-Pacific and, since the sixteenth century, from Asia to the Americas, Africa, and Europe. This special issue of Verge seeks to illuminate both the ubiquity of the trade in Asian people and its particularities across time and space. Indispensable to both Asian polities and Western empires, to nation-building in the Americas and to the development of global capitalism, Asians as agents and objects of trade in humans also formed the core of Asian diasporas and hybridized cultures worldwide. Such circulation of Asian persons and labor profoundly influenced the formation of our modern world.

In documenting the widespread trade in Asian people, scholars have been divided on whether to call it a slave trade, with some identifying cases that clearly fit the term, while others eschew it in favor of a range of alternatives. Asian languages offer many relevant terms – such as人身売買 [Japanese for “buying and selling human bodies”] or sŏnsang nobi 選上奴婢 [Korean for “slaves selected and sent up to the capital”] – for practices that may not map neatly onto Western legal and cultural categories.

We use the term “trade in humans” in hope that this issue will engage with a broad scope of historical and contemporary forms of commodification, sale, alienation, and forced migration of Asian people. Rather than presume the forms and limits of exploitation, we seek to open up a conversation across fields and terminological silos. Topics explored may potentially range from slave trading to adoption, child marriage, resettlement, trafficking, indentured labor, “coolietude,” and military conscription.

This special issue will attend to problems of translation and the texture of human experience undergirding linguistic, legal, political, and cultural attempts to represent or obfuscate the transregional trade in humans. We seek contributions from a wide variety of fields: Asian studies and Asian American studies, history, legal studies, sociology, anthropology, and diaspora studies, among others. We welcome contributions that explore the influence of these diverse trades across all Asian regions, the Americas, and beyond, as well as local or international legacies.


Convergence Feature Proposals

One of Verge: Studies in Global Asias’ distinctive features is an opening section called Convergence, where we curate a rotating series of rubrics that emphasize collaborative intellectual engagement and exchange. Each issue features several of the following rubrics: A&Q, a responsive dialogue, either in interview or roundtable format, inspired by a set of questions; Codex, a collaborative discussion and assessment of books, films, or exhibits; Translation, for texts, primary or secondary, not yet available in English; Field Trip, reports from various subfields of the disciplines; Portfolio, commentaries on visual images; and Interface, texts exploring the resources of the print-digital world. We welcome those interested in these features to submit a Convergence proposal for the issue.

Proposals should be 1–2 pages in length and indicate what kind of feature is being proposed; demonstrate an awareness of the formats utilized by the journal; include an abstract and, if collaborative, a list of proposed contributors; and include a short (2 pg) cv.

The Convergence proposals deadline is March 15, 2024; however, we encourage those interested in submitting a proposal to contact the editors about their ideas in advance of this date. Please direct all inquiries and submissions to verge@psu.edu.


Essay Submissions

Essays (between 6,000-10,000 words) and abstracts (125 words) should be submitted electronically through this submission form by August 30, 2024 and prepared according to the author-date + bibliography format of the Chicago Manual of Style. See section 2.38 of the University of Minnesota Press style guide or chapter 15 of the Chicago Manual of Style Online for additional formatting information.

Authors’ names should not appear on manuscripts; instead, please include a separate document with the author’s name, address, institutional affiliations, and the title of the article with your electronic submission. Authors should not refer to themselves in the first person in the submitted text or notes if such references would identify them; any necessary references to the author’s previous work, for example, should be in the third person.

CFP: “IN LIVING COLOR: EXPLORING THE COMPLEXITIES OF COLORISM WITHIN THE U.S. AND AROUND THE WORLD IN THE 21ST-CENTURY”, THE JOURNAL OF COLORISM STUDIES

“In Living Color: Exploring the Complexities of Colorism within the U.S. and

Around the World in the 21st-Century”, The Journal of Colorism Studies


The problem of the twentieth century is the problem of the color line, the question as to how far differences of race-which show themselves chiefly in the color of the skin and the texture of the hair-will hereafter be made the basis of denying to over half the world the right of sharing to utmost ability the opportunities and privileges of modern civilization.

—W.E.B. Du Bois (1900)


Are there multiple forms or species of racism or simply variations of a fundamental structure?

—Jared Sexton (2012)


I have only one solution: to rise above this absurd drama that others have staged around me

—Fanon (1952)


Wherever you are reading this from, you probably heard this ad nauseam: “We do not see race.” With remarkable ease, this well-intentioned phrase is invoked by media pundits, politicians, and citizenry worldwide as a justified public defense against accusations of racism but also as a political tool for refashioning grand narratives about the declining significance of race and racism. These incredulous claims of nonracialism and post-racialism illuminate the significant social phenomenon and philosophy of color-evasiveness. This race-neutral ideology purports race and racism are nonfactors in shaping people’s life chances (Bonilla-Silva, 2006). Seemingly the social construction of race and racism would disappear if people stopped seeing it. This vapid sentiment is disingenuous because color-coded ethnoracial inequalities shade almost every facet of social life in the United States (and globally) due to the pernicious manifestations of the color line (Du Bois, 1900).

While formal racial classifications and the overarching racial caste system were constructed during the Age of Enlightenment, the valorization of white skin, straight blonde hair, and Eurocentric physical features are rooted in antiquity (Ware, 2013). As such, the denigration of dark-complexioned people–a byproduct of this valorization–is a ubiquitous pathology exported through the European colonization of Asia, Africa, and the Americas, permeating the colonized psyche. Delineating between white/nonwhite and Black/nonBlack, the racial calculus (Hartman, 2008) of the color line stratifies people’s life chances, trajectories, and outcomes, based on their approximate possession of light or dark skin (Monk, 2021). Even as societies stride toward mixed-race futures (Sexton, 2008), the permanence of racial hierarchies will endure in the 21st century because skin tone will continue to serve as a proxy to race. In this racial order of things, color and colorism will employ the same hierarchy governing racism (Ware, 2013) because colorism is the sine qua non to racism.

