CFP: VERGE ISSUE 12.1 STUDIES IN GLOBAL ASIA
CFP: “IN LIVING COLOR: EXPLORING THE COMPLEXITIES OF COLORISM WITHIN THE U.S. AND AROUND THE WORLD IN THE 21ST-CENTURY”, THE JOURNAL OF COLORISM STUDIES
- Skin tone as a post-colonial racialized hierarchy and the policing of ethnoracial boundaries
- ‘‘Blanqueamiento’’ and the globalization of skin whitening (the Bleach Syndrome) as ideology and practice
- Blood quantum, racial purity, and one-drop rules
- The psychodynamics of colonialism, color, and desire
- Skin tone, law, and immigration
- The complexity of identity within biracial and multiracial people
- Miscegenation laws, interracial relationships, and the endowment of skin tone
- Critical Skin Theory (see Hall, 2018)
- Colorism, sexuality, and gender expression
- Color Struck, Racial Passings, and “honorary white people”
- Colorism within popular culture, sports, and social media
- Colorism, employment, and labor
- Colorism and criminal justice
- Skin tone and self-hate racial pathology
- Race-shifting, Blackfishing, and Pretendians in education and society
- Anti-Blackness and people-of-colorblindness (see Sexton, 2010) in the tri-racial order (see Bonilla Silva, 2006)
- Proposal Submission Deadline: February 17, 2023
- Special Editor’s Response: February 24, 2023
- Submission Deadline for Full Manuscripts: May 26, 2023
- First decisions regarding submitted manuscripts: June 30, 2023
- Revised manuscript submission deadline: August 4, 2023
- Publication: Mid August/Early September 2023
CFP: EDITED VOLUME FOR BLOOMSBURY SERIES IN ASIAN CELEBRITY AND FANDOM STUDIES
- Promotion of Hollywood films in Asian contexts
- Reception of Hollywood cast dynamics in Asian contexts
- The creation and presentation of cast dynamics in Asian contexts, including same and mixed gender (binary and non-binary) casts
- The reception of regional cast dynamics in Asian contexts
- Creation and reception of joint or group celebrity persona
- 300-word abstract
- 100-word bio
- 5-6 key words
- Abstract submission deadline: April 1, 2023
- Submission of full proposal to Bloomsbury: July 1, 2023
CFP: GLOBAL ANTI-ASIAN RACISM FOR ASIA SHORTS
- October 1, 2022: 1-2 page abstracts due (12 point font, double spaced please)
- April 1, 2023: Essays due (not to exceed 5,000 words, including all notes and works consulted – if anyone wants to include illustrations/graphics, that’s also fine so long as you have permission)
- May 1, 2023: Feedback on essays sent out (may happen earlier)
- July 1, 2023: First revisions due
- Summer/Fall 2023: Page Proofs
CFP: CULTURE-BOUND SYNDROMES IN POPULAR CULTURE
- Zou huo ru mo (China)
- Dhat syndrome (India)
- Hikikomori (Japan) Already taken!
- Taijin Kyofusho (Japan) Already taken!
- Hwabyeong (South Korea)
- Pa-leng (Taiwan)
- Lanti (Philippines)
- Latah (Indonesia, Malaysia)
- Amok (Malaysia)
- Koro (Singapore)
- Locura
- Mal de pelea
- Nervios
- Susto
- Saladera (Peruvian Amazon)
- Windigo Psychosis (Native American)
- Zar (Israel, Ethiopia)
- Ufufuyane, Saka (Kenya)
- Voodoo death (Haiti, Africa, Australia)
CFP: INTERNATIONAL CONFERENCE ON LINGUISTICS, LITERATURE, ARTS, SOCIAL SCIENCE & HUMANITIES
International Conference on Education and Education of Social Sciences
which will be held in Bali, Indonesia on 3 May, 2021.
Scope & Benefits
Each Paper will be published in the Conference Proceeding with an ISBN No.
Each Paper will be assigned Digital Object Identifier (DOI) from Cross Ref.
Virtual/Online Conference
A convenient way of sharing and discussion.