Race matters (West, 1991), but so does skin color. Colorism is a hidden gatekeeper augmenting life outcomes across many significant social domains, such as education, criminal justice, immigration, healthcare, employment, banking, and marriage (Monk, 2021; Ware, 2013). While scholars have long recognized skin complexion as a determinant of social conditions (Du Bois, 1899, 1903; Frazier, 1957; Johnson, 1934; Davis, Gardner, & Gardner, 1941; Myrdal, 1944; Fanon, 1952; Banks, 2000; Hall, 2008, 2010), it was Alice Walker (1983) who first coined colorism and conceptualized the social construct as the “prejudicial or preferential treatment of same-race people based solely on their color” (p. 3). Several scholars have further conceptualized colorism through various terms such as being color struck (Brown, 1965), the color complex (Russell, Wilson, & Hall, 1992), skin color discrimination (Hall, 2010; Hochschild, 2006; Rondilla & Spickard, 2007), color consciousness (Monroe, 2016), color stratification (Keith & Monroe, 2016), and skin color bias (Hunter, 2016). As a vestige of colonialism, colorism is as injurious as racism (Ware, 2013). While race and color are related conceptually and interchangeably used in history (e.g., colored people, color barrier), they are not synonymous. Colorism is focused on actual skin tone rather than racial or ethnic identity (Hunter, 2007). In this formulation, skin color substitutes race as a social marker for enthoracial categories (Monk, 2021). Light and dark skin serves as a proxy for a superior or inferior race, preserving similar social pathologies and racial quality-of-life outcomes (Hall, 2018). Therefore, as Jones (2009) denoted, “while racism may affect an individual regardless of the person’s color, two individuals belonging to the same ethnoracial category may face differential treatment due to their varying skin tones” (p. 223).

As a hegemonic mainstay within the Black/White racial dichotomy, colorism has deep societal underpinnings in the United States, dating back to chattel slavery (Monk, 2021), as skin color (and kinship) determined an enslaved person’s work assignment (Ware, 2013). Those with darker skin worked in the farm or fields, while those with lighter skin worked in the enslaver’s house because they had direct kinship ties to the enslaver through sexual violence (Monk, 2021). In the afterlife of slavery (Hartman, 2008), color stratification ended no more than racism did, as intra-group colorism and white supremacist political-juridical structures determined the social and occupational status of light- and dark-complexioned Black people (Jones, 2009). This foreclosure on social mobility resulted in intergenerational dis/advantages (Monk, 2021) and negative cognitive biases (Maddox, 2004). Though colorism was rendered a Black-White issue, skin tone stratification is not exclusive to Black people in the United States (Rondilla & Spickard, 2007; Hunter, 2007) because it is a global phenomenon (Hall, 2018). Despite verbal assertions of people not seeing race, there is no shortage of examples showcasing the geographic reach of skin tone stratification, as cases exist in India (Melwani, 2007), Hong Kong, Malaysia, the Philippines, South Korea, and Taiwan (Li, Min, & Beck, 2008); Mexico (Hernandez, 2001), Brazil (Nascimento, 2007), and the Dominican Republic (Roth, 2008). The idealization of light skin as the zenith of humanity highlights that color discrimination is a cultural and political fact worldwide (Hall, 2018).

Despite the evidence of colorism permeating all facets of social life, the attempts to characterize this multifaceted and complex social phenomenon has fallen secondary to social science research due to the primacy and gravity of race. The academic shading of color obscures the analysis of how skin color is relevant to ethnoracial life chances and outcomes. Coupled with the colorism’s media (in)visibility and lack of political recognition, this foreclosure is quite concerning (Monk, 2021). What is to be done about this absurd drama that surrounds us? It is imperative that we theorize in living color to address these enduring and pernicious attitudes surrounding skin tone to mitigate and improve ethnoracial inequalities. As guest editors of this special journal issue in The Journal of Colorism Studies, we invite you to illuminate the continuously unfolding and multifaceted manifestations of skin tone stratification in the U.S. and worldwide. Moreover, we invite you to explicate how skin tone discrimination is situated, operationalized, and machinated by structures of anti-blackness, setter colonization, white supremacy, heteropatriarchy, xenophobia, ableism, and classism.

While this special issue may not provide formative solutions, we are interested in perspectives and analysis that will allow us to “rise above” (even temporarily) the absurd drama of colorism. Towards that end, we want to be quite intentional about who this special issue is for and/or about with our three declarations. Our first declaration is that this special issue seeks perspectives on colorism and skin tone stratification within and beyond the mainstream hegemony of the Black/White racial dichotomy. To suspend the damage (Tuck, 2009), our second declaration is that our project is centered on dissonance as a corrective mode of truth-telling (Lozenski, 2016) to illuminate the persistent and multifaceted colonial ideologies that situate color prejudice and color evasion. The third and final declaration is that this political project is not aiming to seek if the U.S. and the global world participate in structural color discrimination but is centered on the how and why motivations of structural color discrimination.

The Guest Editors welcome and encourage submissions from emerging faculty of color, as well as graduate students whose work primarily lies at the intersections of colorism and/or: Black Studies, Indigenous Studies, Ethnic Studies, Cultural Studies, Queer Studies, Critical Race Theory, Feminist Thought, and Popular Culture.


Specific subtopics may include, but are not limited to:
  • Skin tone as a post-colonial racialized hierarchy and the policing of ethnoracial boundaries
  • ‘‘Blanqueamiento’’ and the globalization of skin whitening (the Bleach Syndrome) as ideology and practice
  • Blood quantum, racial purity, and one-drop rules
  • The psychodynamics of colonialism, color, and desire
  • Skin tone, law, and immigration
  • The complexity of identity within biracial and multiracial people
  • Miscegenation laws, interracial relationships, and the endowment of skin tone
  • Critical Skin Theory (see Hall, 2018)
  • Colorism, sexuality, and gender expression
  • Color Struck, Racial Passings, and “honorary white people”
  • Colorism within popular culture, sports, and social media
  • Colorism, employment, and labor
  • Colorism and criminal justice
  • Skin tone and self-hate racial pathology
  • Race-shifting, Blackfishing, and Pretendians in education and society
  • Anti-Blackness and people-of-colorblindness (see Sexton, 2010) in the tri-racial order (see Bonilla Silva, 2006)

Proposals:

Proposals should be a word document containing the following: (a) tentative manuscript title, (b) author(s)’ names, affiliation(s), and email(s), and (c) a proposal (~500 words) of the planned contribution that includes: a summary of the critical issues regarding skin color stratification or questions the paper will address and its relevance to the special issue. Note: Authors who do not submit a brief proposal by the February 16, 2023 deadline may still submit a full manuscript by the May 26, 2023 deadline (however, we cannot guarantee full consideration of these submissions). Please email your proposal to Amir Gilmore (amir.gilmore@wsu.edu) and Vikki Carpenter (carpenter_v@heritage.edu).


Manuscripts:

Manuscripts should generally be 4,000-7000 words (all inclusive) in length, 12-point Times New Roman, double-spaced, APA-style, with 1-inch margins. Manuscripts should be written for an audience that has a vested interest in colorism studies and cares about the matterings, survivance, and life outcomes of those marginalized by skin tone stratification. The Guest Editors and the editorial team will preliminarily review manuscripts submitted to this special issue. Those deemed suitable for journal publication will be sent anonymously to external peer reviewers.


Tentative Manuscript Timeline:
  • Proposal Submission Deadline: February 17, 2023
  • Special Editor’s Response: February 24, 2023
  • Submission Deadline for Full Manuscripts: May 26, 2023
  • First decisions regarding submitted manuscripts: June 30, 2023
  • Revised manuscript submission deadline: August 4, 2023
  • Publication: Mid August/Early September 2023
If you have any queries or questions about submission, please email the guest editors: Drs. Amir Gilmore (amir.gilmore@wsu.edu) and Vikki Carpenter (carpenter_v@heritage.edu).


Thank you again for your interest, and we look forward to receiving your proposal!

CFP: EDITED VOLUME FOR BLOOMSBURY SERIES IN ASIAN CELEBRITY AND FANDOM STUDIES


‘Star and Celebrity Branding within Asia: Using Comradery Capital’

edited volume for Bloomsbury Series in Asian Celebrity and Fandom Studies


The centrality of the celebrity commodity to the flow of cultural and economic capital in mediascapes has been explored by scholars such as Driessens and Marshall who note that celebrities are “manufactured by the celebrity industry” (Driessens, 2012, p. 643), and a mechanism to sell products. Marshall notes that the “celebrity as public individual who participates openly as a marketable commodity serves as a powerful type of legitimation of the political economic model of exchange and value – the basis of capitalism – and extends that model to include the individual (2014 [1997], p. xlviii).

In a recent publication, Celebrity Bromances (Routledge, 2022), we engage with the notion of the celebrity commodity, expanding Driessens’ celebrity capital to the dynamics of celebrity relationships. Driessens outlines how celebrities become part of the currency in a commodity culture, amassing capital that can be traded for profit to the benefit of the celebrity or affiliated products. Celebrities are therefore seen as cultural commodities (Marshall, 2014; Driessens, 2012, 2013); products of culture that contain value which can be traded for economic capital.

The commodification of celebrity interactions is a lens through which celebrity bromances are explored. We suggest that a “bromance capital” operates in contemporary celebrity culture, wherein the bromance is not only used as a tool to draw attention to individual celebrity figures. It also becomes a cultural “product” which gains value as a consequence of the affective attachments it provokes. Expanding the discussion beyond male homosocial intimacy, we also propose the concept of comradery capital, which is inclusive of group dynamics and functions across genders. Comradery capital refers to inherent value of the presentation of celebrity friendships and how these are utilised for the promotion of movies, television shows, charities, and products. The capital can fluctuate depending on levels of authenticity and how the relationship is performed.

While Celebrity Bromances explored some examples of comradery capital, these examples originated mostly from Hollywood celebrity culture. In our efforts to explore the operation of comradery capital, we wish to examine the various readings of comradery capital across countries in Asia. For example, The Avengers cast promotes their dynamic and films in interviews across Asian countries. Similarly, the way Gal Gadot and Chris Pine perform their friendship in the promotion of the Wonder Woman films or Chris Hemsworth and Tessa Thompson for Men In Black International.

We would like to capture cultures from around Asia including Japan, Korea, Dubai, Lebanon, India, China, Iran, Singapore, Pakistan, Malaysia, Israel and Indonesia. In examining the way comradery capital is performed and perceived in these various regions, the book would be able to capture the way in which celebrities vary their performances of friendship to take into account cultural differences of acceptable physical contact, understanding of language and slang, and the reading of sexuality and gender. It will also examine how comradery capital is a global promotional tool, breaking the barriers of communication.

We welcome contributions that focus on the political economy of comradery capital, as well as the affective/empowering dimensions of comradery capital, including fan and consumer relations.

We encourage interested authors to review definitions of bromance and comradery capital in Celebrity Bromances by accessing the open access chapters at the below links. We encourage an engagement with these concepts in abstracts submitted.


Chapter 5 – Beyond Bromances


Topics could include, but are not limited to:
  • Promotion of Hollywood films in Asian contexts
  • Reception of Hollywood cast dynamics in Asian contexts
  • The creation and presentation of cast dynamics in Asian contexts, including same and mixed gender (binary and non-binary) casts
  • The reception of regional cast dynamics in Asian contexts
  • Creation and reception of joint or group celebrity persona

Submission

Please send the following to the editors at: cjcelebrityresearch@gmail.com by April 1, 2023:
  • 300-word abstract
  • 100-word bio
  • 5-6 key words

Contact

cjcelebrityresearch@gmail.com


Anticipated timeline
If the proposal is accepted, full chapters would be expected by November 2023.

CFP: GLOBAL ANTI-ASIAN RACISM FOR ASIA SHORTS


Call for Proposals: 

Global Anti-Asian Racism for Asia Shorts




This special issue of Asia Shorts (Columbia UP and the Association for Asian Studies) focuses on “Global Anti-Asian Racism,” a phenomenon, particularly in the guise of Yellow Peril, that has endured for centuries around the globe. In Europe and the Americas, Asian immigrants and refugees are and were treated as threats to national security, as well as the society/culture of American (whether US, Latin American, Central American, Caribbean or Canadian) and European people. Yellow Peril and anti-Asian racism is also found in Africa, Australia, and New Zealand—wherever Asian immigrants and refugees found themselves, anti-Asian sentiments quickly followed.

In the hope that this volume will be widely adopted by specialists and non-specialists alike, as well as serve as a valuable pedagogical resource for teachers, we seek shorter submissions that range in variety—traditional academic essays that have a historical or theoretical orientation or that thematically engage in cross-comparative Asian national perspectives—as well as creative and personal pieces that delve into how people have experienced or witnessed anti-Asian racism and/or Yellow Peril from different vantage points and perspectives. While we are living in an era of profound and violent anti-Asian racism, the volume seeks perspectives that go beyond our current COVID-19 moment to consider the ways in which anti-Asian racism has persisted across time and space.