1. Download Zoom App (Mobile/Notepad/Tablet)
ICEES Conference invites scholars, researchers, practitioners and students proposals to submit papers for paper presentations, interactive sessions, virtual talks or colloquia addressing one of the following tracks & topics.
Education:
Theory of Education | Assertive and Assistive Educational Technology | Comparative Education | Counseling | Cultural Literacy | Curriculum Studies
Social Science & Humanities: Refugees | Globalization | American Studies | African Studies | Asian Studies | European Studies | Middle Eastern Studies | Public Administration
Poster Presentation:
This event also accepts posters as an alternative to oral presentations. A special viewing and Q&A session will be held for presenters who had opted to use posters. Authors are expected to be present to answer questions or provide explanations to visitors during the session. All posters must come in A0 size i.e., 841mm x 1189 (portrait orientation). Please notify the event secretariat as early as possible if you need to use a different size or orientation to avoid any conference day difficulties.
Deadline:
29 de marzo de 2021
mail.ssrglobal@gmail.com
CFP: 2021 ASAK CONFERENCE “IDENTITY POLITICS AND POLITICAL INSTITUTIONS”
The 55th International Conference organized by
The American Studies Association of Korea (ASAK)
“Identity Politics and Political Institutions”
Venue: Sogang University, Seoul, South Korea
Date: October 29-30, 2021
Important Dates:
Deadline for submitting proposals: April 30, 2021
Notification of acceptance: May 31, 2021
Submission of papers for the conference proceedings: August 31, 2021
The American Studies Association of Korea (ASAK) is pleased to announce an international conference on the theme, “Identity Politics and Political Institutions” to be held in Seoul, South Korea, from October 29 to 30, 2021.
These are turbulent times in U.S. politics. The 2016 presidential election sparked heated confrontations that quickly spilled over from party politics into renewed debates on and divisions of every aspect of American society and its institutional underpinnings. Not only branches of federal and state government but also courts, police forces, schools, corporations, media outlets, and medical facilities have become battlegrounds of virulent polemics. Some see in these political developments an alarming fragmentation of society, worrying that the recent rise of identity politics has eroded shared political values and public confidence in American institutions. Others see the current crisis as symptomatic, instead, of a nation whose core institutions have time and again succumbed to an identity politics grounded in racial and gendered privilege, and warn that this deeply entrenched political praxis cannot be dismantled unless Americans commit to fundamental structural realignments comparable to the post-Civil War reconstruction, the New Deal, and the civil rights revolution. By the same token, some hope that the 2020 elections signal a return to normalcy in U.S. politics, while others hope to further new political trends that emerged during this moment of crisis—whether it be right-wing populism, democratic socialism, “woke” culture, or the Black Lives Matter movement. These starkly divergent assessments and outlooks prompt us to reconsider the nature of U.S. politics from every possible angle—whether cultural, social, institutional, or historical.
For this year’s conference, we are delighted to welcome Robin D. G. Kelley, Distinguished Professor of History and African American Studies and Gary B. Nash Endowed Chair in U.S. History at UCLA, as our keynote speaker. Professor Kelley has received numerous awards and recognitions for his pioneering work on social movements, race relations, black culture, and radical thought in modern America. His prolific output includes acclaimed books such as Hammer and Hoe: Alabama Communists During the Great Depression (1990), Race Rebels: Culture, Politics, and the Black Working Class (1994), Yo’ Mama’s Disfunktional!: Fighting the Culture Wars in Urban America (1997), Freedom Dreams: The Black Radical Imagination (2002), Thelonious Monk: The Life and Times of an American Original (2009), and Africa Speaks, America Answers: Modern Jazz in Revolutionary Times (2012). His forthcoming book Black Bodies Swinging: An American Postmortem situates the recent uprisings against endemic racism in the U.S. within a long history of racial capitalism, state-sanctioned racialized violence, and grassroots resistance.