Logisitcs:
  • October 1, 2022: 1-2 page abstracts due (12 point font, double spaced please)
  • April 1, 2023: Essays due (not to exceed 5,000 words, including all notes and works consulted – if anyone wants to include illustrations/graphics, that’s also fine so long as you have permission)
  • May 1, 2023: Feedback on essays sent out (may happen earlier)
  • July 1, 2023: First revisions due
  • Summer/Fall 2023: Page Proofs
Further questions can be sent to Jennifer Ho: Jennifer.Ho@colorado.edu

CFP: CULTURE-BOUND SYNDROMES IN POPULAR CULTURE


Culture-bound syndromes in Popular Culture


UPDATE: Deadline Extended 1 May 2022

We welcome chapter proposals on Native American cultural syndromes and their representations in popular culture. Please see the above call for chapters for more information. We are also open to suggestions regarding the table of contents and wish to include more culture-bound syndromes. Thank you. Apologies for crossposting.


Dear colleagues,

You are invited to submit an abstract for the upcoming edited collection Culture-bound syndromes in Popular Culture. The volume aims to provide in-depth and analytical insight into the representations of cultural imagery and narratives of various culture-bound syndromes through the lens of global and national popular culture, covering movies, television, literature, visual arts, fashion, festivals, popular music, and graphic novels.

What does a culture-bound syndrome mean? The concept has come to define a pattern of symptoms (mental, physical, and relational) experienced only by members of a specific cultural group and recognized as a disorder by members of those groups.

"Culture-bound Syndromes in Popular Culture" takes its readers on a journey across (popular) cultures and introduces them to an entirely new subfield of studies, at the conjunction of medical anthropology and popular culture, focusing on folk illnesses.

Thus, this book covers a broad range of case studies, subjects, texts, and cultural practices that lie at the intersection of folk illnesses and cultural studies and include national, transnational, and international media representations, with an accent on the reception and interpretation of the phenomenon from the perspective of its original space.

We warmly invite established and emerging scholars specializing in all areas of media and cultural studies, anthropology, sociology, social/cultural geography, and other relevant research fields to propose a book chapter on an individual culture-bound syndrome and its representations in popular culture. Both single and multiple-authored works will be considered. All work should be original and previously unpublished.

We are also very interested in hearing open proposals for possible chapters about other cultural syndromes from any other country if the Table of Contents strikes you as improvable in any way.

Please make sure to refer to a specific cultural syndrome (or more) in your abstract and title.

Chapters might explore but are not limited to:


SECTION 1 East Asia and India
  • Zou huo ru mo (China)
  • Dhat syndrome (India)
  • Hikikomori (Japan) Already taken!
  • Taijin Kyofusho (Japan) Already taken!
  • Hwabyeong (South Korea)
  • Pa-leng (Taiwan)

SECTION 2 Southeast Asia
  • Lanti (Philippines)
  • Latah (Indonesia, Malaysia)
  • Amok (Malaysia)
  • Koro (Singapore)

SECTION 3 Latin America and Native American culture
  • Locura
  • Mal de pelea
  • Nervios
  • Susto
  • Saladera (Peruvian Amazon)
  • Windigo Psychosis (Native American)

SECTION 4 Africa and the Middle East
  • Zar (Israel, Ethiopia)
  • Ufufuyane, Saka (Kenya)
  • Voodoo death (Haiti, Africa, Australia)

Routledge has expressed keen interest in the volume for their Research in Cultural and Media Studies Series.


Key dates

Abstract submission deadline: 1 May 2022 (after this date, please contact the editor to check if submissions are still possible)

Notification of acceptance: 15 May 2022

Full chapter submission (max 8000 words): 1 November 2022

Publication: January 2023

Please send in a working title, abstracts of max 500 words, and a brief biographical note of 150 words to:

prof.irina.pelea@gmail.com

Please feel free to contact the volume’s editor (Irina Pelea) with any questions or queries. I look forward to receiving your abstracts.

CFP: INTERNATIONAL CONFERENCE ON LINGUISTICS, LITERATURE, ARTS, SOCIAL SCIENCE & HUMANITIES


International Conference on Education and Education of Social Sciences

which will be held in Bali, Indonesia on 3 May, 2021.


Scope & Benefits

Each Paper will be published in the Conference Proceeding with an ISBN No.

Each Paper will be assigned Digital Object Identifier (DOI) from Cross Ref.


Virtual/Online Conference

A convenient way of sharing and discussion.

1. Download Zoom App (Mobile/Notepad/Tablet)

ICEES Conference invites scholars, researchers, practitioners and students proposals to submit papers for paper presentations, interactive sessions, virtual talks or colloquia addressing one of the following tracks & topics.


Education:

Theory of Education | Assertive and Assistive Educational Technology | Comparative Education | Counseling | Cultural Literacy | Curriculum Studies

Social Science & Humanities: Refugees | Globalization | American Studies | African Studies | Asian Studies | European Studies | Middle Eastern Studies | Public Administration


Poster Presentation:

This event also accepts posters as an alternative to oral presentations. A special viewing and Q&A session will be held for presenters who had opted to use posters. Authors are expected to be present to answer questions or provide explanations to visitors during the session. All posters must come in A0 size i.e., 841mm x 1189 (portrait orientation). Please notify the event secretariat as early as possible if you need to use a different size or orientation to avoid any conference day difficulties.


Deadline:

29 de marzo de 2021

mail.ssrglobal@gmail.com

More information

CFP: 2021 ASAK CONFERENCE “IDENTITY POLITICS AND POLITICAL INSTITUTIONS”


The 55th International Conference organized by

The American Studies Association of Korea (ASAK)

Identity Politics and Political Institutions


Venue: Sogang University, Seoul, South Korea

Date: October 29-30, 2021

Important Dates: 

Deadline for submitting proposals: April 30, 2021

Notification of acceptance: May 31, 2021

Submission of papers for the conference proceedings: August 31, 2021


The American Studies Association of Korea (ASAK) is pleased to announce an international conference on the theme, “Identity Politics and Political Institutions” to be held in Seoul, South Korea, from October 29 to 30, 2021

These are turbulent times in U.S. politics. The 2016 presidential election sparked heated confrontations that quickly spilled over from party politics into renewed debates on and divisions of every aspect of American society and its institutional underpinnings. Not only branches of federal and state government but also courts, police forces, schools, corporations, media outlets, and medical facilities have become battlegrounds of virulent polemics. Some see in these political developments an alarming fragmentation of society, worrying that the recent rise of identity politics has eroded shared political values and public confidence in American institutions. Others see the current crisis as symptomatic, instead, of a nation whose core institutions have time and again succumbed to an identity politics grounded in racial and gendered privilege, and warn that this deeply entrenched political praxis cannot be dismantled unless Americans commit to fundamental structural realignments comparable to the post-Civil War reconstruction, the New Deal, and the civil rights revolution. By the same token, some hope that the 2020 elections signal a return to normalcy in U.S. politics, while others hope to further new political trends that emerged during this moment of crisis—whether it be right-wing populism, democratic socialism, “woke” culture, or the Black Lives Matter movement. These starkly divergent assessments and outlooks prompt us to reconsider the nature of U.S. politics from every possible angle—whether cultural, social, institutional, or historical.

For this year’s conference, we are delighted to welcome Robin D. G. Kelley, Distinguished Professor of History and African American Studies and Gary B. Nash Endowed Chair in U.S. History at UCLA, as our keynote speaker. Professor Kelley has received numerous awards and recognitions for his pioneering work on social movements, race relations, black culture, and radical thought in modern America. His prolific output includes acclaimed books such as Hammer and Hoe: Alabama Communists During the Great Depression (1990), Race Rebels: Culture, Politics, and the Black Working Class (1994), Yo’ Mama’s Disfunktional!: Fighting the Culture Wars in Urban America (1997), Freedom Dreams: The Black Radical Imagination (2002), Thelonious Monk: The Life and Times of an American Original (2009), and Africa Speaks, America Answers: Modern Jazz in Revolutionary Times (2012). His forthcoming book Black Bodies Swinging: An American Postmortem situates the recent uprisings against endemic racism in the U.S. within a long history of racial capitalism, state-sanctioned racialized violence, and grassroots resistance. 

The 2021 ASAK conference calls for thought-provoking analyses of the divergent assessments and expectations that stem from continuing debates on identities and institutions in American politics. Scholars across multiple disciplines are encouraged to examine the current crisis in U.S politics and to consider its potential to produce new political movements and communities, and to reevaluate the relevance of ongoing struggles surrounding identities and institutions in American society. 

Interdisciplinary perspectives are encouraged and new research methodologies are welcome. 

Proposals may be submitted for either individual papers or sessions. 

Individual paper proposals should include an abstract of no more than 250 words and a one-page abbreviated CV, along with a short bio. 

Session proposals should include a one-page proposal with a title and topics for a session of three to four presentation papers, along with individual abstracts, one-page abbreviated CVs, and short bios. 

Delivered in either Korean or English, each presentation will be no longer than 20 minutes, followed by discussions and Q&A sessions. Graduate students are also welcome to submit proposals and to participate in the conference. 

All proposals should be sent to the Organizing Committee at asakconference@gmail.com by April 30, 2021, Seoul standard time. Applicants will be notified of acceptance of their proposals by May 31, 2021.

We hope that the global pandemic will have subsided by the time of the conference, but in case international travel is still untenable at the time, we will ask international participants to join online. Please be advised, however, that once your proposal has been accepted, the expectation is that you will be physically present unless there are COVID-related travel restrictions.

For further inquiries, please contact the Organizing Committee.


Registration Fee (includes conference proceedings, dinner reception, and two lunches):

Standard: 60,000 won

Student: 30,000 won

CFP: CITIES AND FANTASY: URBAN IMAGINARY ACROSS CULTURES 1830-1930 (EDITED VOLUME)



Cities and Fantasy: Urban Imaginary Across Cultures

1830–1930 (Edited Volume)


The long nineteenth century witnessed the rapid expansion and modernization of cities around the globe. It is often also heralded, by critics working with Anglo-American literature, at least, as the starting point for studies of the fantastic. Nonetheless, despite the claims of critics such as Rosemary Jackson and Stephen Prickett that modern fantasy is, in part, a reaction to industrialization, few projects have explored nineteenth- and early-twentieth-century fantasies’ engagement with the urban, and fewer still have attempted to address the interteinement of fantasy and the city across cultures, a gap this volume seeks to fill.

Studies in literary works that engage with the city during the period tend to focus on how writers represented, captured, negotiated, or, at times, contested the changes brought about by various modernisation and industrialisation projects that were often related to imperial and colonial expansion or trade and economic initiatives. The emphasis has often been on the realistic, the everyday, and the busy metropolitan space. Critics have explored how cities have become real-and-imagined places in literary works that have been conferred with symbolic and structural values (see, for example, Robert Alter’s Imagined Cities: Urban Experience and the Language of the Novel). Works such as Jamieson Ridenhour’s Darkest London: The Gothic Cityscape in Victorian Literature contribute to a growing body of work that focuses on the urban gothic, both as a sub-genre and a narrative mode in literature dating from the nineteenth century to the contemporary time. The urban gothic is an important piece of any project on fantasy and urban spaces, including this one. We also hope, however, to include contributions addressing how other forms of fantasy or work in the fantastic mode has been used to engage with the city. Even marvelous nineteenth-century idyllic fantasies usually engage with the unescapable city in some way, or even substantially. We especially seek contributions that explore fantasy and the city in different cultural contexts, or that explore the relationship between the city and fantasy across cultures, such as how fantastic literature can put cities in conversations—in metaphorical, physical or symbolic terms. 

Instead of focusing on one single national context, this edited volume invites contributions from scholars who work with texts that are situated in different cultural contexts and historic moments between 1830 to 1930. The volume seeks to raise new questions surrounding the relationship between the city and fantasy in a period that witnessed an enhanced global connectedness due to wars, advancement in technologies of transportation and communication, and other socio-economic initiatives. The proposed period covers key historic and cultural events that had both local and global significance. These include the Chartist campaign and the women’s suffrage movement in Britain, the Sino-British Opium Wars, the Meiji Restoration in Japan, the May Fourth Movement in China, the early Republican periods in many Latin America states, the First World War, and the transformation of Hong Kong into a crown colony, and an entrepôt. The period also covers the rise of new academic disciplines in Europe and America, including anthropology and folklore, which led to an increased interest in fantastic and marvelous tales from other cultures. Moreover, rising numbers of translations of this literature, as well as increased reading of works in their original languages (a foreign language for the reader), led to new reading audiences and new reception histories for fantastic texts from other countries of origin.