The 2021 ASAK conference calls for thought-provoking analyses of the divergent assessments and expectations that stem from continuing debates on identities and institutions in American politics. Scholars across multiple disciplines are encouraged to examine the current crisis in U.S politics and to consider its potential to produce new political movements and communities, and to reevaluate the relevance of ongoing struggles surrounding identities and institutions in American society.
Interdisciplinary perspectives are encouraged and new research methodologies are welcome.
Proposals may be submitted for either individual papers or sessions.
Individual paper proposals should include an abstract of no more than 250 words and a one-page abbreviated CV, along with a short bio.
Session proposals should include a one-page proposal with a title and topics for a session of three to four presentation papers, along with individual abstracts, one-page abbreviated CVs, and short bios.
Delivered in either Korean or English, each presentation will be no longer than 20 minutes, followed by discussions and Q&A sessions. Graduate students are also welcome to submit proposals and to participate in the conference.
All proposals should be sent to the Organizing Committee at asakconference@gmail.com by April 30, 2021, Seoul standard time. Applicants will be notified of acceptance of their proposals by May 31, 2021.
We hope that the global pandemic will have subsided by the time of the conference, but in case international travel is still untenable at the time, we will ask international participants to join online. Please be advised, however, that once your proposal has been accepted, the expectation is that you will be physically present unless there are COVID-related travel restrictions.
For further inquiries, please contact the Organizing Committee.
Registration Fee (includes conference proceedings, dinner reception, and two lunches):
Standard: 60,000 won
Student: 30,000 won
CFP: CITIES AND FANTASY: URBAN IMAGINARY ACROSS CULTURES 1830-1930 (EDITED VOLUME)
Cities and Fantasy: Urban Imaginary Across Cultures
1830–1930 (Edited Volume)
The long nineteenth century witnessed the rapid expansion and modernization of cities around the globe. It is often also heralded, by critics working with Anglo-American literature, at least, as the starting point for studies of the fantastic. Nonetheless, despite the claims of critics such as Rosemary Jackson and Stephen Prickett that modern fantasy is, in part, a reaction to industrialization, few projects have explored nineteenth- and early-twentieth-century fantasies’ engagement with the urban, and fewer still have attempted to address the interteinement of fantasy and the city across cultures, a gap this volume seeks to fill.
Studies in literary works that engage with the city during the period tend to focus on how writers represented, captured, negotiated, or, at times, contested the changes brought about by various modernisation and industrialisation projects that were often related to imperial and colonial expansion or trade and economic initiatives. The emphasis has often been on the realistic, the everyday, and the busy metropolitan space. Critics have explored how cities have become real-and-imagined places in literary works that have been conferred with symbolic and structural values (see, for example, Robert Alter’s Imagined Cities: Urban Experience and the Language of the Novel). Works such as Jamieson Ridenhour’s Darkest London: The Gothic Cityscape in Victorian Literature contribute to a growing body of work that focuses on the urban gothic, both as a sub-genre and a narrative mode in literature dating from the nineteenth century to the contemporary time. The urban gothic is an important piece of any project on fantasy and urban spaces, including this one. We also hope, however, to include contributions addressing how other forms of fantasy or work in the fantastic mode has been used to engage with the city. Even marvelous nineteenth-century idyllic fantasies usually engage with the unescapable city in some way, or even substantially. We especially seek contributions that explore fantasy and the city in different cultural contexts, or that explore the relationship between the city and fantasy across cultures, such as how fantastic literature can put cities in conversations—in metaphorical, physical or symbolic terms.
Instead of focusing on one single national context, this edited volume invites contributions from scholars who work with texts that are situated in different cultural contexts and historic moments between 1830 to 1930. The volume seeks to raise new questions surrounding the relationship between the city and fantasy in a period that witnessed an enhanced global connectedness due to wars, advancement in technologies of transportation and communication, and other socio-economic initiatives. The proposed period covers key historic and cultural events that had both local and global significance. These include the Chartist campaign and the women’s suffrage movement in Britain, the Sino-British Opium Wars, the Meiji Restoration in Japan, the May Fourth Movement in China, the early Republican periods in many Latin America states, the First World War, and the transformation of Hong Kong into a crown colony, and an entrepôt. The period also covers the rise of new academic disciplines in Europe and America, including anthropology and folklore, which led to an increased interest in fantastic and marvelous tales from other cultures. Moreover, rising numbers of translations of this literature, as well as increased reading of works in their original languages (a foreign language for the reader), led to new reading audiences and new reception histories for fantastic texts from other countries of origin.