In this volume, we especially encourage contributors to consider topics that engage with more than one city or cultural context, or ones that explore different moments of cross-cultural interaction and contacts. Possible cities include (but are not limited to) Paris, Berlin, Cape Town, Istanbul, Beirut, Mumbai, Hong Kong, Beijing, Shanghai, Taipei, Seoul, Tokyo, Melbourne, Sydney, San Francisco, Chicago, New York, Santiago, Buenos Aires, Dublin, Glasgow, Edinburgh, Manchester, and London. Contributors might consider how writers make use of the fantastic mode to come to terms with new urban realities, or to negotiate their sense of (cultural) identity in the ever-changing metropolitan spaces. Other questions that they can consider include the following: In what ways does an investigation into the fantastic in different urban settings complicate our understanding of its potential in contesting real-and-fictive boundaries that condition or limit people’s ways of life, and their accessibility to different urban spaces because of race, gender and class? How might the fantastic be used as a strategy in literary texts that seek to interrogate or negotiate one’s relationship with the others in cities that were increasingly multicultural in outlook in the long nineteenth century? How might the fantastic be used as a form of resistance against colonial rule, or as an act of writing against the Empire? How might writers invoke the mythic and the fantasized characters from their own literary and cultural tradition when representing or negotiating the urban spaces and the underlying ideological assumptions? In what ways can the fantastic and the everyday co-exist and be used to interrogate new social realities? 

We note that the terms fantasy and the more recently coined urban fantasy are anachronistic and highly contested terms—labels used in retrospect, sometimes in narrowly defined and sometimes in broad senses, to describe existing modes and genres. Contributors to this volume are free to draw on the theoretical accounts of the fantastic that best suit their project and the critical tradition from which they write. Contributors, however, should be consistent in their usage and should note, as needed and to avoid confusion, the varying ways in which their terms have been used.


TOPICS OF INTEREST:

  • Types of fantasy that involve the city
  • Imperial and/or colonial cities and fantasy
  • Industrialization, urbanization, and fantasy
  • Border/Boundary/Liminality: how the fantastic mode is being used to confront, mediate or negotiate liminal spaces, or various forms of “borders” and boundaries in different cultural contexts
  • Medievalized cities in nineteenth-century fantasy
  • Periodicals and fantasy
  • Cities in conversation
  • Nineteenth- and early twentieth-century responses to European or American fantasies in areas and regions such as Asia, Africa, Australia, Oceania, and vice versa
  • Different fantastic modes and traditions (such as Zhiguai), and their usage and adaptations in urban contexts
  • Orientalized cities, such as translations of the Arabian Nights in the nineteenth century and their impact on subsequent literary productions
  • The city as a place of publication for fantasy (in periodicals or books); urban readers of fantasy–the types of fantasy they read.
  • Nineteenth-century cities and fantastic Romantic legacies
  • The city and the collection of fairy tales and folklore
  • The Gothic and the City
  • The Everyday and the City: how everyday spaces become sites of fantasy; how the fantastic responds to, or resists against, the everyday
  • Nostalgia, fantasy and the city
  • Fantastic urban utopias and/or fantasy and urban reform
  • Fantasy and cultural identity
  • Urban Typologies, architecture and fantasy
  • Urban palimpsest and fantasy
  • Reading fantastic cities in translation
  • The reception history of a city’s fantasies either within that city and/or in other cities across the globe

If you are interested in contributing to the edited volume, please send a short bio (100–150 words) and a 400-word abstract outlining the topic and the content, including the key authors and/or texts that will be covered in your essay, to the editors, Dr Klaudia Lee (hiuylee@cityu.edu.hk) and Dr Sharin Schroeder (sharinschroeder@mail.ntut.edu.tw) by 15 January 2021.

The deadline for full chapters, 6,000-7,000 words in length (including notes and works cited), will be 30 November 2021, subject to the final decision of the publisher. We look forward to reading your proposals.


Deadline for submissions: January 15, 2021


CONTACT INFORMATION

Full name / name of organization: Dr. Klaudia Lee and Dr. Sharin Schroeder

Contact email: sharinschroeder@mail.ntut.edu.tw

CFP: PANDEMIC, PLAGUE, PESTILENCE & THE TROPICS


Journal Special Issue theme: 

'Pandemic, Plague, Pestilence and the Tropics'

The Tropics has long been associated with exotic diseases and epidemics. This historical imaginary arose with Aristotle’s notion of the tropics as the ‘torrid zone’, a geographical region virtually uninhabitable to non-indigenous peoples due to the hostility of its climate; it persisted in colonial imaginaries of the tropics as pestilential latitudes requiring slave labour; and further into wars staged in tropical arenas where illness and death from diseases reduced the availability of healthy soldiers to die on the battle field. The tropical sites of colonialism and war gave rise to urgent (western) studies of tropical diseases which lead to changes in architecture and urban planning, to biopiracy of tropical plants and indigenous knowledges, and to the creation of institutes of tropical medicine.

The tropics as a region of pandemic, plague and pestilence has been challenged during the global pandemic of the novel coronavirus disease COVID-19. The new virus neither originated in the tropics, nor were the tropical countries of the world specifically or exclusively affected. Tropical countries have been impacted by, and responded to, the novel coronavirus in diverse ways. This disrupts the imaginary of pandemics, plagues, pestilence in association with the tropics, and calls for critical, nuanced, and situated analyses.

Indeed, critiques of the notion of the Tropics as wildly infectious sites of pandemic, plague and pestilence already have a long history, articulated through the arts, film, literature, history, cultural studies, ethnographies, social sciences and urban studies. For instance, tropical epidemics (and fear of the other) have been associated with the popular vampire myths of New Orleans; disease and colonialism is as much the setting of Gabriel Garcia Marquez’s novel Love in a Time of Cholera as are the tropics of Colombia and the Caribbean sea; in Thai director, Weerasathakul’s, film Tropical Malady malarial fevers involve shamanism and shape-shifting; ethnographic studies reveal how indigenous peoples interpret and attend to tropical illnesses; and tropical infectiousness is the germ of academic research analysing heterotopic quarantined spaces of sanatoriums constructed across the tropics.