In this volume, we especially encourage contributors to consider topics that engage with more than one city or cultural context, or ones that explore different moments of cross-cultural interaction and contacts. Possible cities include (but are not limited to) Paris, Berlin, Cape Town, Istanbul, Beirut, Mumbai, Hong Kong, Beijing, Shanghai, Taipei, Seoul, Tokyo, Melbourne, Sydney, San Francisco, Chicago, New York, Santiago, Buenos Aires, Dublin, Glasgow, Edinburgh, Manchester, and London. Contributors might consider how writers make use of the fantastic mode to come to terms with new urban realities, or to negotiate their sense of (cultural) identity in the ever-changing metropolitan spaces. Other questions that they can consider include the following: In what ways does an investigation into the fantastic in different urban settings complicate our understanding of its potential in contesting real-and-fictive boundaries that condition or limit people’s ways of life, and their accessibility to different urban spaces because of race, gender and class? How might the fantastic be used as a strategy in literary texts that seek to interrogate or negotiate one’s relationship with the others in cities that were increasingly multicultural in outlook in the long nineteenth century? How might the fantastic be used as a form of resistance against colonial rule, or as an act of writing against the Empire? How might writers invoke the mythic and the fantasized characters from their own literary and cultural tradition when representing or negotiating the urban spaces and the underlying ideological assumptions? In what ways can the fantastic and the everyday co-exist and be used to interrogate new social realities?
We note that the terms fantasy and the more recently coined urban fantasy are anachronistic and highly contested terms—labels used in retrospect, sometimes in narrowly defined and sometimes in broad senses, to describe existing modes and genres. Contributors to this volume are free to draw on the theoretical accounts of the fantastic that best suit their project and the critical tradition from which they write. Contributors, however, should be consistent in their usage and should note, as needed and to avoid confusion, the varying ways in which their terms have been used.
TOPICS OF INTEREST:
- Types of fantasy that involve the city
- Imperial and/or colonial cities and fantasy
- Industrialization, urbanization, and fantasy
- Border/Boundary/Liminality: how the fantastic mode is being used to confront, mediate or negotiate liminal spaces, or various forms of “borders” and boundaries in different cultural contexts
- Medievalized cities in nineteenth-century fantasy
- Periodicals and fantasy
- Cities in conversation
- Nineteenth- and early twentieth-century responses to European or American fantasies in areas and regions such as Asia, Africa, Australia, Oceania, and vice versa
- Different fantastic modes and traditions (such as Zhiguai), and their usage and adaptations in urban contexts
- Orientalized cities, such as translations of the Arabian Nights in the nineteenth century and their impact on subsequent literary productions
- The city as a place of publication for fantasy (in periodicals or books); urban readers of fantasy–the types of fantasy they read.
- Nineteenth-century cities and fantastic Romantic legacies
- The city and the collection of fairy tales and folklore
- The Gothic and the City
- The Everyday and the City: how everyday spaces become sites of fantasy; how the fantastic responds to, or resists against, the everyday
- Nostalgia, fantasy and the city
- Fantastic urban utopias and/or fantasy and urban reform
- Fantasy and cultural identity
- Urban Typologies, architecture and fantasy
- Urban palimpsest and fantasy
- Reading fantastic cities in translation
- The reception history of a city’s fantasies either within that city and/or in other cities across the globe
If you are interested in contributing to the edited volume, please send a short bio (100–150 words) and a 400-word abstract outlining the topic and the content, including the key authors and/or texts that will be covered in your essay, to the editors, Dr Klaudia Lee (hiuylee@cityu.edu.hk) and Dr Sharin Schroeder (sharinschroeder@mail.ntut.edu.tw) by 15 January 2021.