The theme, Pandemic, Plague, Pestilence and the Tropics, opens to complex intertwinings involving nature and culture, humans and animals, colonialism and indigeneity, science and conspiracy, histories and futures, reality and fiction, myth and ritual, the monstrous and magnanimous. This special issue invites a wide range of scholary articles and creative works from researchers who live in, or engage with, the tropical and subtropical regions of the world.

eTropic: electronic journal of studies in the tropics publishes new research from Arts, Humanities, Social Sciences and allied fields on the variety and interrelatedness of nature, culture, and society in the tropics. Tropical regions of the world range across: the north of Australia, Southeast Asia, South Asia, East Asia, Latin America, the Caribbean, tropical Africa, the Indian Ocean Islands, the Pacific, the American south and Hawai’i.

 

About eTropic:

journal ISSN:1448-2940, free open access; indexed in Scopus, Google Scholar, Ulrich's, DOAJ; archived in Pandora and Sherpa/Romeo; DOIs, Crossref; Q2 ranking. 

 

Instructions for authors, visit eTropic announcements page: click here

Contact: 

Prof Anita Lundberg, Editor-in-Chief, eTropic: journal of studies in the tropics, James Cook University Australia

Email: etropic@jcu.edu.au

URL.


Submission deadline: 1 December 2020

CFP: FINANCIALISATION IN DEVELOPING AND EMERGING ECONOMIES: MANIFESTATIONS, DRIVERS AND IMPLICATIONS


Financialisation in developing and emerging economies:
Manifestations, Drivers and Implications

Overview

The Special Issue aims to provide an assessment of the financialisation process in developing and emerging economies (DEEs). It invites contributions on the theoretical and empirical specificities of the manifestations, drivers and implications of this process in these economies. It encourages interdisciplinary work, both in theory and method, and is particularly interested in papers, which make a conceptual contribution to the literature.

The analysis of financialisation in DEEs is relatively novel (Bonizzi, 2013). It is rooted in earlier discussions about the risks of financial globalisation and liberalisation, including the Latin American Structuralist literature on the hegemonic role of the US dollar (Belluzzo, 1997; Braga, 1997; de Mello, 1997; Fiori, 1997; Miranda, 1997; Tavares, 1997; Tavares & Melin, 1997); the debate on capital account liberalisation and capital market integration (Cohen, 1996; Rodrik, 1998; Stiglitz & Ocampo, 2008; Strange, 1994); the Minsky-inspired currency and boom bust dynamics of financial crisis in developing economies (Arestis & Glickman, 2002; de Paula & Alves, 2000; Dymski, 1999; Kregel, 1998; Schroeder, 2002); and the critique of financial liberalisation and integration of DEEs (Akyuz & Boratav, 2005; Barbosa‐Filho, 2005; Crotty & Lee, 2005; Frenkel & Rapetti, 2009; Grabel, 2003; O’Connell, 2005; Palma, 1998; Taylor, 1998).

CFP: TRANSLATING CONTEMPORARY POETRY - FORMS OF TRANSITION BETWEEN EUROPE, ASIA, AND THE AMERICAS


Translating contemporary poetry:
Forms of transition between Europe, Asia and the Americas


We would kindly like to invite you to the conference "Translating Contemporary Poetry. Forms of Transition between Europe, Asia, and the Americas," hosted by the DFG Research Center for Advanced Studies in the Humanities at the University of Trier. Colleagues whose research is focused on modern languages and literatures are welcome to participate. The conference will have an international and comparative profile, and the main conference language will be English.

However, if you organize a panel or stream on a specific topic, presentations in other languages (Russian, German, etc.) will be permitted.

Proposals for the presentation of a single paper or a panel (stream) should be sent by email (to: transition@uni-trier.de) no later than March 30, 2020 and must include the name(s) and affiliation(s) of the presenter(s), the title of the paper(s) (panel/stream), a 100-word-maximum English abstract of the paper(s) (in addition to an abstract of the panel/stream, if applicable), and a short CV of the presenter/s. Acceptance will be communicated by May 30, 2020, at the latest.

No fees will be charged for participation in the conference.

It is also possible to receive funding for hotel and travel costs. If you are interested in receiving financing for your participation, we ask you to apply with a longer, 400-500-word abstract of your presentation. Furthermore, funding is contingent upon the submission of your finished essay with the rights to its first publication through our project not later than September 21, 2020.

Enclosed is an outline of conference topics broken into main subject areas and associated key questions. In your abstract, you should indicate which of the fourteen subject areas best accommodates your contribution and which of the key questions you wish to address. Section 15 is open to accommodate topics that cannot be assigned to any of the previous sections.


For further questions and more information please do not hesitate to contact us (transition@uni-trier.de).


We are very much looking forward to your contributions and hope that you will be able to participate at our conference!


Sincerely yours,


(on behalf of Alexander Bierich, Andreas Regelsberger, Christian Soffel).


Information Summary:

Conference Dates: October 5 – 8, 2020

Location: University of Trier, Germany

No fees.


Proposals for a presentation of a single paper or a panel (stream) at the conference should be sent by email (to: transition@uni-trier.de) no later than March 30, 2020.


Financing / Reimbursement Conditions:
  • Application including a short CV, title, and abstract (up to 500 words) in English, must be sent by. March 30, 2020.
  • As a condition for reimbursing your expenses, your paper must be accepted and submitted (length up to 60,000 characters) by September 21, 2020.


Expenses Eligible for Reimbursement:
  • Travel costs: second class / economy only. During the conference your expenses will be reimbursed in cash (non-SEPA) or, alternatively, after the conference by bank transfer (SEPA).
  • Four nights in a hotel (booking and payment directly by our Research Center)
  • Catering during the conference (coffee breaks, lunches)

Publication of contributions is scheduled for 2021.

Main conference (and publication) language: English


CONCEPT:

There is currently a greater quantity and variety of translation than perhaps ever before in the history of world literature, and it is in part thanks to translation that world literature is so rapidly developing as a global and transnational institution. Poetry has not been excluded from this boom—not only in the segment of professional authors and translators but in the broad field of interested amateurs and in contexts such as philosophical or philological translation for the purpose of academic research.