The deadline for full chapters, 6,000-7,000 words in length (including notes and works cited), will be 30 November 2021, subject to the final decision of the publisher. We look forward to reading your proposals.
Deadline for submissions: January 15, 2021
CONTACT INFORMATION:
Full name / name of organization: Dr. Klaudia Lee and Dr. Sharin Schroeder
Contact email: sharinschroeder@mail.ntut.edu.tw
CFP: PANDEMIC, PLAGUE, PESTILENCE & THE TROPICS
Journal Special Issue theme:
'Pandemic, Plague, Pestilence and the Tropics'
The Tropics has long been associated with exotic diseases and epidemics. This historical imaginary arose with Aristotle’s notion of the tropics as the ‘torrid zone’, a geographical region virtually uninhabitable to non-indigenous peoples due to the hostility of its climate; it persisted in colonial imaginaries of the tropics as pestilential latitudes requiring slave labour; and further into wars staged in tropical arenas where illness and death from diseases reduced the availability of healthy soldiers to die on the battle field. The tropical sites of colonialism and war gave rise to urgent (western) studies of tropical diseases which lead to changes in architecture and urban planning, to biopiracy of tropical plants and indigenous knowledges, and to the creation of institutes of tropical medicine.
The tropics as a region of pandemic, plague and pestilence has been challenged during the global pandemic of the novel coronavirus disease COVID-19. The new virus neither originated in the tropics, nor were the tropical countries of the world specifically or exclusively affected. Tropical countries have been impacted by, and responded to, the novel coronavirus in diverse ways. This disrupts the imaginary of pandemics, plagues, pestilence in association with the tropics, and calls for critical, nuanced, and situated analyses.
Indeed, critiques of the notion of the Tropics as wildly infectious sites of pandemic, plague and pestilence already have a long history, articulated through the arts, film, literature, history, cultural studies, ethnographies, social sciences and urban studies. For instance, tropical epidemics (and fear of the other) have been associated with the popular vampire myths of New Orleans; disease and colonialism is as much the setting of Gabriel Garcia Marquez’s novel Love in a Time of Cholera as are the tropics of Colombia and the Caribbean sea; in Thai director, Weerasathakul’s, film Tropical Malady malarial fevers involve shamanism and shape-shifting; ethnographic studies reveal how indigenous peoples interpret and attend to tropical illnesses; and tropical infectiousness is the germ of academic research analysing heterotopic quarantined spaces of sanatoriums constructed across the tropics.
The theme, Pandemic, Plague, Pestilence and the Tropics, opens to complex intertwinings involving nature and culture, humans and animals, colonialism and indigeneity, science and conspiracy, histories and futures, reality and fiction, myth and ritual, the monstrous and magnanimous. This special issue invites a wide range of scholary articles and creative works from researchers who live in, or engage with, the tropical and subtropical regions of the world.
eTropic: electronic journal of studies in the tropics publishes new research from Arts, Humanities, Social Sciences and allied fields on the variety and interrelatedness of nature, culture, and society in the tropics. Tropical regions of the world range across: the north of Australia, Southeast Asia, South Asia, East Asia, Latin America, the Caribbean, tropical Africa, the Indian Ocean Islands, the Pacific, the American south and Hawai’i.
About eTropic:
journal ISSN:1448-2940, free open access; indexed in Scopus, Google Scholar, Ulrich's, DOAJ; archived in Pandora and Sherpa/Romeo; DOIs, Crossref; Q2 ranking.
Instructions for authors, visit eTropic announcements page: click here
Contact:
Prof Anita Lundberg, Editor-in-Chief, eTropic: journal of studies in the tropics, James Cook University Australia
Email: etropic@jcu.edu.au
URL.
Submission deadline: 1 December 2020
CFP: FINANCIALISATION IN DEVELOPING AND EMERGING ECONOMIES: MANIFESTATIONS, DRIVERS AND IMPLICATIONS
CFP: TRANSLATING CONTEMPORARY POETRY - FORMS OF TRANSITION BETWEEN EUROPE, ASIA, AND THE AMERICAS
- Application including a short CV, title, and abstract (up to 500 words) in English, must be sent by. March 30, 2020.
- As a condition for reimbursing your expenses, your paper must be accepted and submitted (length up to 60,000 characters) by September 21, 2020.
- Travel costs: second class / economy only. During the conference your expenses will be reimbursed in cash (non-SEPA) or, alternatively, after the conference by bank transfer (SEPA).
- Four nights in a hotel (booking and payment directly by our Research Center)
- Catering during the conference (coffee breaks, lunches)
- Theory: Which models of poetry translation are currently applied in various localized philologies under consideration? Upon which hermeneutics or theory of literature are they based?
- Typology: How might a typology of possible forms of lyric translation appear if it were to be constructed? Which criteria could be developed for characterizing, classifying, and evaluating lyric translations?
- Poetology of Lyric Translation: How do contemporary poets themselves understand poetic translation and what role does their understanding of translation play in their own poetics? Do contemporary translation poetics question and extend traditional notions of authorship and work identity in the process of translation? How does poetry translation differ from the translation of other literary genres?
- World Literature: What is the significance of poetry translation for the internationalization of literature? How is translation involved in the development of 'world poetry'? To what extent does poetry translation take into account the untranslatability of language(s) and culture(s)? How are self and other renegotiated and related in the process of translation?
- Forms of Practice and Praxiology: Which types of poetry translation are commonly used today in which languages or countries? How do philologists translate and how do poets translate? How does automatic translation work in the case of poetry? Which processes are involved in poetic self-translation? How does poetry translation relate to spheres of activity within the literary establishment and the literary public (concerning: authorship, copyright, publishing houses, traditional and new media, funding institutions, prizes, the reading public)? Could we even identify a sociology of poetry translation?
- Multilingualism: Recent poetry is—in various ways—increasingly characterized by multilingualism, the use of style levels and sociolects, dialects or even idiolects: What challenges are thus created for the varying target languages, and how do they differ?
- Transculturality: Contemporary poetry hybridizes different cultural influences. How do translators deal with this arrangement? And to what extent does transculturality manifest itself in the translation of poetry?
- Genre Transition and Intermediality: Contemporary poetry hybridizes characteristics of different genres and works with different media. What special challenges could thus be identified for translation?
- Traditions of Translation: What have been the main tendencies of various literatures for developing the translation of poetry and in what relation to them does poetry stand in the present?
- Multiple Translations and Dialogue versus Agonism in Translation: What poems have been translated into one language in the present with particular frequency? How could this focus on certain texts be explained? What are the reasons for the conspicuous occurrence of multiple translations? How do the translations stand in relation to each other, as well as across languages? Who or what decides whether a text is translated and thus becomes visible or remains invisible for a specific readership, and what enables a translator to translate a text, and for what reasons?
- Case Study. Paul Celan: Celan, whose hundredth birthday will be celebrated in 2020, is not only considered one of the most translated poets in the world today, but also one of the great poet-translators of classical modernism. His translational work has received an unprecedented reception in literary and translation studies. Which poems are of particular interest in which linguistic areas? How are Celan's special poetic and linguistic procedures of silence and the decentering or multiplication of meaning dealt with? How are the highly problematic topics, influenced by the Shoah, treated in translation? How is the dimension of Judaism dealt with? What image of Celan is constructed by translations in various foreign linguistic areas? What significance does Celan's own translation of poetry hold for contemporary poetry translators?
- Mystification, Transmesis, and Translational Fictions: How are mystifications in translation in the present and 'fictitious' poetry translations in other genres—such as fictitious translations of poems in a novel or translations without the original (pseudo-translations)—constructed?
- Micro Languages: To what extent do poetic translations contribute to the preservation and dissemination of micro-languages? What particularities are apparent in this context?
- Writing Systems: What challenges do the peculiarities of logographic writing systems (e.g., Chinese and Japanese) pose to translators of lyrical texts? What strategies can be used to transfer concrete poetry in these cases?
- Free Topics