However, the translation of poetry, particularly contemporary poetry, has to address extraordinary challenges. Hence, the widespread view that poetry in translation is impossible: that translation either reduces texts to their lexical-semantic content or transforms them into an entirely new work. It is therefore no coincidence that the theory of translation tends to disregard poetic forms; conversely, as its limit case, the translation of poetry has advanced to become a core area of theoretical reflection on translation as such.

The linguistic features, characteristics of poetic forms and their specific potentials for aesthetic reception usually have even fewer or no correspondences in the target language. These problems in each case result from very different developments in literary history, politics, and society; the sometimes strongly divergent approaches to poetic forms and procedures in various literatures can, if reproduced in translation, evoke other and different poetic functions and effects conditioned by the aesthetics of reception.  

The translation of contemporary poetry poses further complications. Frequently, the authors and their texts are little or not at all known in the target language, and there are few or no exemplary texts on which the new translation could be based or from which it could consciously distance itself. Moreover, the selection of texts to be translated and the introduction of the poets into other languages and literary milieus appears to be particularly difficult for new poetry, which still has to find its audience.

Finally, contemporary poetry intensifies linguistic, generic, and transcultural hybridization (e.g., multilingualism, generic and intermedial crossover, transcultural and transhistorical reference). This undoubtedly weighs on the task of the translator. For example, transcultural poetry requires transcultural translation, which, however, must necessarily respond to the respective target language, literature, and readership—even if the original attempts to violate the constraints of any such localization. Here, the possibility of direct contact with living authors to clarify and reflect on certain issues can be instrumental. Literatures show very different degrees of internationalization; and in various languages and literary traditions, current practices of poetry translation and contemporary philological theories and models differ.

This conference aims to examine trends in the translation of poetry in East Asia, Western and Eastern Europe, and the Americas since the turn of the millennium and to compare them, on the one hand, to the background of their respective traditions and, on the other hand, to an international context that increasingly shapes contemporary poetry as a whole. The focus of the conference is therefore on comparative studies and contemporary poetics. Contributions that compare approaches to translation in different languages and literatures are particularly welcome.  


Thematic Sections of the Conference:
  1. Theory: Which models of poetry translation are currently applied in various localized philologies under consideration? Upon which hermeneutics or theory of literature are they based?
  2. Typology: How might a typology of possible forms of lyric translation appear if it were to be constructed? Which criteria could be developed for characterizing, classifying, and evaluating lyric translations?
  3. Poetology of Lyric Translation: How do contemporary poets themselves understand poetic translation and what role does their understanding of translation play in their own poetics? Do contemporary translation poetics question and extend traditional notions of authorship and work identity in the process of translation? How does poetry translation differ from the translation of other literary genres?
  4. World Literature: What is the significance of poetry translation for the internationalization of literature? How is translation involved in the development of 'world poetry'? To what extent does poetry translation take into account the untranslatability of language(s) and culture(s)? How are self and other renegotiated and related in the process of translation?
  5. Forms of Practice and Praxiology: Which types of poetry translation are commonly used today in which languages or countries? How do philologists translate and how do poets translate? How does automatic translation work in the case of poetry? Which processes are involved in poetic self-translation? How does poetry translation relate to spheres of activity within the literary establishment and the literary public (concerning: authorship, copyright, publishing houses, traditional and new media, funding institutions, prizes, the reading public)? Could we even identify a sociology of poetry translation?
  6. Multilingualism: Recent poetry is—in various ways—increasingly characterized by multilingualism, the use of style levels and sociolects, dialects or even idiolects: What challenges are thus created for the varying target languages, and how do they differ?
  7. Transculturality: Contemporary poetry hybridizes different cultural influences. How do translators deal with this arrangement? And to what extent does transculturality manifest itself in the translation of poetry?
  8. Genre Transition and Intermediality: Contemporary poetry hybridizes characteristics of different genres and works with different media. What special challenges could thus be identified for translation?
  9. Traditions of Translation: What have been the main tendencies of various literatures for developing the translation of poetry and in what relation to them does poetry stand in the present?
  10. Multiple Translations and Dialogue versus Agonism in Translation: What poems have been translated into one language in the present with particular frequency? How could this focus on certain texts be explained? What are the reasons for the conspicuous occurrence of multiple translations? How do the translations stand in relation to each other, as well as across languages? Who or what decides whether a text is translated and thus becomes visible or remains invisible for a specific readership, and what enables a translator to translate a text, and for what reasons?
  11. Case Study. Paul Celan: Celan, whose hundredth birthday will be celebrated in 2020, is not only considered one of the most translated poets in the world today, but also one of the great poet-translators of classical modernism. His translational work has received an unprecedented reception in literary and translation studies. Which poems are of particular interest in which linguistic areas? How are Celan's special poetic and linguistic procedures of silence and the decentering or multiplication of meaning dealt with? How are the highly problematic topics, influenced by the Shoah, treated in translation? How is the dimension of Judaism dealt with? What image of Celan is constructed by translations in various foreign linguistic areas? What significance does Celan's own translation of poetry hold for contemporary poetry translators?
  12. Mystification, Transmesis, and Translational Fictions: How are mystifications in translation in the present and 'fictitious' poetry translations in other genres—such as fictitious translations of poems in a novel or translations without the original (pseudo-translations)—constructed?
  13. Micro Languages: To what extent do poetic translations contribute to the preservation and dissemination of micro-languages? What particularities are apparent in this context?
  14. Writing Systems: What challenges do the peculiarities of logographic writing systems (e.g., Chinese and Japanese) pose to translators of lyrical texts? What strategies can be used to transfer concrete poetry in these cases?
  15. Free Topics


CONTACT INFORMATION:

Contact Email: transition@uni-trier.de

URL: click here 

CFP: KOREAN AMERICAN COMMUNICATION ASSOCIATION (KACA)



Korean American Communication Association (KACA)

Call for 2020 NCA Papers

DEADLINE: Wednesday, March 25 at 11:59 pm Pacific Standard Time.

The National Communication Association (NCA) will hold its 106th Annual Conference in Indianapolis, Indiana, on November 19-22, 2020. The Korean American Communication Association (KACA) invites individual papers for competitive research sessions.